Human Love (Dumont & Wagener remix) - (7:56) 114 BPM
Let The Night (Sharam Jey remix) - (6:57) 116 BPM
Do What You Feel (Timo Jahns remix) - (6:10) 120 BPM
Setting Sun (Nora En Pure remix) - (6:20) 122 BPM
Save A Prayer (Luca Guerrieri remix) - (6:27) 122 BPM
Walk Into The Sun (Budd remix) - (8:25) 122 BPM
Days Go By (Stuart King remix) - (8:18) 123 BPM
Electric Love (Eli Escobar remix) - (6:39) 127 BPM
Ghosts (Jay Shepheard remix) - (6:06) 128 BPM
I Should Know (Alex Neri remix) - (9:02) 126 BPM
Little White Doves (Penguin Prison remix) - (5:55) 130 BPM
Emma (Fred Falke remix) - (8:02) 126 BPM
Days Go By (Paul Oakenfold remix) - (5:32) 135 BPM
Human Love (PAAX Tulum remix) - (7:37) 114 BPM
Human Love (Death On The Balcony remix) - (9:13) 121 BPM
Human Love (Bad Milk remix) - (3:34) 124 BPM
Tonight (Above & Beyond remix) - (7:53) 128 BPM
Pressure (Sultan & Ned Shepard mix) - (8:15) 126 BPM
Changes (Felix Da Housecat remix) - (5:49) 130 BPM
Days Go By (continuous DJ mix) - (1:17:45) 128 BPM
Review: According to London label New State, Paul Harris and Steve Smith of Dirty Vegas have really enjoyed the process of putting together Days Go By (The Retrospective). They have gone back over their work and picked out some of their favourites over the years - a whopping 18 tracks, 19 remixes and a continuous mix by Harris. Speaking of the remixes: the Dumont & Wagener remix of "Human Love" gets onto an emotive and Balearic tinged trip, the remix of "Electric Love" by NYC house hero Eli Escobar remix gets well funky, and the always impressive Parisian Fred Falke delivers a typically neon-lit rendition of "Emma" from several years back. Along the way, while searching through music, video and photographic archives it has brought back lots of memories for the duo - and given them new energy and inspiration for their future music plans.
Review: Amazingly, it's been some 14 years since Kent-based house/pop fusionists Dirty Vegas made their debut on Credence, and 13 since they released their eponymous debut album. Here, they deliver their fourth full-length, once again effortlessly fusing jangly indie-pop influences with radio-friendly house grooves and festival-friendly EDM sounds. There are occasional nods towards tougher styles of dance music - see the thrusting pulse of "Photograph", Madness and X-Press 2 style "Save A Prayer" - but for most part it's a breezy affair, with hooky vocals taking centre stage. This digital edition also features a trio of acoustic versions, which only goes to emphasize the trio's pop credentials.
Northern Town (Paul Harris remix) - (4:57) 123 BPM
Reckless (Hollaphonic remix) - (4:31) 125 BPM
Save A Prayer (Lesonic remix) - (6:39) 122 BPM
Save A Prayer (Luca Guerrieri dub) - (6:30) 122 BPM
Photograph (continous DJ mix) - (58:53) 123 BPM
Review: Some 12 months after the original album was released, Dirty Vegas' Photograph gets the remix treatment, with a bumper selection of heavy-hitters contributing fresh interpretations. Naturally, it's a suitably dancefloor-focused affair, with most of the reworks dragging the London trio's radio-friendly originals further towards club territory. Highlights include a cheery, funk-fuelled rub of "Let The Night" by Sharam Jey, a deliciously sun-kissed, dub-fuelled tweak of "Setting Sun" by veteran Balearic types Afterlife, a throbbing, big-room friendly dirty house take on "Northern Town" by band member Paul Harris, and a suitably large, electro-tinged tech-house remix of "Save A Prayer" by Luca Guerrieri.
