Review: Valique's V's Edits reworks have long been some of the most popular re-edits on this platform, with DJs responding not only to their floor-friendly nature but also the wide range of sounds and styles he turns his hand to. So, what's on offer this time around? Well, for starters Yellow Blues is raising money for victims of the war in Ukraine, a country to which Valique has family ties. As usual, it's a mixed bag of goodness, with highlights including a squelchy, TB0-303 speckled take on a Johnny Cash classic, the chugging nu-disco/swamp blues fusion of 'Was It Worth It?', a fine revision of Rodrigues classic 'You Can't Get Away', a housed-up tweak of an old Doors gem ('Learn To Forget') and a toe-tapping, club-ready revision of Kenny Rogers' sing-along 'Just Dropped In (to See What Condition My Conidtion is In)'.
Review: An outlet for both unreleased and exclusive music from the label's family members alongside rising talents, this is the fourth instalment of Toolroom's popular 'House Party' series. Featuring standout releases from Mark Knight's label plus the scene's biggest imprints, with highlights coming from: industry heavyweights Nic Fanciulli & Andrea Oliva on the slinky "Medium Rare", the inimitable Yousef with the pounding acid of "Save Me" (feat. Molly Green), legend Todd Terry with TCTS on the boompty bounce of "Get Freaky" and UK tech house hero Seb Zito delivering the peak time stomper "Don't Stop". As if that was not enough, there are also three continuous mixes by scene stalwarts such as Lefti, Piero Pirupa and label staple Maxinne.
Review: Freestyle's series of genre-themed download bundles continues, with June's 'Afro & Latin!' and September's 'Funk!' comps now joined by this 40-track collection of soul and disco nuggets from the label's back catalogue. The set kicks off with a bona fide classic in the form of Omar's 'There's Nothing Like This', after which come 39 more cuts from the likes of Carleen Anderson, Kyle Audist and The Fantastics (not to mention, in featured vocalist form, Jocelyn Brown and Caron Wheeler). The title's something of a misnomer - the emphasis is firmly on 'new old' soul, future R&B and neo-soul rather than disco - but there's much to enjoy here all the same.
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