Review: It may have taken eight years, but Joey Negro has finally got round to putting together a follow-up to his superb Backstreet Brit Funk compilation. Like its predecessor, this sequel shines a light on Britain's under-appreciated musical response to the U.S soul, jazz-funk, disco and electro scenes of the late 70s and early 80s. On the whole, the showcased tracks are altogether deeper selections than those found on volume one, meaning obscure highlights come thick and fast. These include - but definitely aren't limited to - the low-slung disco-funk of Rick Clarke's "Potion", the glassy-eyed breeziness of Paradise's "Stop and Think", the footworker-friendly jazz-funk riot of Touchdown's "Ease Your Mind" and the samba-soaked carnival flavours of "Brazeila" by Brazeila. Oh, and a killer dub of Janet Kay's overlooked Brit-boogie classic "Eternally Grateful" that has never before been released.
Review: This compilation to celebrate Miami 2014 features 67 tracks in total, each one resonating with forward-thinking creativity and contemporary commercial dancefloor charm. There are millions of highlights but be sure to check out the slamming stomps and vocal edits on "Unspoiled Perfection", Angello, Matisse & Sadko's cathedral-level synth anthem "SLVR" and the mad-jack fusion of Nile Rodgers and Eats Everything "Do What You Wanna Do". These are just three of many - CR2 have raised the bar ridiculously high right here.
Review: 48 tracks, six exclusives, two mixes: Viper have already developed a strong-armed reputation for compilations over the years but this is taking things to a whole new ridiculous level. Investigating bass music's widest corners, the heady concoction of tracks ranges from premier league bangers (Wilko's remix of The Prodigy, Noisia & The Upbeats "Dead Limit", Andy C's "New Era VIP") to fresh-baked underground rollers (Dossa, Locuzzed and NC-17's drone-jump buzz-cut "Ninja", Dub Elements' deep space neuro-edged shredder "Metaverse") to lower tempo tear-ups from the likes of Pex L, Au5, Flux Pavilion and Doctor P and Specimen A. With heaps more in between, this accurately reflects just how exciting and closely linked all bass-laced genres are right now. Venomously immense.