Review: Half the fun of each new Ibiza season is the accompanying DJ mix albums that ensue. Here it's the turn of Z Records' legend, Joey Negro, who compiles and selects Z Records Presents Ibiza 2017. With Joey Negro you know you will always get an expert blend of house and disco, new and old. Here we see exclusives rub shoulders with first time digital virgins. Highlights include Dr Packer's thumping edit of "Change Position (88)" by Brooklyn Express, the hazy bass twangs of "Phantom" by A Band Called Flash and the warm electro of "It's More Fun To Compute" by Negro himself.
Review: Not to be confused with the techno-minded Dutch label of the same name, this Deep Sense is based out of Mexico, they have a penchant for the funkier side of the dance and the cheekier side of edit culture. They proved it on their inaugural voyage in November 2014, and they're proving it once again right here... Kicking off with the sax-massaging jack-jam "The Road To Kalakuta" the whole album is an instant party full of sassy sonic surprises. Highlights include the dusty vinyl crackles and heaving harmonics of Rafael Fernandez's "Nothing's Changed", the epic synth-slapping cosmicity of Funk My Jesus "24K", the classic funk guitar squeezes of Chuggin Edits "We Got The Funk". And that's just a handful of party peals to be harvested from this 16-track heavy album. Bon voyage indeed!
Review: A UK disco master with almost 30 years experience, when Dave Lee aka Joey Negro presents his selections we all sit up and listen. Here's his take on the year that was and it's brimming with 19 rich and rewarding gems to see us through the holidays. Highlights include the deep gospel shuffle of "Reach Out (Atjaz remix)" by Sean McCabe, the sizzling crackle of camp disco accelerator "Unique (New York Underground mix)" by Danube Dance & Kim Cooper and Pezzner's warm synth funk rework of "Candy Coated Perfection" by Opolopo and Diane Charlemagne.
Review: It sounds like Ibiza 2013 will be remembered as the year that the piano returned. At least that's the sense one gets from listening to the latest Toolroom compilation. From C2's edit of new school house act Bicep's "Vision of Love" to the trance meets old school techno of Kaiserdisco's "Night & Day", the plaintive ivory keys loom large. Of course there are exceptions, like Breach's stripped back, abrasive remix of Jamie Jones' "Tonight In Tokyo", but when even the darker tracks, like Ejeca's "Witchdokta" sampling, break beat house monster "Rosario", drops into an evocative piano break down, you know that it's the dominant sound of the season.
Review: Judging by Toolroom's latest mammoth collection, the sound of the White Island in 2014 will be uplifting house music. Granted, there are some diversions on this compilation thanks to Eric Sneo's rattling minimalism and Doorly's jacking "Thunder Clap", but these are few and far between. Even Kelis gets in on the vocal house sound, with Breach chopping up the singer's vocals on his tracky version of "Rumble". Breach faces stiff competition from his peers though, with Tensnake turning London Grammar's "Hey Now" into an epic vocal anthem. However, the stand out contribution comes from a real veteran and MK's piano-led take on Lancelot's "Givin' It Up (feat Antony & Cleopatra)" recalling classic KMS.
Review: Here's the latest in the series of double albums that round up rare original B-Boy breaks, the kind that found greater fame as samples much later. As ever, selections largely hail from the 70s soul and funk worlds and include the lazy boogie stomp of "Checkin Out Your Love", the groovy percussive freak-out of "Drummer Man" and the crazy Moog-fest of "Tryin To Get Over".
Andrea Calella Presents Giardini Miri - "Quanta Genti Porti" (feat Lady Fly - Kari's Midnight Sun remix) - (7:55) 118 BPM
Review: Label Worx sub label present the very best of house music emerging from the fertile Croatian scene - the eighth edition no less. The influence of UK tech house, stateside funky house and the modern sound of progressive house all make their mark on this terrific compilation showcasing the nation's youngblood. Highlights came courtesy of: DJ Kingdom on "Time To Get Down" (Jay Williams remix), Bruno Costa's terrific "Mineral" (original mix), the raw energy of Nytxpress Musiq's "Just Once" (original mix) and James Meid on "Sometime" (original mix).
Review: London based Alien Disco Sugar produces quality remixes, edits and original tracks. He returns on Greece's Digital Wax Productions with Gravity Stars & More Sugar - The Best Of Vol 2. From the lo-slung boogie of "Forgetin", the pure disco inferno of "Feel Like I Feel", the massive horns arrangement of "Funkin' Around" or the classic soulful vibes of "Your Love" - this collection of classics is timeless and all have been respectfully edited by the man - just the way we like it. It's a whopper of a compilation, with 26 tracks all in all. And if that was not enough, they are all mixed to perfection on not one, but two continuous mixes - which had us boppin' about the office all day and will no doubt have you dancin' the nights way too - well into 2018! Other than a release by Frey Bentos, Digital Wax has served as an outlet solely for Alien Disco Sugar throughout the better part of 2017.
Review: Bass is all over the place in the UK at the moment, so much so that this is already the second instalment in this recent compilation series. Boasting some heavy hitters including number one hit "Feel The Love" by Rudimental feat John Newman, we get 40 tracks spanning drum and bass, dupstep and electro house. Highlights include the fluffy pop meets dubstep of Netsky's "Come Alive", the wobble-hop of Foreign Beggars' "Flying To Mars", the future drum and bass of "I Remember" by Culture Shock and the epic synths of Camo & Krooked's "Further Away".