Review: Half the fun of each new Ibiza season is the accompanying DJ mix albums that ensue. Here it's the turn of Z Records' legend, Joey Negro, who compiles and selects Z Records Presents Ibiza 2017. With Joey Negro you know you will always get an expert blend of house and disco, new and old. Here we see exclusives rub shoulders with first time digital virgins. Highlights include Dr Packer's thumping edit of "Change Position (88)" by Brooklyn Express, the hazy bass twangs of "Phantom" by A Band Called Flash and the warm electro of "It's More Fun To Compute" by Negro himself.
Review: Covering the many guises of Dave "Joey Negro" Lee, Z Records compile some of the British house don's most 'beefa-shaped moments on this new, 25-track collection. Recent delights, such as his collaboration with Gramaphonedzie ("No Sugar") and his more soulful Doug Willis project ("Music Speaks Louder Than Words") mix up against classics such as "The Real Life" (done under Lee's "Raven Maise" alias) and tribal-house anthem "American Dream" - here represented with the extended "Different Gear" mix. Look out also for The Revenge's excellent edit of the disco bomb "Kilimanjaro" by Letta Mbulu.
Review: The series is the result of house legend Joey Negro's admiration for all the semi anonymous vinyl junkies that he has encountered on his own vinyl quests. Following the success of the Red Greg-compiled first instalment, we now have veteran radio broadcaster and soul aficionado Paul Phillips delivering his selection of long-lost classics. It's a veritable feast of rare disco releases (25 in all!), highlights of which include the glossy Philly sounds of State Department's "Slow Love", the Chic-isms of Pike's "Good Feelings", the digital electro-funk of Midnight Energy's "Saving Of My Love" and the sublime synth-soul of Ron Richardson's "Ooh Wee Babe".
Review: Although nowhere near as famous as her husband Louie Vega, with whom she works with extensively, Ana 'Anane' Martins has still managed to amass a rather impressive discography over the last couple of decades. This epic compilation showcases some of her favourite cuts to date, including a handful of previously unheard gems and some high-profile remixes by other artists of her work. Highlights are plentiful from start to finish, with our picks including her warm tropical house cover of Bunny Mack classic 'Let Me Love You' (produced by Mike Dunn), Louie Vega's moonlit Latin house-meets-zouk rework of the steamy 'Bem Ma Mi', a suitably funky, loose-limbed and low-slung Masters at Work dub disco mix of 'Standing In Line' and a couple of luscious Manoo re-rubs of 'Let's Get High'.
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