Review: According to London label New State, Paul Harris and Steve Smith of Dirty Vegas have really enjoyed the process of putting together Days Go By (The Retrospective). They have gone back over their work and picked out some of their favourites over the years - a whopping 18 tracks, 19 remixes and a continuous mix by Harris. Speaking of the remixes: the Dumont & Wagener remix of "Human Love" gets onto an emotive and Balearic tinged trip, the remix of "Electric Love" by NYC house hero Eli Escobar remix gets well funky, and the always impressive Parisian Fred Falke delivers a typically neon-lit rendition of "Emma" from several years back. Along the way, while searching through music, video and photographic archives it has brought back lots of memories for the duo - and given them new energy and inspiration for their future music plans.
Review: Amazingly, it's been some 14 years since Kent-based house/pop fusionists Dirty Vegas made their debut on Credence, and 13 since they released their eponymous debut album. Here, they deliver their fourth full-length, once again effortlessly fusing jangly indie-pop influences with radio-friendly house grooves and festival-friendly EDM sounds. There are occasional nods towards tougher styles of dance music - see the thrusting pulse of "Photograph", Madness and X-Press 2 style "Save A Prayer" - but for most part it's a breezy affair, with hooky vocals taking centre stage. This digital edition also features a trio of acoustic versions, which only goes to emphasize the trio's pop credentials.
Review: When operating under the V's Edits alias, re-edit maestro Valique can always be relied upon to bring the goods. It's little surprise, then, to find out that his latest collection of fresh cut-jobs - an epic affair featuring no less than 24 tracks - is packed to the rafters with high-grade fare. We don't have enough space to list all of the highlights, but we'd suggest checking out his rolling revision of Lee Dorsey's "Night People", the low-slung disco-funk heaviness of the Brass Construction rework ("Gotta Do It"), the intergalactic disco deepness of the Marvin Gaye revision ("Funky Space"), the lightly tooled-up, slowly unfurling take on Tom Browne's "Funkin For Jamaica" and the sweeping, string-laden disco brilliance of "Miracle (V's Edit)".