Review: Oh gosh!! Giant-among-men Swift finally drops the biggun we've been waiting YEARS for. And it's clear from the opening filth-flinger "Dogs Of War" (with Gino) that this album is the full-fat uncut high grade LP message we've been longing for. 20 tracks (including remixes of classics by the likes of Serum and A.M.C), this packs more punch than a night out MCing to naff jump-up with Tyson Fury. Seriously, from the militant charge of "Freebass" to the cheeky riff swagger of "Creeper" via the Virus-style techy thunder of "Origin", the savage jungle techno homage "Loftgroove" and the heavy 110 BPM slo-mo rave messiness "The Gully" this leaves no stone unturned whatsoever... And this is only the first part. Wow. Swift ain't messing around here.
Review: Killaz by name, killer by nature; Vital Elements and Tobie Scopes' continue to set the agenda as DJs, artists and as label owners. This third annual mix-up is certainly no exception as they plough through 59 tracks - many of which are brand new exclusives - to paint a picture of exactly where drum & bass is at right now. A thick smelly melting pot, everything is thrown into the mix: Upgrade's spine-trembling harmonics on "The Voice", ruded-out bassline badness from Voltage ("My DJ"), various jump-up hybrid creepers from Russian newcomer Ozma, brand new dark wobble lava from Serial Killaz themselves ("Rudebwoyz") the list goes on and on. This is a huge package and it comes with a superb mix too. Treat yourselves or defeat yourselves.
Review: Blackley is the DJ and producer who originally became known for his trademark mixing style across 6 CDJs, a fast and furious style that saw him chop and change between subgenres, tempos and producers. That diversity has come to life on this Cre8 Dnb Music remix ep, featuring Sub Zero. Harley D, Tyke and Jaydan, four producers who certainly know how to make a jump up record. The story here is one of flexible force, from the old-school studded stabs of Sub Zero's take on 'Actions', to Tyke's garbled funk on 'I Like IT', all the tracks have flair, they move well and hit hard. Lovely.
Review: Holy moly! This is how you smash open a new decade; a 50 track album absolutely drenched in stinkage. Now a tradition for DJ Hybrid's label, this anthem collection is one of the biggest to date with names and vibes across the spectrum. Epicentre, Kumarachi, Conrad Subs, Stompz, Veak, RMS and many more all bring their fieriest artillery with highlights bursting from the seams. Every single track slaps the dance from the stripped back drumfunk and demented mentasms of Substrate's "Throwback" to the mystic sitar twangs and heavy bass bangs of Euphonique's "Moksha" via ruded up Dread bass badness of the bossman's own "Lost In The Jungle". And that's not even the tippiest tip of this anthemic jungle iceberg. Don't dilly dally.
Review: Pyro is unleashing an onslaught over on Unauthorized Audio with a tight sounding four-track EP. 'You' is a dark, moody stepper that doesn't care about rules and certainly doesn't care about feelings. The main bass on this tune oozes quality and packs some serious weight, reminiscent of the Souped Up crew. 'Smoke' is slightly less crazy but it definitely is still on the crazy end, as gargled bass notes inject a whole load of force into the arrangement and there's a wicked bit of MC work to boot. "I Luv Girls' is downright nasty, and 'Frequency' combines a sub-heavy bit of minimal work with some dirty foghorn business. Tasty.
Review: With Hazard rounding up another killer year for Hype and Pascal's label with his first release in five years, Playaz take stock of 2019 with this savage showdown from all their main mandem. From the eerie gurgles and scraps of Annix & Kanine's "Jackpot" to the flabby wobbles and groans of Limited's "Soldier" to the sweet seduction twist of Jam Thieves' "Love Forever" this 25-track pack covers the entire spectrum of proper rave-primed drum & bass with all manner of curveballs and boundary-pushing badness. No compromises, a healthy balance of elder statesmen, new headliners and young talent and a sound that's distinctively theirs, Playaz are about to bulldoze into a new decade... And this is how it all begins.
Review: Bagged & Tagged are a regular here on Juno and for good reason, their proclivity for steadily releasing rough but energetic, whole-hearted cuts is strong and their small size doesn't prevent the release of top-quality music. They've roped in the Belgian crew for this one and 'Market' is the strongest on the release, with a Low Down Deep-esque feel to its cracking percussion and a torn, broken back end that rips across the range with style. The other 3 cuts go down a similar, wicked jump-up route and, if you like B&T, this is the release for you.