Review: When it comes to blending classic disco and bumpin' peak-time house, few can match Joey Negro - a man who has been offering up disco-fied house jams since the early '90s. There are naturally plenty of his own tracks and remixes on "Put Some Disco In The House", an expansive collection of quality disco-house moments, with highlights including the rolling disco-boogie heat of "Put The Music On It (Original Disco Mix)", the chunky, walking bass-propelled "Dancing Into The Stars" (with Horse Meat Disco and Angela Johnson) and a slamming rework of Sessomato's jazz-funk flavoured "Moody". There's plenty of heat to be found elsewhere, too, with standouts including JKriv and Adeline's "Vertigo", Opolopo's boogie-tinged revision of Sylvester classic "I Need You" and the spiraling disco pump of Yam Who and Jaegerossa's "Grateful".
Review: It may have taken eight years, but Joey Negro has finally got round to putting together a follow-up to his superb Backstreet Brit Funk compilation. Like its predecessor, this sequel shines a light on Britain's under-appreciated musical response to the U.S soul, jazz-funk, disco and electro scenes of the late 70s and early 80s. On the whole, the showcased tracks are altogether deeper selections than those found on volume one, meaning obscure highlights come thick and fast. These include - but definitely aren't limited to - the low-slung disco-funk of Rick Clarke's "Potion", the glassy-eyed breeziness of Paradise's "Stop and Think", the footworker-friendly jazz-funk riot of Touchdown's "Ease Your Mind" and the samba-soaked carnival flavours of "Brazeila" by Brazeila. Oh, and a killer dub of Janet Kay's overlooked Brit-boogie classic "Eternally Grateful" that has never before been released.
Review: Half the fun of each new Ibiza season is the accompanying DJ mix albums that ensue. Here it's the turn of Z Records' legend, Joey Negro, who compiles and selects Z Records Presents Ibiza 2017. With Joey Negro you know you will always get an expert blend of house and disco, new and old. Here we see exclusives rub shoulders with first time digital virgins. Highlights include Dr Packer's thumping edit of "Change Position (88)" by Brooklyn Express, the hazy bass twangs of "Phantom" by A Band Called Flash and the warm electro of "It's More Fun To Compute" by Negro himself.
Review: Twenty eight tracks, 12 exclusives, one mix... Viper smash down the doors of 2016 with an all-encompassing document that portrays D&B broadest, baddest landscape in great detail. Among the out-and-out classics of last year ("Dead Limit", "City Of Gold") you'll find some of Viper's most exciting smashes of the last few years ("One's Own", "What R U Doing?" "Universes") and, most importantly, 12 tracks that have yet to be releases before... Ranging from J Majik's muscular, monster-stomping return ("Drop It") to Toronto Is Broken's savage, skippy tech funker "Zero One", Viper aren't messing around at all on this one.
Review: 48 tracks, six exclusives, two mixes: Viper have already developed a strong-armed reputation for compilations over the years but this is taking things to a whole new ridiculous level. Investigating bass music's widest corners, the heady concoction of tracks ranges from premier league bangers (Wilko's remix of The Prodigy, Noisia & The Upbeats "Dead Limit", Andy C's "New Era VIP") to fresh-baked underground rollers (Dossa, Locuzzed and NC-17's drone-jump buzz-cut "Ninja", Dub Elements' deep space neuro-edged shredder "Metaverse") to lower tempo tear-ups from the likes of Pex L, Au5, Flux Pavilion and Doctor P and Specimen A. With heaps more in between, this accurately reflects just how exciting and closely linked all bass-laced genres are right now. Venomously immense.
Review: Valique celebrates six years of consistent edit gold on his 12-year old Vehicle imprint. Digging deep across the collection he whisks us through the feels with a supreme range of instant party-pieces. From the blonde ambition of the slinky "Appelle Moi" to the freaky upbeat ground control of "Oddity" via the insane stretch and slap of "What The Hell?" and his versions of "Human Nation" and "Give Me Shelter", this is an immense set that brings us all up to speed and gets us excited for the next six years of edits. V stands for Very good music.
Review: When operating under the V's Edits alias, re-edit maestro Valique can always be relied upon to bring the goods. It's little surprise, then, to find out that his latest collection of fresh cut-jobs - an epic affair featuring no less than 24 tracks - is packed to the rafters with high-grade fare. We don't have enough space to list all of the highlights, but we'd suggest checking out his rolling revision of Lee Dorsey's "Night People", the low-slung disco-funk heaviness of the Brass Construction rework ("Gotta Do It"), the intergalactic disco deepness of the Marvin Gaye revision ("Funky Space"), the lightly tooled-up, slowly unfurling take on Tom Browne's "Funkin For Jamaica" and the sweeping, string-laden disco brilliance of "Miracle (V's Edit)".
Review: The annals of pop history are full of great artists who sadly became overlooked with advancement of time and fashion. Germany's Tramp records are determined to help restore the profiles of some classic but forgotten acts and they're prepared to do serious digging to do so. The latest act they've chosen to celebrate is Jimmy 'Preacher' Ellis, a classy soul singer from Arkansas who, between 1963-1972, released a series of sensational 45s. Now these singles are gathered here for the first time in over 40 years and prove a rewarding listen for fans of vintage soul.
Review: It's that time of year again, when deals are made and stars are born in The City Of Magic. In preparation for Miami's Winter Music Conference, Mark Knight & Co. serve up their hit predictions on Toolroom Miami 2019 - accept no substitute! Across a whopping 62 tracks, there's all you need to hear, right here, across the event's five consecutive days and compiled in three continuous mixes, appropriately titled: The Poolside Mix, The Club Mix and rather appropriately The Afterclub Mix. Highlights not limited to: Illyus & Barrientos swingin' diva antics on "Shout", chief Mark Knight with Danny Howard channeling early noughties tech house on the polyrhythmic "You Can Do It Baby", French bass-house hero Shiba San on the super boompty "Crush That" through to legend ATFC on the epic "Strong 2 Survive" (Dario D'Attis extended mix) and Israeli progressive house expert Khen on the slinky and hypnotic "Pecas" (original mix).
Review: Amsterdam Dance Event holds a special place in the electronic music community's calendar, and it just wouldn't be the same without the Toolroom family putting on a very special showcase for the industry and punters alike. The Dutch capital's clubbing culture is one of the best in Europe and there's only one place to be this October. They join the fun once again this year and this are kicking off the week at Chicago Social Club for an opening to ADE like no other. In celebration, Mark Knight & Co. anticipate the event with this solid collection of sonic arsenal with highlights not limited to: label staple Weiss serving up classic vocal funky house on "Let Me Love You" (extended Club mix), legends Dirty Vegas getting remixed by CamelPhat on the extended remix of "Days Go By" (which reaches near acid moments), the ever impressive Alan Fitzpatrick providing austere peak time tackle on banger "The Approach" and rising stars like Jacky (with Example) on the wonky tech house of "Another 24" and label newcomer Maxinne dropping the riveting main room thriller "The Message" amongst many more. Comes with two continuous mixes: the first by Romanian upstarts Sllash & Doppe and the second by Swiss scene hero Mendo (Clarisse).
Review: Croatia's Funky Destination (aka Vladimir Sivic) has made a big splash on the funky breaks scene appearing on a variety of well renowned labels. However, the honour releasing his new long player, Supersonic Bomb, has fallen on the mighty Timewarp. Normally known for their nu-disco sound, the Grecian label has taken a chance on these 16 organic funk jams, and it's paid off! Highlights include the bubblin' piano boogie of "Getting Higher", the luxuriously silky "Eternal Light" and the fuzzy, breaky, disco house of "Get Up".