Review: With too much good music to release in one collection, Toolroom present the second volume of its coveted Ibiza compilation. The list of artists included runs like a roll call of the most exciting producers in electronic music right now with highlights such as: ascendant Brit Weiss on the uplifting vocal house anthem "Let Me Love You", Bristolian bass house hero Will Clarke doing his thing on "Tricky", the ever impressive Eli Brown nailing that peak time vibe on "Always", Hannah Wants getting deep down and dirty on the Kevin Saunderson sampling "Love Somebody" and Toronto's finest DJ Sneak & Demuir doing their thing on "Good Ol' Days". Add to this three continued mixes that cover Poolside, Club and Afterclub, and you have a collection that encapsulates the electronic spirit of Ibiza like no other.
Review: Mark Knight & Co. are straight up with their latest title - but considering their current 15th birthday celebrations, these guys can do whatever they want - they hardly do wrong anyway! House, Tech House, Techno Vol 2 does exactly what is says on the tin with a whopping 62 tracks and three continuous mixes - each dedicated to said subgenre. From that massive remix of Fatboy Slim's "Right Here, Right Now" by current scene favourites CamelPhat, Saved main man Nic Fanciulli's collaboration with Damon Albarn on "Saying" (Kolsch remix), label head honcho Knight himself steps up to deliver the pumping and white noise filled "We Get High From The Music" (feat Mr V) and the inimitable Danny Howells is always welcome - particularly with a track as electrifying as the recently released "Isolar".
Review: It has been quite a year for the Toolroom institution. Celebrating their 15th birthday last year, they weren't ones to rest on their laurels, instead going full steam ahead with a bunch of genre defining compilations this year. But most importantly they have been instrumental in the comeback of funky house after a 20 year dormancy, with killer releases by the likes of Weiss, Cashio and boss man Mark Knight himself. Add to that one banging party at Chicago Social Club for Amsterdam Dance Event and it's evident that these guys are proper 24 hour party people. With a glorious year sadly coming to an end, celebrate a wonderful one that was on Best Of Toolroom 2019 with highlights not limited to: the rework of the Cevin Fisher classic "Freaks Come Out" by Jack Back, Hannah Wants & Kevin Knapp's deep down and dirty "Call Me" (extended mix), UK heroes Alan Fitzpatrick & Wheats delivering the certified banger "M27" and New York legend Todd Terry teaming up with Tuff London on "Psychodrama" featuring Jasmien Nanhekhan. If that was not enough, ascendant producer Maxinne delivers two mixes compiling all the tracks: one smooth House mix followed by a thumping Tech House mix.
Review: On 'House Party Vol. 3' the party continues well into autumn with Toolroom's unmistakable blend of killer cuts, red hot exclusives and a host of essential tracks from the industry's leading imprints. Includes a whopping 80 tracks, plus three compiled mixes from current scene favourites such as Kittball co-owners Tube & Berger, Dutch house favourite Rene Amesz, and rising UK talent Iglesias. Highlights not limited to: boss man Mark Knight with the aforementioned Amesz on the funky house anthem "All 4 Love" (feat. Tasty Lopez), Hannah Wants & Eskuche serve up some slick and bouncy electro house on "The ISH", the dream team of Alex Mills, Danny Howard & Illyus & Barrientos delivering a properly soul-infused vocal epic on "Need" (Extended Mix) and the legend ATFC returns with the super sexy "Not Enough" feat. Mia Mendez.
Review: Two years have passed since the last Masterworks Music label compilation, so this fourth volume is long overdue. It's another expansive affair, with boss man Danny "80s Child" Worrall offering up no less than 20 exclusives from a mixture of label regulars and new recruits. As you'd expect, there's much to enjoy, with highlights including the rubbery and celebratory disco goodness of Surgery Edits' 'Get Up and Boogie', the hazy house pleasure of Dirtytwo's 'Desire', the string-laden peak-time rush of Chris Grubinza's 'Feel The Rush', the revivalist 80s boogie brilliance of Slync and Evie Adams' 'Fantasy', and the wonderfully loved-up 80s soul-meets-nu-disco warmth of Paper Street Soul's 'Fwok!'.
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