Review: Bagged & Tagged are a regular here on Juno and for good reason, their proclivity for steadily releasing rough but energetic, whole-hearted cuts is strong and their small size doesn't prevent the release of top-quality music. They've roped in the Belgian crew for this one and 'Market' is the strongest on the release, with a Low Down Deep-esque feel to its cracking percussion and a torn, broken back end that rips across the range with style. The other 3 cuts go down a similar, wicked jump-up route and, if you like B&T, this is the release for you.
Review: Barely a month has passed since Dan Corco's Robsoul debut, "Dance Therapy", hit download stores, but already the long-serving - if frustratingly little-known - producer has delivered a sequel. Like its predecessor, there's much to enjoy, from the supple, loose-limbed shuffle of "U Can Try Tonight" - all electrofunk synthesizer flashes, soulful male vocal samples and chunky deep house grooves - to the hypnotic disco-house loops and bass breakdowns of closing cut "Tchoz". Sandwiched in between you'll find the bombastic peak-time bounce of boompty style workout "On The Bit" and the fluttering, synth-laden filtered disco-house excitement of "Phasys".
Nick Curly & Audiojack - "The Voodoo" (Audiojack remix) - (7:14) 126 BPM
Nick Curly & Marco Faraone - "No Takers" (Marco Faraone remix) - (6:09) 127 BPM
Nick Curly - "The Voodoo" (2019 Remaster) - (7:37) 126 BPM
Nick Curly - "No Takers" (2019 Remaster) - (6:54) 125 BPM
Review: 8 bit chief Nick Curly has taken two tracks from his back catalogue and tapped Leeds-based heroes Audiojack (Gruuv) to rework his 2016 song "The Voodoo" into a funked-up and rolling thriller aimed squarely at dancefloors on The White Isle. Curly has described the remix as 'perfect' - enough said! If that was not enough, Italian main room techno expert Marco Faraone gets tapped for some remix action too, and he sure does deliver the goods. Curly has known the Tuscan producer since the early days of Cecille and had wanted to reconnect with him for some time. The Uncage main man gets straight down to business on the steely and swing-fuelled remix on "No Takers" which was originally released by Curly in 2018 - and it's a right stomper!
Review: Someone give Sam Binga some shampoo - his EP cap fits so well he's been wearing it since April! Thing is, it fits so well... No matter how you dress it. Previous iterations of tracks from the EP landed late summer, now comes a new chapter as Halogenix dons his Lordel guise for an iced-out halftime take of the Paul Wall-fronted title track that creeps with real shadowy wave feels. Speaking of shadows, and indeed Halogenix, "Flexha" is a brand new fix up of Bing and Halogenix's "I'm An Adult" now loaded with full fire bars from the one and only Trigga. Thiccer vibes, still the same badboy cap. Strictly 18+
Review: Dusty, slammed down disco-house cosmiq. Whatever you wanna call it; space western discoteque pop from the techno future is still fun too. With dub trailing atmospheres streaking across the face of tracks like "The Light", all three here surf the skywaves of Detroit techno and Chicago house, lifting key notes and aquatic stabs from somewhere deeper in between too. Ripping key-tars and twangs bring the funk in "Volpi Polari" with "Fluto" going to Eiffel tower heights of Jean Michelle Jarre trance and '90s warehouse beats to lift you high.
Review: Now entering its 20th year of gully manoeuvres, Grid Recordings unleash another set of remixes of the bossman's tracks through the ages. First up Jayline gets out his stick and whacks "Last Days Of Rome" within inches of its life with a big high voltage bassline, Grid regular Nick The Lot flips "Danger Zone" into a much crunchier, rasping affair and Argentinian newcomer Yatuza adds whole new levels of trippiness to "Edge Of The Dome". Last but not least Matt View and Marvel Cinema go right back to 2003, grab Pony Pleasure by the scruff of its neck and give it a good scrub with cosmic soap. Nice and bubbly.