Review: Amsterdam Dance Event holds a special place in the electronic music community's calendar, and it just wouldn't be the same without the Toolroom family putting on a very special showcase for the industry and punters alike. The Dutch capital's clubbing culture is one of the best in Europe and there's only one place to be this October. They join the fun once again this year and this are kicking off the week at Chicago Social Club for an opening to ADE like no other. In celebration, Mark Knight & Co. anticipate the event with this solid collection of sonic arsenal with highlights not limited to: label staple Weiss serving up classic vocal funky house on "Let Me Love You" (extended Club mix), legends Dirty Vegas getting remixed by CamelPhat on the extended remix of "Days Go By" (which reaches near acid moments), the ever impressive Alan Fitzpatrick providing austere peak time tackle on banger "The Approach" and rising stars like Jacky (with Example) on the wonky tech house of "Another 24" and label newcomer Maxinne dropping the riveting main room thriller "The Message" amongst many more. Comes with two continuous mixes: the first by Romanian upstarts Sllash & Doppe and the second by Swiss scene hero Mendo (Clarisse).
Review: When it comes to blending classic disco and bumpin' peak-time house, few can match Joey Negro - a man who has been offering up disco-fied house jams since the early '90s. There are naturally plenty of his own tracks and remixes on "Put Some Disco In The House", an expansive collection of quality disco-house moments, with highlights including the rolling disco-boogie heat of "Put The Music On It (Original Disco Mix)", the chunky, walking bass-propelled "Dancing Into The Stars" (with Horse Meat Disco and Angela Johnson) and a slamming rework of Sessomato's jazz-funk flavoured "Moody". There's plenty of heat to be found elsewhere, too, with standouts including JKriv and Adeline's "Vertigo", Opolopo's boogie-tinged revision of Sylvester classic "I Need You" and the spiraling disco pump of Yam Who and Jaegerossa's "Grateful".
Review: It's that time of year again, when deals are made and stars are born in The City Of Magic. In preparation for Miami's Winter Music Conference, Mark Knight & Co. serve up their hit predictions on Toolroom Miami 2019 - accept no substitute! Across a whopping 62 tracks, there's all you need to hear, right here, across the event's five consecutive days and compiled in three continuous mixes, appropriately titled: The Poolside Mix, The Club Mix and rather appropriately The Afterclub Mix. Highlights not limited to: Illyus & Barrientos swingin' diva antics on "Shout", chief Mark Knight with Danny Howard channeling early noughties tech house on the polyrhythmic "You Can Do It Baby", French bass-house hero Shiba San on the super boompty "Crush That" through to legend ATFC on the epic "Strong 2 Survive" (Dario D'Attis extended mix) and Israeli progressive house expert Khen on the slinky and hypnotic "Pecas" (original mix).
Review: Valique celebrates six years of consistent edit gold on his 12-year old Vehicle imprint. Digging deep across the collection he whisks us through the feels with a supreme range of instant party-pieces. From the blonde ambition of the slinky "Appelle Moi" to the freaky upbeat ground control of "Oddity" via the insane stretch and slap of "What The Hell?" and his versions of "Human Nation" and "Give Me Shelter", this is an immense set that brings us all up to speed and gets us excited for the next six years of edits. V stands for Very good music.
Review: It may have taken eight years, but Joey Negro has finally got round to putting together a follow-up to his superb Backstreet Brit Funk compilation. Like its predecessor, this sequel shines a light on Britain's under-appreciated musical response to the U.S soul, jazz-funk, disco and electro scenes of the late 70s and early 80s. On the whole, the showcased tracks are altogether deeper selections than those found on volume one, meaning obscure highlights come thick and fast. These include - but definitely aren't limited to - the low-slung disco-funk of Rick Clarke's "Potion", the glassy-eyed breeziness of Paradise's "Stop and Think", the footworker-friendly jazz-funk riot of Touchdown's "Ease Your Mind" and the samba-soaked carnival flavours of "Brazeila" by Brazeila. Oh, and a killer dub of Janet Kay's overlooked Brit-boogie classic "Eternally Grateful" that has never before been released.
Review: Half the fun of each new Ibiza season is the accompanying DJ mix albums that ensue. Here it's the turn of Z Records' legend, Joey Negro, who compiles and selects Z Records Presents Ibiza 2017. With Joey Negro you know you will always get an expert blend of house and disco, new and old. Here we see exclusives rub shoulders with first time digital virgins. Highlights include Dr Packer's thumping edit of "Change Position (88)" by Brooklyn Express, the hazy bass twangs of "Phantom" by A Band Called Flash and the warm electro of "It's More Fun To Compute" by Negro himself.
