Review: As anyone who has followed his career will tell you, Cor.Ece is a talented chap - a GRAMMY award-winning songwriter (he has enjoyed mega-hits with his work for Beyonce) and Honey Dijon collaborator who also happens to be a top-notch vocalist, producer and musician. On 'Be Here Before', he joins forces with Bastard Jazz regulars Bad Colours to deliver a fabulous full-length excursion. They set the tone with 'Say Yea', a constantly rising slab of soul-fired deep tech-house, before flitting between intergalactic house-soul ('Mars'), 21st century hip-house/nu-disco fusion (the ace 'What Happened To The Revolutionary'), UKG-influenced excellence ('Jeans'), Afrobeats-adjacent awesomeness ('Might Could'), slow motion boogie-soul ('Mt Miss U') and much more besides. Tip!
Review: Honey Dijon, who recently won a Grammy for her writing contributions on Beyonce's "Renaissance," returns to Classic Music Company after the success of her critically acclaimed LP "Black Girl Magic." She now presents an exclusive version of "Stand," one of the album's tracks, featuring LA-based vocalist and songwriter Cor.Ece. The record showcases serene piano chords and elevated horns, paired with Cor.Ece's warm, buttery vocals, resulting in a soulful and profound track. Drawing inspiration from the house anthems of her youth, including Lil Louis and Danny Tenaglia, the song embodies protest and standing up for one's belief system, as explained by Honey in an interview with The New York Times. The record is both smoldering and poetic, showcasing Honey Dijon's talent as a producer and artist.
Review: Sometime Honey Dijon collaborator Cor.Ece impressed us back in the summer with the 'Dance To Keep From Crying EP'. This speedy sequel sports a mixture of extended takes of tracks from that set, and remixes of others. The extended take on the title track, made in cahoots with Razor N Tape co-founder J Kriv, is simply gorgeous: a fine mix of proto-house, boogie and nu-disco sounds topped off with a genuinely soulful lead vocal. Acid-flecked, piano-sporting soulful deep house cut 'What's The Word' (with Danny Kane) is tastefully extended before Bad Colours delivers a sub-heavy, Todd Edwards-inspired revision. Dave Giles II hook-up 'Possibly Impossible', a squelchy bass-propelled nu-disco-meets-house number, is not only extended by also remixed by Crackazat, who gives it a jazzy, Rhodes-laden, Afro-tinged deep house flavour.
Review: Fresh from hitting the headlines thanks to a couple of killer collaborations with Honey Dijon, vocalist and songwriter Cor.Ece pitches up on Razor N Tape for the very first time. 'Possibly Impossible' was produced by label co-founder JKriv and sees Cor.Ece deliver layered, superbly soulful vocals over a backing track rich in squelchy, spacey synth-bass, twinkling electronic motifs and beats that sit somewhere between futurist deep house and the classier end of nu-disco. Musical polymath Crackazat takes the track to whole new heights on his accompanying remix, which combines live jazz and jazz-funk instrumentation with tougher, more locked-in house beats and a weightier bassline.
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