Review: In keeping with the approach of its predecessors, the fourth annual Boogie Angst compilation brings together "cool cuts" from the past year and a smattering of exclusives and previously unreleased gems. As you'd expect from a label helmed by Kraak & Smaak, it's a genuinely joyous and celebratory affair, packed to the rafters with party-starting workouts. For proof, check the revivalist disco-boogie cheeriness of Titeknots' 'Feels Good 2 Me', the future soul shuffle of 'Treat U Good' by Moods, Noah Slee, Lyriya & Meron, the summery electrofunk sunshine that is Art of Tones' kaleidoscopic rework of LUXXURY's 'Just Like It Was Before', the Rhodes-laden warmth of Kraak & Smaak's nostalgic 'All I Need' and the spiritually-enriching Latin deep house shuffle of Osunlade's Yoruba Soul rework of his Casbah 73 collaboration, 'Let's Invade The Amazon'.
Review: As Miami Winter Music Conference spins around for another year so does Toolroom's affiliated compilation showcasing why Mark Night's label remains at the precipice of mainstream club music. Bringing with it two full length DJ mixes and exclusive tracks from crew like Alex Kenji, Jerome Robins and Camila Jun, there's also banging numbers from legends like Green Velvet, Nicole Moudaber and Shadow Child next to Low Steppa and Tony Romera! ESSEL kicks off the compilation with the catchy choral loops of "The Edge", with other highlights to mention across some 50 tracks coming from Martin Ikin's drippin' "Make U Sweat", CASSIM's disco-tinged "Wanna Feel Something" and Carly Wilford's "The Dance". Time to dive into Miami 2024 - Toolroom style!
Review: This new second edition of the already iconic 'Breaks, Steps & Bass' series from All Colours is very much what the doctor ordered, unveiling a frankly awesome 15 track showcasing, giving numerous different artists an exciting platform to showcase what they do best. The varying styles of this project are what make it immediately special, from the trippy pad curls of Qant's 'The Instruments' original, to the jungle-inspired drum sweeps and reese runs of Charla Green's 'Something Like Love' and of course the old school bass warps of 'Round The Corner' from Zak Smif. There are so many high points to choose from, but for our top two picks, the pure euphoria of Sharpson's epic '2 U' original, along with the old school blippy steppers feel of Sir Rah's wicked 'Close Encounters' original. Top top stuff!
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