Review: Ellen Fraatz must be one of the hardest-working women in dance music. She's been making music for 20 years, now, and there's little sign of the quality dropping. There's predictably much to admire on this brand new three-tracker, from the melancholic chords, impassioned vocal wails and electro-influenced grooves of opener "Butterfly", to the wonky, late night tech-house assault of "Come To Me", whose distorted synths and sludgy bottom-end are complimented by distinctly foreboding chords. Best of all, though, is "Freak The Night", a jaunty fusion of deep house, acid and tech-house complete with warm, woozy chords, shuffling rhythms and punchy electronics.
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