Review: 48 tracks, six exclusives, two mixes: Viper have already developed a strong-armed reputation for compilations over the years but this is taking things to a whole new ridiculous level. Investigating bass music's widest corners, the heady concoction of tracks ranges from premier league bangers (Wilko's remix of The Prodigy, Noisia & The Upbeats "Dead Limit", Andy C's "New Era VIP") to fresh-baked underground rollers (Dossa, Locuzzed and NC-17's drone-jump buzz-cut "Ninja", Dub Elements' deep space neuro-edged shredder "Metaverse") to lower tempo tear-ups from the likes of Pex L, Au5, Flux Pavilion and Doctor P and Specimen A. With heaps more in between, this accurately reflects just how exciting and closely linked all bass-laced genres are right now. Venomously immense.
Review: Gabriel Roth's and Neal Sugarman's Daptone Records label have been a shining beacon in funk music for almost ten years. Launched off the back of the incredible Sharon Jones And The Dap-Kings, they've both reached the mainstream via work for Mark Ronson and Amy Winehouse and simultaneously kept their core, vinyl-loving fans on board too. This twenty track best of really is an essential purchase for anyone that's slept on classic releases such as the Otis-recalling Charles Bradley's "The World (Is Going Up In Flames)", Sharon Jones' popcorn favourite "Got A Thing On My Mind", Bob's slow and deeply soulful "Gotta Find A Way" and the mighty instrumental force of the Poets of Rhythm, here marked by their cover of that evergreen US rock classic, "Suzie Q".
Review: Teniente Castillo's Madrid-based disco/nu-disco imprint Play Pal Music got off to the perfect start last year, delivering a sweet compilation of re-edits, reworks and original tracks that found its way into the playlists of many top selectors. This follow-up repeats the formula, delivering a wide range of goodness, from the string-drenched nu-Balearic goodness of Trip Guitar's "El Vuelto", to the baggy, horn-heavy, filter-sporting disco-funk revivalism of Disco Tech's "Let Me". Highlights are plentiful, from the superb re-edits of Get Down Edits (whose touchy-feely "Holdin' Me Back" is excellent) and Beaten Space Probe (check "Gotta Play Funk", with its woozy synth doodles), to the heavy electrofunk of Juan Laya and Thomass Jackson.
Review: Twenty eight tracks, 12 exclusives, one mix... Viper smash down the doors of 2016 with an all-encompassing document that portrays D&B broadest, baddest landscape in great detail. Among the out-and-out classics of last year ("Dead Limit", "City Of Gold") you'll find some of Viper's most exciting smashes of the last few years ("One's Own", "What R U Doing?" "Universes") and, most importantly, 12 tracks that have yet to be releases before... Ranging from J Majik's muscular, monster-stomping return ("Drop It") to Toronto Is Broken's savage, skippy tech funker "Zero One", Viper aren't messing around at all on this one.
Review: Croatia's Funky Destination (aka Vladimir Sivic) has made a big splash on the funky breaks scene appearing on a variety of well renowned labels. However, the honour releasing his new long player, Supersonic Bomb, has fallen on the mighty Timewarp. Normally known for their nu-disco sound, the Grecian label has taken a chance on these 16 organic funk jams, and it's paid off! Highlights include the bubblin' piano boogie of "Getting Higher", the luxuriously silky "Eternal Light" and the fuzzy, breaky, disco house of "Get Up".
Review: This compilation to celebrate Miami 2014 features 67 tracks in total, each one resonating with forward-thinking creativity and contemporary commercial dancefloor charm. There are millions of highlights but be sure to check out the slamming stomps and vocal edits on "Unspoiled Perfection", Angello, Matisse & Sadko's cathedral-level synth anthem "SLVR" and the mad-jack fusion of Nile Rodgers and Eats Everything "Do What You Wanna Do". These are just three of many - CR2 have raised the bar ridiculously high right here.
Review: The annals of pop history are full of great artists who sadly became overlooked with advancement of time and fashion. Germany's Tramp records are determined to help restore the profiles of some classic but forgotten acts and they're prepared to do serious digging to do so. The latest act they've chosen to celebrate is Jimmy 'Preacher' Ellis, a classy soul singer from Arkansas who, between 1963-1972, released a series of sensational 45s. Now these singles are gathered here for the first time in over 40 years and prove a rewarding listen for fans of vintage soul.