Review: Typically poetic Italian collective Lunare Project 'select and merge styles from different worlds' at sophisticated early evening events (usually on yachts). Don't call them DJs though; they insist they are simply a group of guys who are 'just a little crazy'. This LP sees the guys launch a new compilation series that pays tribute to certain experiences they've had, this one inspired by a certain party held at Grand Hotel Santa Lucia. Included are tracks by fellow lunatics including the elastic funk of Crazy Penis, the jazzy broken beat of Max Sedgley and the velvety synth work of Santorini.
Review: DJ Kaos's latest offering combines reworks (many previously unheard) of tracks from his catalogue, with a variety of reworks and original productions from many of his buddies in the scene. It's an eclectic and wide-ranging selection, with highlights coming thick and fast throughout. The set begins with the chunky cosmic house throb of Softwar's 'Afterhours' and ends with a wonky, stripped-back, after-party friendly Solomun rework of Kaos's 'I Want To Be There'. Sandwiched in between you'll find such must-check gems as Luke Solomon's nine-minute 'raw mix' of Richard From Milwaukee's glassy-eyed turn-of-the-90s breakbeat house gem 'Clear Water', the Italo-goes-proto-house throb of Red Axes' 'Promo Only', and the heavily dubbed-out, effects-laden disco headiness of Napoleon's 'Love Spell'.
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