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Played by: Resident Advisor
Review: The seventh instalment on Tommy Four Seven's label spans a wide gamut of modern techno. At one end, there's the simmering, droning abstractions of Eomac's "Refugee", while at the other end of the scale, the label owner drops "UUU", a peak-time acid banger that cruises with murderous intent. In between both of these extremes, the release yields two tracks that in many ways encapsulate the ever-shifting nature of modern electronic music. Cosmin TRG and Szare come from different backgrounds - the former originally from drum'n'bass, the latter from purist techno - but on "Singe" and "Invern" respectively, their rumbling rhythms and textured atmospherics arriving at the same destination from different start points.
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47007
07 Dec 16
Techno
07 Dec 16
Techno
Played by: Juno Recommends Techno
Review: Tommy Four Seven has commissioned remixes of tracks that featured on his acclaimed Veer album from earlier this year, getting some of electronic music's most respected electronic music involved. Machine Woman delivers a slow-paced tribal take on "Radius", while in a similar vein, Pessimist's version of "Dead Ocean" resounds to robust broken beats and industrial undercurrents. At the other end of the spectrum, Parrish Smith of L.I.E.S fame turns "Colony" into fast-paced, pulsating techno groove tailored for murky basements, while Silent Servant's remix of "Aphelion" is an atmospheric, acid-led electro workout. It's an essential remix collection.
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47023
08 Nov 19
Techno
08 Nov 19
Techno
Review: Irish producer Eomac has enjoyed a stellar 2014 and this remix package ends the year on a high note. The first remix provides a surprise, with Tommy Four Seven turning the title track into the kind of dark, rolling techno that calls big rooms its home. Over a dense, Berghain-primed rhythm, tight percussive licks and a menacing bass, horror synths screech and shriek hypnotically. Anno Stamm's take on "Su Riddim" is slower but no less intense as churning bass and freeform tonal playing unfolds over machine gun claps and a low-slung groove, while the final remix, AnD's reshape of "Shell of Dark" is a furious, breakbeat-led workout, littered with ghoulish sounds.
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KILLEKILL 022
10 Nov 14
Techno
10 Nov 14
Techno
Review: Shaun Baron-Carvais aka Shlomo follows up the first volume of In Absentia from last year with this second instalment, The Taapion Records owner draws on Delsin's heritage of deep techno for the title track, with mysterious synths cascading airily over a nagging rhythm. On "Tbilisian Cure", he changes direction and increases the tempo to deliver a rolling, drum-heavy affair, while "Lali" marks a more radical shift, as he navigates a path that traverses dreamy ambient and Asian motifs. However, the focus of this EP is mainly on the dance floor, and the Tommy Four Seven version of "Lali", with its punishing broken beats, pushes it back towards techno.
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DSR-C 12
15 Dec 17
Techno
15 Dec 17
Techno
Review: Reactions to the news that Marcel Fengler was going to mix Berghain 05 focused on the fact that he is the club's most overlooked resident. This is to do Fengler a disservice and to understand the club in the narrowest context possible. If anything, the trajectory Fengler follows here defines the broad brush strokes played out in the Berlin club. There's the eerie intro which moves from Dettmann's vocal version of Emika's "Count Backwards" into Peter Van Hoesen's spacey, bleeping "Axis Mundi". Classic sounds always form an integral part of Fengler's approach and this is evident on Octogen's widescreen yet menacing electro reshape of Terrence Dixon, the wiry 90s minimalism of Ratio and in the alternate version of Secret Cinema's chord-heavy early 90s classic "Timeless Altitude". In between these sounds, Fengler proves his technical prowess, moving effortlessly from the drones and broken beats of Dr Walker's take on Byteone and the Regis version of Tommy Four Seven's "G" into straighter, albeit bass-heavy techno and house from Duplex - remixing Gerd- and LB Dub Corp, who delivers a new, multi-layered take on Fengler's own "Thwack". Put simply, Fengler has that rare talent that most DJs lack - he can put together seemingly disparate tracks without losing the flow. The club he resides at provides Fengler with a blank canvas and this mix is his masterpiece.
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OSTGUTCD 19
29 Aug 11
Techno
29 Aug 11
Techno
Review: Arguably one of Spain's most prolific techno talents, Oscar Mulero returns to the super label PoleGroup with the Electric Storm EP. The title track combines Mulero's trademark throb and reverb-heavy ambience with powerful drums, while "Cave" takes things in an even darker direction, with brittle percussion resonating against reverb-heavy ambience. The remixes aren't too shoddy either; Our Circula Sound boss Sigha delivers a remix of the title track with some prickly yet powerful synth blips, and Tommy Four Seven coats "Cave" with an industrial fuzz and into a broken techno nightmare which will destroy any dancefloor.
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POLEGROUP 022
10 Mar 14
Techno
10 Mar 14
Techno
Review: Christian Wunsch is becoming as much of a formidable force as his fellow Spanish and Pole Group patriarch Oscar Mulero and close cohort Developer. Last year Pole Group released the debut album of Spanish duo Exium and now they move the spotlight over to Wunsch, who shines brightly from the first track onwards. The album is of course full of huge club productions like "Auger Electrons", "Ionized", "Graphene" and "Radioactive Decay" - but Wunsch delivers the type of techno in productions like "When The Process Is Expected", "Nuclear Transition" and "Fixed Fraction" that makes Internal Conversion more than just a heavy weight slab of booming DJ tools. One of the best releases to come from Pole Group yet.
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POLEGROUP 024
02 Jun 14
Techno
02 Jun 14
Techno
Played by: Paul Mac
Review: Killawatt continues his long relationship with Osiris with this remix release. Bringing together some of the most respected names in left field techno, the release starts with Tommy Four Seven's version of "Zizi". Chiming bells and rickety broken beats provide a hypnotic combination that creates a haunting, ghostly mood. Eomac takes a darker tune on "Spiral Swarm", where robust beats and tick tock percussion provides the basis for swirling textures. Monic's take on "Excessive Hyperbole" sees rugged broken beats underpin eerie textures. Finally, Mannic contributes his own track, and as its title suggests, "Untitled Textures" features mysterious sounds flowing over a rolling, off-beat rhythm.
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OSMUK 043EP
23 Oct 15
Techno
23 Oct 15
Techno
