Review: Half the fun of each new Ibiza season is the accompanying DJ mix albums that ensue. Here it's the turn of Z Records' legend, Joey Negro, who compiles and selects Z Records Presents Ibiza 2017. With Joey Negro you know you will always get an expert blend of house and disco, new and old. Here we see exclusives rub shoulders with first time digital virgins. Highlights include Dr Packer's thumping edit of "Change Position (88)" by Brooklyn Express, the hazy bass twangs of "Phantom" by A Band Called Flash and the warm electro of "It's More Fun To Compute" by Negro himself.
Review: An outlet for both unreleased and exclusive music from the label's family members alongside rising talents, this is the fourth instalment of Toolroom's popular 'House Party' series. Featuring standout releases from Mark Knight's label plus the scene's biggest imprints, with highlights coming from: industry heavyweights Nic Fanciulli & Andrea Oliva on the slinky "Medium Rare", the inimitable Yousef with the pounding acid of "Save Me" (feat. Molly Green), legend Todd Terry with TCTS on the boompty bounce of "Get Freaky" and UK tech house hero Seb Zito delivering the peak time stomper "Don't Stop". As if that was not enough, there are also three continuous mixes by scene stalwarts such as Lefti, Piero Pirupa and label staple Maxinne.
Review: Toolroom is back with the second instalment of the 'House Party' series, with Chicago veteran Gene Farris, the enigmatic Wh0 and ascendant duo Raumakustik closing out the summer in style with their respective mixes. Featuring 80 tracks from leading international names including Carl Cox who goes for a minimal vibe on his remix of Hannah Wants & Kevin Knapp's "Call Me", Hot Since 82 serves up something different than usual on the summertime vibe of "Rise", Saved chief Nic Fanciulli gets some spiritual and life-affirming vibes in effect on "Virgo", Hamburg disco stu Tensnake gives Dombresky & Boston Bun's "Stronger" a neon-lit makeover and label boss Mark Knight impresses with the funky house anthem "Tonight" ft. Chenai and Mr. V.
Review: The title here pretty much says it all, as Midnight Riot serve up a 20-track 'best of' collection that's replete with quality disco- and boogie-inspired house nuggets. There's no room here to go into all the tracks one-by-one, but highlights for this reviewer include Danny Kane's 'Pop Goes The Cherry', which bites Ruby Turner's 90s classic 'Never Ever Gonna Give You Up', and 'Sheroes' by the heavy-hitting Manc double-act of Massey & Paulette - think Daft Punk's 'Teachers' but for people with two X chromosomes. Now dive in and find your own favourites - with cuts from the likes of Amp Fiddler, Paris Grey, Dylan Debut and Jet Boot Jack to choose from, it shouldn't be difficult!
Review: By now, we should all know what to expect from Toolroom's "Poolside Ibiza" compilation strand, namely groovy nu-disco, house and laidback Balearic beats inspired by afternoons spent lounging by the water in stonking White Isle heat. Naturally, there are plenty of gems to be found amongst the 40 unmixed tunes selected by chosen DJs Moullinex and Xinobi, from their own collaborative post-punk/dub number "X Marks The Spot", to the slick '80s synth-pop dreaminess of Tensnake's fine remix of Xinobi's "Far Away Place" and the drowsy, Morricone-influenced soundscape weirdness of Simple Symmetry's remix of Moscoman's "I Ran". Throw in some seriously good cuts from Felipe Gordon, Donald Dust, Pin Up Club and Meera (whose carnival-ready boogie jam "Fine Without You" stands out), and you have a fine collection of summery cuts.
Review: Let There Be House & In It Together Records are proud to announce their huge label collaboration, in the form of this massive 60 track compilation containing 30 album only exclusives. 'The Anthology 2020' is a result of both labels having huge success over the past 12 months, with highlights coming from: Born2Groove with the low slung disco goodness of "Happiness", legend Sandy Rivera (with Aruhtra) on the bittersweet and soulful anthem "Love Somebody Else", the return of '90s funky house's glory days on "Piano Groove" by Makree (Sebb Junior Remix) and label chief In It Together's electrifying "Hey Mr DJ" (with Alimish). This essential album comes complete with four continuous bonus mixes by the boss men: two by Glen Horsborough (LTBH) and another couple by Jas P (IITR).
Review: A UK disco master with almost 30 years experience, when Dave Lee aka Joey Negro presents his selections we all sit up and listen. Here's his take on the year that was and it's brimming with 19 rich and rewarding gems to see us through the holidays. Highlights include the deep gospel shuffle of "Reach Out (Atjaz remix)" by Sean McCabe, the sizzling crackle of camp disco accelerator "Unique (New York Underground mix)" by Danube Dance & Kim Cooper and Pezzner's warm synth funk rework of "Candy Coated Perfection" by Opolopo and Diane Charlemagne.
Review: Fingerman's Hot Digits imprint has packed in a lot of releases over the past 12 months, as this expansive roundup of the label's second year in business proves. Featuring 27 tracks and a bonus mix by the South Coast dwelling label boss, there's naturally plenty to admire. Highlights include, but are not limited to, the rolling, head-nodding grooves of Eyeco M's "Keeping It To Myself", the killer proto-house throb of "Tonight" by Bad Barbie vs Evil Smarty, the sexy, string-drenched disco loveliness of P-Sol's "Can't You See", LTJ's trumpet-boasting funk bumper "Fat Thing", and the hard-wired, bass-heavy rework of Julia & Company's "Breakin' Down (Sugar Samba)" by Melon Bomb. It is, though, all pretty darn hot.
Review: London's Horse Meat Disco club really has beaten all comers in the -disco stakes: if a decade of packed parties, international DJ gigs and bringing the disco sleaze to Rinse FM isn't enough, they now deliver their fourth(!) compilation for Strut Records. James Hillard, Jim Stanton, Luke Howard and Severino all share the selection of a 16-strong tracklist, which also appears in mixed form too. Highlights include the quirky Chaka Khan-esque "Ain't No Way" by Opal, the sumptuous luxury vibes of "Stop" by Valerie Allington and the legendary low-slung bass-fest "Barah" by Cleavage. Full marks again, how do they do it?!
Review: They may both be vastly experienced, but it would be fair to say that Groove Culture chiefs Micky More and Andy Tee are genuine rising stars. Following a string of confirmed club hits that blend disco, house, soul and jazz-funk, the pair have put together a sequel to their much-admired 2021 compilation For Those That Like To Get Down. It naturally includes a handful of their own productions and remixes (see their fantastic, bass guitar-propelled piano house revision of Miguel Migs and Lisa Shaw classic 'Lose Control' and their fab Cevin Fisher hook-up 'All About The Culture' for starters), alongside a swathe of summery, life-affirming blends of house, soul and disco from the likes of Mark Cotterell, DJ Mark Brickman, Derek McKenzie, Serge Funk and Simon Adams.
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