Review: When operating under the V's Edits alias, re-edit maestro Valique can always be relied upon to bring the goods. It's little surprise, then, to find out that his latest collection of fresh cut-jobs - an epic affair featuring no less than 24 tracks - is packed to the rafters with high-grade fare. We don't have enough space to list all of the highlights, but we'd suggest checking out his rolling revision of Lee Dorsey's "Night People", the low-slung disco-funk heaviness of the Brass Construction rework ("Gotta Do It"), the intergalactic disco deepness of the Marvin Gaye revision ("Funky Space"), the lightly tooled-up, slowly unfurling take on Tom Browne's "Funkin For Jamaica" and the sweeping, string-laden disco brilliance of "Miracle (V's Edit)".
Review: The Anglo-German duo who made a splash with the funky, percussive 'Rolling Jazz' earlier this year return with a two-tracker on the Manchester-based label Sprechen. 'One Two One' is another deep funker, centring around a hefty, lolloping bassline that's paired with brass fanfares, disco strings and a filtered female "let's get onto a one-to-one situation" vocal, while the accompanying 'Got To Have Your Dub' is a livelier affair with saxophone and trumpets much in evidence, a funk guitar squiggle that loops throughout and a "baby, got to have your love" male vocal snip. The latter nudges towards disco-house, but in pleasingly non-cheesy fashion.
Porsche 944 (The Vibe Drops remix) - (3:29) 95 BPM
Review: Laurent Bardainne is a French saxophonist who's played in the bands Poni Hoax, Limousine and Lost. Last year his new combo Tigre D'Eau Douce made their debut at a European jazz festival, and how here are the first recorded fruits of their labours. Deep funk meets smooth jazz would be the overall idea, with Bardainne's sax naturally taking centre stage. Jazzbos should head for 'Aot' and 'Marvin' itself, 'Porsche 944' is the pick for the funkateers, while the Vibe Drops Remix of the latter caters for the b-boys and b-girls with an added rap vocal.
Review: Tom Vine AKA Chewy Rubs fires forth four more salvoes from his disco machine gun. 'Disco Hook' gets the ball rolling, a lively affair that sports some killer space disco stabs and a looped "disco music" vocal, and that recalls Joey Negro's work with The Trammps. 'Party Tool (Chewy Rubs G-Funk Disco Dub)' is another one that doesn't take much explaining, given that the relevant keywords are right there in the title; ditto 'Garage Disco IV', which rocks a super-infectious bassline not dissimilar to last year's 'Sombrero' and old-school "jack!" vocal samples, while finally 'Hypnotizin', as you've probably already guessed, borrows from Raw Silk.
Dub Sense - "Hood Flow" (feat MC Mel) - (5:23) 175 BPM
Krom & System - "Crackpot" - (4:28) 175 BPM
Review: Logikz Audio are building up a name for themselves as a label who never fail to bring out the big guns with their music. It's always heavy, hard-hitting and built on soundscapes and vibes which are deeply urban. The first track on this VP is no different and it kicks off with 'How We Do', a punchy roller with a bassline that stretches out over the horizon, the only constant being its grinding, coarse nature and the manner in which it constantly mutates and evolves. 'Twisted' is equally as rough but less rolling and more stepping, its structure and nature constantly changes, and it keeps the tune sounding consistently fresh. The rest of the EP is absolute vibes too.
Review: Dub Damage Recordings don't tend to put out music that's weak, thin or otherwise not suitable for the dancefloor. This EP courtesy of Jeopardize & Exile is a testament to that, both cuts do some serious damage and the release overall is certainly on the sharper end of the spectrum. 'Cypher' is the best of the bunch and it's got a rough, Sofa Sound edge that injects a satisfying level of oomph into the arrangement. Exile's remix of 'Cuntroll' is a close second and its incredibly unique concoction of swirling basses and gargling pulsars adds a wicked futuristic element. Top EP from the Dub Damage crew.
Review: Rub-a-dub-dub, a bunch of producers in the tub, none of them are clean because they're all making proper stinkers for Ghetto Dub. And these are a handful of examples. As the label unleashes the parts to some of its many key recent releases to four exciting talents. Man-of-the-moment Sikka takes the lead with a crucial tear-up of Vinyl Junkie & SR's "Peace Pipe" while Ly Da Buddah adds a whole new twist to Rachel EC's "All Rudeboys & Rudegirls" with an immense chainsaw bassline that cuts right through the mix. Elsewhere we get tremendously woozy and wonky with DJ Gaw's remix of Bill & Ed's "These Streets" before Dublic closes the show with an absolutely savage junglised slap-down of "Paradise Lost". Rerub? Rewind more like!
Review: Murky Digital are a label who do what their name might suggest in that they release digital murkiness on a regular basis. Black Lagoon is a various artists release that brings together Jaxx, Euphonique, Vital, Damageman and Tarz, all of whom have contributed dastardly naughty tracks. Vital's 'Bank Robbers' is up there with the best of them and it's all about that bassline, a foghorn of groaning, fiery proportions which rattles its way through the arrangement. Damageman also impresses with 'Low Signal', a sub-heavy roller which will please the more minimalistic heads amongst you. Banging stuff.
Review: There have been few labels that have impressed us at Juno Download more than Strictly Flava this year, primarily due to their incredible levels of consistency. This latest drop is a fantastic way to demonstrate that as they unveil the first of the 'Strictly Flava Allstars' series, with Brenz starting proceedings with a super groovy vocal mashup entitled 'Lingerie Music'. Next, Tuff Culture touches down with a big room roller entitled 'Vibrations', before the colourful melodies of Para's 'Promise' and old school LFO work of Pepe Elle's 'Fresh Pillow' roll out. Finally, we find ourselves with a really original piece as Sensa lays down some refreshing sub work, alongside smart vocal assists on 'Let It Go' to polish this one off with some serious finesse.