Review: It's been a long time coming, but we are very excited to now see the 1Forty imprint dropping their releases through Juno, with this latest compilation project being the latest, showcasing just how strong they have become as a musical imprint and brand. They here return to their grimey, 140BPM roots with four absolute heaters, kicking off with a high energy, war-ready combination between the legendary Killa P and rapidly rising Fork And Knife. Next up, NothingNice arrives on production duty with more heavyweight flavours, over which Dizzle Kid & Killa P provide the vocal artillery before 9TRANE teams up with Fork And Knife for a monstrous 4x4 roller, dripping in OG grime energy. Finally, Hayz takes old school to an entirely new level as he employs super nostalgic synths and melodies over minimal, authentic drum patterns on 'High Top', to put the finishing touches on an awesome selection!
Review: Alix Perez's mighty 1985 imprint has been taking the D&B world by storm for the past couple of years and it's thanks in part to a series of wicked compilations, some big and some small. This is the second outing in the mini VA series Folio/ and they've pulled out all the stops, roping in a who's-who of forward-thinking music that includes Perez himself, SubMarine, Hyroglifics and others. Perez's contribution is classic Perez: moody, murky basslines and soothing, haunting samples that balance each other out into an equilibrium of pure satisfaction. SubMarine's 'Grunge' is more pure energy, a rippling number that's as fluid as it is devastating - perfect for the dancefloor. Tracks 3 and 4 don't mess around as well, but we're not really very surprised because Scepticz, Lavance, Hyroglifics and Visages are all just so damn good. Pick this one up.
I'll Take You There (Moplen remix) - (7:23) 125 BPM
I'll Take You There (Director's Cut Classic Signature mix) - (7:50) 125 BPM
I'll Take You There (Dimitri From Paris ReEdit) - (7:48) 125 BPM
Review: A second 'Director's Cut Collection' of Knuckles classics reworked by long-time collaborator Eric Kupper is coming next month, but in the meantime this soulful, Jamie Principle-sung 2011 cut which featured on July's first installment gets a single release, with the Classic Signature Cut that was on the album now augmented by the Dimitri From Paris Re-Edit from the original 12-inch, plus a brand new Moplen Remix. The latter introduces some wigged-out Hammond work, Dimitri opts for a blissed-out vibe, while the Signature Mix still sounds as gloriously retrofied as it did in 2011, trance-lite synths and all!
Review: Bizarrely, Running Back boss Gerd Janson describes this multi-artist EP as "a sampler for a hypothetical mixtape". Perhaps he should make that imaginary mix a reality, because all four cuts are quality. Check first the throbbing and pulsating brilliance of Storken's "Lille Vals", which sounds like an Italo-disco obsessive's take on Bobby Orlando's mid-1980s work (with a little NYC freestyle thrown in) before donning your extra-special dancing shoes to shuffle along to Alan Dixon's new dancefloor "Drums Mix" of his synthesizer soundscape "Ambient Braindisk". Zombies In Miami predictably deliver the goods on bleeping, synth-laden nu-disco throb-job "Panoramica", while Hokaiido's "Talisman" offers the perfect combination of delay-laden proto-house drums on steroids, bold freestyle bass and cheery synthesizer melodies.
Review: Rub-a-dub-dub, a bunch of producers in the tub, none of them are clean because they're all making proper stinkers for Ghetto Dub. And these are a handful of examples. As the label unleashes the parts to some of its many key recent releases to four exciting talents. Man-of-the-moment Sikka takes the lead with a crucial tear-up of Vinyl Junkie & SR's "Peace Pipe" while Ly Da Buddah adds a whole new twist to Rachel EC's "All Rudeboys & Rudegirls" with an immense chainsaw bassline that cuts right through the mix. Elsewhere we get tremendously woozy and wonky with DJ Gaw's remix of Bill & Ed's "These Streets" before Dublic closes the show with an absolutely savage junglised slap-down of "Paradise Lost". Rerub? Rewind more like!