Review: When operating under the V's Edits alias, re-edit maestro Valique can always be relied upon to bring the goods. It's little surprise, then, to find out that his latest collection of fresh cut-jobs - an epic affair featuring no less than 24 tracks - is packed to the rafters with high-grade fare. We don't have enough space to list all of the highlights, but we'd suggest checking out his rolling revision of Lee Dorsey's "Night People", the low-slung disco-funk heaviness of the Brass Construction rework ("Gotta Do It"), the intergalactic disco deepness of the Marvin Gaye revision ("Funky Space"), the lightly tooled-up, slowly unfurling take on Tom Browne's "Funkin For Jamaica" and the sweeping, string-laden disco brilliance of "Miracle (V's Edit)".
Review: There are super-collabo and then there are genuinely epic hook-ups like this. Plasma bossman Safire and MC/poet/soulman extraordinaire DRS are the consistent figures across both tracks as two of the best producers in the game join in for each piece. Skeppy takes the lead with the purring, deep breath creeper "With You". The ideal glacial bed for Del's cold bars, if you're not goosebumping to this there's something wrong with your soul. Similarly, if you're not swooning in good vibrations to "Set The Bar" - this time with absolute OG Zed Bias joining them on dials - then you should call a doctor ASAP. What a release.
Review: The Anglo-German duo who made a splash with the funky, percussive 'Rolling Jazz' earlier this year return with a two-tracker on the Manchester-based label Sprechen. 'One Two One' is another deep funker, centring around a hefty, lolloping bassline that's paired with brass fanfares, disco strings and a filtered female "let's get onto a one-to-one situation" vocal, while the accompanying 'Got To Have Your Dub' is a livelier affair with saxophone and trumpets much in evidence, a funk guitar squiggle that loops throughout and a "baby, got to have your love" male vocal snip. The latter nudges towards disco-house, but in pleasingly non-cheesy fashion.
Porsche 944 (The Vibe Drops remix) - (3:29) 95 BPM
Review: Laurent Bardainne is a French saxophonist who's played in the bands Poni Hoax, Limousine and Lost. Last year his new combo Tigre D'Eau Douce made their debut at a European jazz festival, and how here are the first recorded fruits of their labours. Deep funk meets smooth jazz would be the overall idea, with Bardainne's sax naturally taking centre stage. Jazzbos should head for 'Aot' and 'Marvin' itself, 'Porsche 944' is the pick for the funkateers, while the Vibe Drops Remix of the latter caters for the b-boys and b-girls with an added rap vocal.
Review: Mexico's Deep Sense serve up a six-track EP that shows there's more than one way to go about repurposing a classic. Rather than simply looping up chunks of the original, the edits here get a little more creative - Sauco & Manuel Costela's 'Are We Ready?', for instance, takes the vocal from Fatback's 'Bus Stop' vocal and places it over a fresh (and utterly irresistible) funk backing, while on 'Last Nite' Tony Disco uses a similar trick to reinvent an InDeep classic in altogether sultrier, jazzier form. An equally well-known chanted vocal tops the brass-tastic 'Flamingo' from Hot Mood, and there are three more very playable nuggets where those came from!
Review: Tom Vine AKA Chewy Rubs fires forth four more salvoes from his disco machine gun. 'Disco Hook' gets the ball rolling, a lively affair that sports some killer space disco stabs and a looped "disco music" vocal, and that recalls Joey Negro's work with The Trammps. 'Party Tool (Chewy Rubs G-Funk Disco Dub)' is another one that doesn't take much explaining, given that the relevant keywords are right there in the title; ditto 'Garage Disco IV', which rocks a super-infectious bassline not dissimilar to last year's 'Sombrero' and old-school "jack!" vocal samples, while finally 'Hypnotizin', as you've probably already guessed, borrows from Raw Silk.
Review: In sporting terms, statistics tell us that teams do better on "home turf". It seems a fitting title then for House of Disco's latest multi-artist extravaganza, which is the musical equivalent of a thumping 5-0 home win with free beers and hugs at full time. The standard is uniformly high throughout, from the bounding bounciness of LPM's rap-sampling disco-house cut "Get With It", to the impeccably warm and sun-kissed jazz-house vibes of Purple Ice's "Adeus". In between you'll find the rolling, synth-heavy warmth of Mix & Fairbanks' deliciously loved-up "Shergar's Revenge" and "Me, You, Us", a chunky sample-house number by Shee full of swirling strings, looped guitar riffs, hazy chords and righteous spoken word samples.
Review: Dub Damage Recordings don't tend to put out music that's weak, thin or otherwise not suitable for the dancefloor. This EP courtesy of Jeopardize & Exile is a testament to that, both cuts do some serious damage and the release overall is certainly on the sharper end of the spectrum. 'Cypher' is the best of the bunch and it's got a rough, Sofa Sound edge that injects a satisfying level of oomph into the arrangement. Exile's remix of 'Cuntroll' is a close second and its incredibly unique concoction of swirling basses and gargling pulsars adds a wicked futuristic element. Top EP from the Dub Damage crew.
Review: Rub-a-dub-dub, a bunch of producers in the tub, none of them are clean because they're all making proper stinkers for Ghetto Dub. And these are a handful of examples. As the label unleashes the parts to some of its many key recent releases to four exciting talents. Man-of-the-moment Sikka takes the lead with a crucial tear-up of Vinyl Junkie & SR's "Peace Pipe" while Ly Da Buddah adds a whole new twist to Rachel EC's "All Rudeboys & Rudegirls" with an immense chainsaw bassline that cuts right through the mix. Elsewhere we get tremendously woozy and wonky with DJ Gaw's remix of Bill & Ed's "These Streets" before Dublic closes the show with an absolutely savage junglised slap-down of "Paradise Lost". Rerub? Rewind more like!