Review: Bang! There'd been hushed tones of this opus for well over a year, and at a whopping 29 tracks, it's been well worth the wait. Showcasing their widest repertoire, within the first trio of tracks we're already treated to Latino swing breaks, new jungle jiggery and dramatic dubstep. This wide-eared vibe embracement runs throughout consistently; "Hey Mr DJ" rattles a few electro-hop cages, "Countdown" is quintessential booty-bass heaven complete with delectable UK hip-hop rhymage, while "You Can Be My Night" shoots us up to planet D&B on a floaty carpet of rave heritage. A solid calling card to every party in town, it's time to get bouncing...
Review: 53 tracks... just let that sink in for a second. Jungle Cakes aren't just treating us to a little afternoon tea here, this is an all night feast of pure jungle fire. Calories are piled up from every direction as we chow down on sounds from the likes of Serum, Bladerunner, Pacso, Mampi Swift, Break, DJ Limited and many more all contributing to the heaviest collection Deekline and Ed Solo's label has given us to date. Highlights include the jazzy shimmers and lyrical heat of Levy on Deekline & Fish's "Ganja", DJ Rowney's venomous martial arts on "Very Strong", Serum's outrageous jungle mischief making remix of Substance's "Homeboyz". And that's not even the first course. The last time Jungle Cakes fed us at this level we danced in the mud and rain for three hours nonstop. Massive.
Review: Starting the sampler series of with a classic sample from '90s chart history, Jungle Cakes bring more of their ramped-up jungle vibes to the dance. Shaking up a hefty Ed Solo bassline with an addictive hook, it's already tearing up dancefloors and the sun hasn't even come out yet this year. Following up is Ed Solo & Deekline's VIP of "Bad Boys", a serious must-bag for anyone who's been anywhere near the two's tunes in the past couple of years. Tuned up to morph dub into womp, there's nothing left to do here but skank. The night is young!
Review: 39 tracks, 10 FX sounds and a full mix. This isn't any old slice of afternoon cake you might share your elderly neighbour or distant relative, this is a seven-tiered wedding cake full of every type of unhealthy, fattening ingredient you can imagine. And we're not stopping until we've chowed the lot. If you've feasted on Deekline and Solo's Jungle Cakes before then you'll already know how tasty this is; a selection of their own releases and similarly spirited cuts from the scene, all laced with dubwise, dancehall and skank-soaked soul. Highlights hang from every corner but you'd be mad not to peak at Aries & Gold's soul-flecked massage of Mr Benn, or Dominator & Logan D's brokeback bust-up "Cowboy" or Serial Killaz' savage repurposing of Freestyler's iconic "Entertainer". High calorie badness.
Review: Selector! Jungle Cakes' Welcome To The Jungle series welcomes a bonafide legend to the controls: Ray Keith. Digging deep across the board he's put together over 40 killer tracks from an obscene rollcall: Serum, Vital, Dillinja, Bladerunner, Margaman, T>I, DJ Hybrid, Turno, Filthy Habits, Ed Solo, Deekline and many many more artists are responsible for the savage soul and badman bounce on offer as we're rattled and shaken from pillar to post. From the naughty ragga skanks and turbo reverse bass lashes of Deekline & Ed Solo's "Hot This Year" to Ray's very own seminal "Chopper" via Bladerunner's evergreen breezer "Jungle Jungle" via two mixes and 10 FX tools, this is one of Jungle Cakes' tastiest ever projects to date. Big up the Dark Soldier
Review: Cor blimey, Jungle Cakes aren't messing around with their Welcome To The Jungle series are they? Hot on the heels of Ray Keith comes another stone cold OG; Nicky Blackmarket. Digging deep across the classics and sparking up a whole forest of fresh fires, it's a 40 track, 2 mix, 10 FX tool trove of pure jungle magic curated with the wide-armed style you'd expect from an originator. With classic ranging from well known such as "Incredible" and "Pulp Fiction" to cult such as "Keep It Raw" and "Gangsters" and upfront jams flexing from all the right names (Serum, Aries, Serial Killaz, Drumsound & Bassline Smith), Blackmarket has absolutely smashed this out of the mark.
Review: Originally released on Ed Solo and Deekline's Jungle Cakes booty-brand, both Inner Circle's "Bad Boys" Dawn Penn's "No No No" were previously super-charged and sprinkled with D&B powder to great effect. Now massaged down to a much more stately nu-funk tempo, both cuts still smash it. Ed and Stickybuds' rub of "Bad Boys" struts and swaggers over the top of a well-rounded hollow-tone bass note. "No No No", meanwhile, gets a much more robust bass treatment with a hip-punishing live drum swing. Essential.
Review: This is a first for all parties: JFB's first official mix, Ghetto Funk's first artist-fronted compilation and Disco Cakes' first ever long playing release. Needless to say each party has really stepped up; JFB has curated a mammoth 37-track adventure exploring every possible corner of Ghetto Funk's sprawling sonic scenery, ranging from wholesome, down-home country funk (Grinny Granddad "Good Girl"), slick ragga-swing (Stickybuds "Clean Air") bump-shuffling electro ghetto (Featurecast "Around The Block") and raw, teeth-clenching bass filth (Skullee - "Badboii"). Leaving no stone unturned, this documents the Ghetto Funk movement with immersive mischief, AND it comes with a killer DJ mix.