Review: When operating under the V's Edits alias, re-edit maestro Valique can always be relied upon to bring the goods. It's little surprise, then, to find out that his latest collection of fresh cut-jobs - an epic affair featuring no less than 24 tracks - is packed to the rafters with high-grade fare. We don't have enough space to list all of the highlights, but we'd suggest checking out his rolling revision of Lee Dorsey's "Night People", the low-slung disco-funk heaviness of the Brass Construction rework ("Gotta Do It"), the intergalactic disco deepness of the Marvin Gaye revision ("Funky Space"), the lightly tooled-up, slowly unfurling take on Tom Browne's "Funkin For Jamaica" and the sweeping, string-laden disco brilliance of "Miracle (V's Edit)".
Review: Ganbatte's latest affair may be all-star affair, but Fabiolous Barker rightly takes top billing thanks to delivering two takes on his latest track, "The Expert". He opens the EP with a hybrid electro/disco flavoured "Old Skool Re-Master" full of whispered vocals, crunchy guitars, throbbing synth-bass and tight horn blasts, before returning at the end with a "Funka-Masta-House" version that underpins the music with a head-nodding house style beat. In between you'll find the bouncy, Hi-NRG era Latin disco-house insanity of Dim Zach's "La Habernaro", the dreamy harmony vocals and ear-pleasing nu-disco grooves of Carlos Gatto's "Call It Love" and the alien funk masterclass that is Don Dayglow's "Gotta Say Yes", a suitably throbbing revision of an old Yello favourite.
Review: Mexico's Deep Sense serve up a six-track EP that shows there's more than one way to go about repurposing a classic. Rather than simply looping up chunks of the original, the edits here get a little more creative - Sauco & Manuel Costela's 'Are We Ready?', for instance, takes the vocal from Fatback's 'Bus Stop' vocal and places it over a fresh (and utterly irresistible) funk backing, while on 'Last Nite' Tony Disco uses a similar trick to reinvent an InDeep classic in altogether sultrier, jazzier form. An equally well-known chanted vocal tops the brass-tastic 'Flamingo' from Hot Mood, and there are three more very playable nuggets where those came from!
Review: As ever with the fantastic 2TUF4U imprint, we have been gifted with a slice of UKG magnificence, with the illustrious Karl Brown Of Tuff Jam joining us for a super experimental three track piece. From start to finish, this EP really draws off a nostalgic use of dynamics, with tracks having numerous volume switch ups all the way through, beginning with the super choppy drum thumps of 'Intro Special'. Next, we surge into the Klub edit mix of 'So Good', again using crunchy grooves and organ chords to bring a classic garage vibe, before we land on the warm, fuzzy arrangement of 'Get Up'. Following this we dive into the two additions from Dub Jamz , who provides more old school tastings in high tempo drum grooves of 'Unity Theme', before rounding off the project on the chord-heavy progressions of 'I Don't Know.
Review: Greek producer Chris GS returns to Israel's Thunder Jam with four more slices of reworked vintage funk/disco goodness. He's dug nice and deep for this set, so the original source material remains a mystery in most cases, but in his hands 'Shake It' is a strings-drenched disco number that would've sounded right at home on the 'Saturday Night Fever' soundtrack, while 'Lady' rocks a slightly rawer funk vibe. The same goes for 'The Funk', which reworks Positive Force's 'We Got The Funk' from 1979, while finally 'About It' leans a little closer towards early 80s boogie territory.
Review: A reissue here for a sought-after Italo-disco classic from way back in 1983, as UTC Limited serve up two tracks that originally featured on the Orchestra Charles Brissot's one and only long-player 'Running For Fun'. 'Second Galaxis' owes a major debt of inspiration to Space's 'Magic Fly' from a decade earlier, being centred around a very similar-sounding plinky-plonky analogue synth riff (as well as some startlingly acid-like burbles), while 'Serenade To The Sunrise' is a gloriously cheesy affair with synthesized strings taking the lead - were The Love Boat ever to take off into outer space, this is what'd be playing in the ballroom!
Review: Subwoofah are rolling things out nicely here with a joint four-tracker from Grimsey and Speaker Louis, who manage to combine riotous jungle with more considered tones to great effect. 'It Was' lands more on the side of the former except it smashes out the jump up stabs over a staggered, junglist undercarriage which injects a whole new dynamic of broken, torn energy to create a proper choon. 'What You Do' is a bit more stripped back, a bit more focused on the drum side of things and it works really well, sub-bass stabs abound in the gaps and its all just very sick. Top work you two.