Review: Representing the vibes and history of reggae culture except with a uniquely British urban twist, Agro & Too Greezey drop a five-track testament to his ability as producer here. We've featured his music in the past and every time we do it's a devilish concoction of force and finesse, an amalgamation of ability and acumen. 'Fled The Scene' is as big as it gets, both in terms of its steppy percussion and driving bassline; 'Shot To Bits' reminds of Kings of the Rollers with a bassline that roars out the stops; title tune 'Time Traveller' combines reggae atmospherics with a rolling finesse. Sick EP.
Review: Cru-Cast is the music platform that has rapidly expanded into the world of events, with a focus on raucous basslines across bassline, D&B and more, it's been shelling venues up and down the UK for a couple of years now. The label side is part of the same offensive and Bru-C is the soldier in command today, a grime MC who can flip between genres easier than more, a skill he shows off here on his debut LP Original Sounds. 'Snakes & Ladders' featuring Bou and Ella Knight is a highlight for sure, as the potent Bou maintains his usual prowess but this time on a lighter tip, Ella's vocals coming into play in a sick way and Bru-C's bars tying the whole thing together a flourish. Skepsis makes an appearance, as do Jamie Duggan, Chromatic, Simula and more.
Review: Deep In The Jungle Records is a UK jungle imprint that have been making bigger and bigger waves over the past several years, a big part of which is their affinity for fat compilations that straddle numerous sub-genre boundaries and which represent lots of different artists. This next one is about classics and it features artists like Conrad Subs, Kumarachi, DJ Hybrid, Kartoon and more. Conrad Subs is a favourite of ours and his cut, Takeover, is a wicked, deep rolling piece of work that packs a sick bassline, one which makes you think of late-night raving at its finest. This is a top compilation from a star label of the new wave.
Review: On this release are two artists with a low-key fantastic back-catalogue and after a bit of a slow-down in terms of output, they're back on Seven Ballpark Recordings with a fierce EP that shows off some serious production finesse. 'Ya Ere Me is our favourite off the release, an expansive, growing number that starts in small pieces and gradually puts itself together, each synth sounds wicked and the combination of all of them is next level. It's very creative and has a unique rhythmic structure that some won't like but that others will love and regardless, it's a top-level cut. Yes mate!
Review: Liondub International's 10 year celebrations continue with a sense-shocking body slam into the future of the label and its ever-growing family of talented artists. Hitting hard like the label's ever-on-point Street Series, the rollcall reads like a who's who in gully talent: Dutta, Bou, Jayline, Vital, BlckHry and loads more. Whether you want to be completely twisted and spat back out by a brass section (Pharoah's "Fire In The Hole") you'd prefer to be hoovered by a jet engine then shot up into the stars (Jayline's "1408") or you're more into the idea of being rattled around in a big tin bassline can (Danny The WildChild's "Body Moves") this future shock has every physical experience contemporary (but heavily rooted) drum & bass can offer. And there's even more to come. Big up Liondub!