Review: Opal Tapes and Lobster Theremin aside, S Olbricht has landed on some of the most interesting independent house and techno labels over the last three years, and so this new EP for Lee Gamble's UIQ seems like a natural fit. This guy's style of house and techno is as loose and leftfield as you can possibly get for club music, a starting from the slithering beats and swamped sonics of "137x3brk" we get an instant picture of Olbricht's freedom behind that mixing desk. This open-minded take on the genre is yet more evident on the gloriously off-kilter "Ktyring", and reaches a total climax of abstraction though the nearly beatless "J UC". "F1oa1" is a hard techno missile in terms of its beats, but the melodies gliding high in the mix have more in common with ambient than anything dance-based. It's a real excursion...the sort of EP that makes the whole 'outsider' moniker seem credible.
Review: Florian Senfter aka Zombie Nation and Tiga's ZZT project gets the remix treatment with a diverse set of results. At the raucous, bleepy house end of the spectrum are the versions by Clouds and Sound of Stereo, with the latter's tweaky remix sounding restrained compared to the atonal madness of the former's reshape. It's not all noisy exuberance though; Gesaffelstein's remix seeks to plumb to Drexciyan depths with a bassline that sounds like it was inspired by the Detroit legends and the versions from Crowdpleaser and Plein Soleil do a fine approximation of raw, analogue house. However, it's Julio Bashmore who steals the plaudits here with a soaring bassline fused with intelligent techno style melodies for an unforgettably sublime outcome.
Zy Clone (Vectorvision Re Vision) - (5:57) 130 BPM
Review: Here's something to put lead in the pencil of any electro nuts out there: a high-profile collaboration between rising star Vectorvision (AKA Dallas producer Brian Bishop) and all-round legend Convextion (AKA Gerard Hanson). In its original form, ZY Clone is something of a beast, sitting somewhere between the heavy, angular, acid-laced Dutch electro sound and the melodious, synth-laden, deep space bliss of Hanson's usual Convextion fare. Bishop goes solo to provide the obligatory flipside remix, layering waves of glacial, cascading synthesizer lines and spacey chord progressions over an action-packed drum machine workout. Naturally, both sides are rich in bustling analogue drum machine hits and vintage synthesizer motifs.
Review: Sprechen is a Manchester based platform to showcase electronic music with a passion for melody, groove, soul and energy. There are no limitations of style and a diverse release policy. For their latest label compilation, the gang celebrates two years in the business - label boss Chris Massey teams up with Spain's James Rod on the funked up nu-disco of "Spanglish" featuring vocals by Danielle Moore, homegirl Gina Breeze serves up some bouncy late night tech house on "Make Me Feel" while Norway's Kohib delivers some true Italo style business on "Hot Pants And Dance Shoes" and Australia's Planet Jumper bring da funk on "Before The Diamond Turns To Dust". Sprechen was launched by former Electric Elephant booker and manager Massey as a side project, alongside his A&R role at Paper Recordings.