Review: This compilation to celebrate Miami 2014 features 67 tracks in total, each one resonating with forward-thinking creativity and contemporary commercial dancefloor charm. There are millions of highlights but be sure to check out the slamming stomps and vocal edits on "Unspoiled Perfection", Angello, Matisse & Sadko's cathedral-level synth anthem "SLVR" and the mad-jack fusion of Nile Rodgers and Eats Everything "Do What You Wanna Do". These are just three of many - CR2 have raised the bar ridiculously high right here.
Review: Valique celebrates six years of consistent edit gold on his 12-year old Vehicle imprint. Digging deep across the collection he whisks us through the feels with a supreme range of instant party-pieces. From the blonde ambition of the slinky "Appelle Moi" to the freaky upbeat ground control of "Oddity" via the insane stretch and slap of "What The Hell?" and his versions of "Human Nation" and "Give Me Shelter", this is an immense set that brings us all up to speed and gets us excited for the next six years of edits. V stands for Very good music.
Review: Croatia's Funky Destination (aka Vladimir Sivic) has made a big splash on the funky breaks scene appearing on a variety of well renowned labels. However, the honour releasing his new long player, Supersonic Bomb, has fallen on the mighty Timewarp. Normally known for their nu-disco sound, the Grecian label has taken a chance on these 16 organic funk jams, and it's paid off! Highlights include the bubblin' piano boogie of "Getting Higher", the luxuriously silky "Eternal Light" and the fuzzy, breaky, disco house of "Get Up".
Review: 48 tracks, six exclusives, two mixes: Viper have already developed a strong-armed reputation for compilations over the years but this is taking things to a whole new ridiculous level. Investigating bass music's widest corners, the heady concoction of tracks ranges from premier league bangers (Wilko's remix of The Prodigy, Noisia & The Upbeats "Dead Limit", Andy C's "New Era VIP") to fresh-baked underground rollers (Dossa, Locuzzed and NC-17's drone-jump buzz-cut "Ninja", Dub Elements' deep space neuro-edged shredder "Metaverse") to lower tempo tear-ups from the likes of Pex L, Au5, Flux Pavilion and Doctor P and Specimen A. With heaps more in between, this accurately reflects just how exciting and closely linked all bass-laced genres are right now. Venomously immense.