Review: On the Prowl launch their new sub label with help from legendary New York house producer, Marcos Cabral. "OTP Party Breaks Volume 1", which also features collaboration between Cabral and Shux, drops two tracks of the warm, disco flavoured, deep house that is currently making a storm over in New York City.
This first release is poised to set the tone of the whole imprint, who are expected to put out distinctly NY flavoured records from the city's favourite artists and producers. Marcos Cabral from Runaway certainly fits the bill, having also released on the likes of DFA, I'm A Cliche, Muke and Rekids, he is a true legend on the city's house scene. He collaborates with Chinatown Records partner Brennan Green on the EP's opening track, "Lifetime Groove," an epic twelve minute journey through laid back and groovy disco house. It has a classic feel right from the start with a retro bassline but with Balearic overtones and a dubby, feel good sentiment.
On the flip, Cabral lays his hand to Lil Louis' classic garage house track "Club Lonely." It is a simple rework, using straight forward loops and samples. The chord stabs keep the club vibes strong as repetitive saxophone flurries continue to build the tension. Bringing the 90s anthem up to date, Cabral gets a mainstay of Runaway's set on record at long last.
Marcos Cabral brings us a slice of classic New York house on "OTP Party Breaks." By merging the old sounds of the city with the new, he has managed to make a lasting impression in the now. This will get everyone up on their feet.
Review: With releases on labels like Defected and Get Physical to his credit, it is fair to say that Alessandro Magani aka Flashmob is one of the hottest tickets in house music right now. This is abundantly clear on The Lone Brazilian, his Hot Creations debut. The title track sees him sampling tribal chants and an ethnic vocal over a robust bass and tough, punchy drums. It makes for an intoxicating combination and is sure to cause mayhem whenever it's dropped. By contrast, "Lower Level" is more tracky and sees him opt for a murky bass and rolling snares to achieve the same effect as "Brazilian".
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