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Played by: OOFT!, ARSENII, Kisk, Juno Recommends Deep House, Trujillo, Djs: Most Charted - Deep House, Kito Jempere
Review: Cult St. Petersburg DJ/producer Kito Jempere (aka Kirill Sergeev) regularly plays at hot venues like Watergate in Berlin and festivals like Stop Making Sense, whilst releasing music on the likes of Hell Yeah!, Dirt Crew and Lo Recordings. Here his Objects LP gets tackled by a host of his contemporaries with impressive results. Highlights include the melancholic emptiness of HNNY's "Typewriter" rework, the touchy feely, early hours sparkle of Selvy's 'interpretation' of "Selvy" and the arpeggiated 303 chime-a-thon "Lumo" (Simple Symmetry remix).
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FMORGANARMX
09 Oct 15
Deep House
09 Oct 15
Deep House
Review: After making his debut on Jimpster's Freerange imprint last year, deep house producer Kito Jempere has decided to strike out on his own, delivering a surprise debut album on his new Fata Morgana imprint. Objects is an intriguing debut, if truth be told, with Jempere delivering a string of off-kilter cuts variously influenced by deep house (the excellent "Gas Station", jazz, electronica, dubwise downtempo beats (the moody "Conversation" with Larry Far), new age (the deliciously ambient "HW Whales"), and sparse Latin percussion (the Ninos Du Brasil style tropical pagan percussion jam "Jarvi"). The result is an intriguing and entertaining set bristling with imaginative ideas, alien melodies and left-of-centre textures.
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FMORGANA 01
28 Apr 14
Deep House
28 Apr 14
Deep House
Review: Quartet Series main man Nachtbraker has released music on plenty of high profile imprints over the years - Heist, Dirt Crew and Hudd Traxx most frequently - but he's never released on Aus Music before. His label debut is a typically confident affair, with the Dutch producer dishing up a mixture of proto-house influenced deep house funk ("QT & The Lizards"), chunky house grooves and stunning, synth-pop influenced electronics ("De Zon") and deliciously dreamy, sun-kissed breakbeat house ("Nar Hon Inte Ar Dar (Sunrise Mix)"). Arguably best of all though is opener "Fatoe Morgana", a throbbing, all action mix of razor-sharp acid riffs, rising synthesizer motifs, drowsy chords and restless but sturdy grooves.
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AUS 148D
21 Feb 20
Deep House
21 Feb 20
Deep House
Review: If Broken English Club is Oliver Ho's appreciation of ebm and industrial, then Zov Zov, a project he and Tommy Gillard collaborate on, gives recognition to other far-flung parts of the music spectrum. Inspired in equal measures by 23 Skidoo's neurotic electronic funk, the malevolent gurgle and squelch of Throbbing Gristle and abstract drones and noise, all of these strains find expression on the pair's second album, Fata Morgana. Moving from the complex, percussive "Casting" and "The Souls" into the voodoo "The Sands" and the menacing electronic throb of "Burning", this is an uneasy listen that sounds every bit as disturbing as the damnation of souls by devils depicted on the cover art.
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BH 45
02 Feb 18
Techno
02 Feb 18
Techno
Review: Swiss slicker Banderas returns to Timewarp with two smouldering breakbeat funk originals. "Handbrake" is a horn-heavy exercise in contrasts as we're hyped into a sweaty mess on the Budos Band-style builds before dropping into smooth Skweewif-style main groove. "Faro", meanwhile, takes us into a more dramatic, car-chase experience as we're pursued across the musical metropolis by firing flutes and tightly plucked guitars. Remix-wise, "Handbrake" gets the treatment from Timewarp Inc (samba-style rocksteadiness) and Trotter (Brownswood jazz style) while "Faro" gets the rub from Quincy Jointz (Afrobeat stomp hypnosis) and Fata & Morgana (Italo-angled cosmic heaven). Take two? We'll take all six please.
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TMDG 144
23 Feb 15
Broken Beat/Nu Jazz
23 Feb 15
Broken Beat/Nu Jazz
Review: The legendary Hyperdub return in style here as they bring forward Lee Gamble, who presents us with an awesome collection of 7 originals. In typical hyperdub style, this one pushes all the boundaries wherever they lay, from the glitchy soundscaping of 'Chant', to the softened arpeggio structures of 'Cry' and the experimental synth movements of 'BMW Shuanghuan X5'. Overall this project shows a real sense of character and a level of confidence to explore that which is unexplored in sound. Other standouts from this one have to include the juke-like drum arrangements of 'Moscow' and the incredible harmonic layers of 'Many Gods, Many Angels'.
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HDB 119D
01 Feb 19
Bass
01 Feb 19
Bass
Played by: Henri Kohn, Juno Recommends Minimal Tech, Nic Fanciulli, Layo & Bushwacka, Anja Schneider, Dennis Ferrer, Eelke Kleijn, Pig & Dan , Sven Vath
Review: House producers Tale Of Us and Thugfucker's side project gets the remix treatment from some of the most popular underground names. Jamie Jones gets to grips with "Step Aside Lightweight", which features Scott McCloud on vocals. In Jones's world, the vocals sound bugged out as they accompany a stripped back groove into a parallel dimension of after parties and lost mornings. The Rework version is more toolish, but has a reference to the old days of house music thanks to its "we're all united" vocal. But neither can match Carl Craig's take on "Morgana"; its clipped drums and menacing bass will bring anyone who had hitched a ride on the escapist train crashing back down to earth.
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VQ 021
07 Jan 13
Minimal/Tech House
07 Jan 13
Minimal/Tech House
Played by: Mark Johnson Bournemouth, Alkalino, Juno Recommends Deep House, Deepgroove, Rodriguez Jr., Paolo Madzone Zampetti, Don Crisp, Resident Advisor, Filthy Rich (Toolroom/Great Stuff)
Review: It's a mark of the quality and consistency of Visionquest's releases that you can tell them a mile off. This debut EP from four-piece Life & Death is a great example of that. Without checking the label details, you would instantly identify Step Aside as a Visionquest release. It features the label's usual sonic palette - snappy, 808-influenced percussion, woozy synths, sub-bass heavinesss, atmospherics akin to 1980s goth records- and a moody, spoken vocal straight out of the Benoit & Sergio school of thought. Second track "Morgana" flips the script slightly, but it still sounds like a Seth Troxler record. If you, like us, enjoy the Visionquest sound, then, you'll love Step Aside.
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VQ 009
06 Feb 12
Deep House
06 Feb 12
Deep House
Review: Turkish female prodigy Ipek Gorgun has been aptly recruited by the mighty Touch imprint within minutes of her first material being released, and we couldn't think of a more suitable home for this young talent's sonic experiments. Enrolled as a music student in Ankara, Gorgun certainly has no time for traditional music laws if this album is anything to by. Improvisation and experimentation are the two keywords here, but we really mean it; we've heard very few releases that manage to harness so many different styles and influences under one roof, and the producer's talent lies in her ability to make seemingly impossible transitions seem utterly natural. From noise, then straight to gentle ambient, and then back to the most placid of drones, Ipek Gorgun is the new, undisputed Drone Queen.
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TOUCHLINE 9
24 Mar 17
Ambient/Drone
24 Mar 17
Ambient/Drone
Review: Los Angeles' Pacific Horizons gets remixed by a stellar cast on the Re Illumination Series Volume 2. There's some UK style bass driven house on "Bandini (Frisvold & Lindbaek remix)", some sublime disco infused balearica on "The Forest Electric (Kenji Takimi & Tomoki Kanda Being Borings remix)", likewise on "Fata Morgana (J Disko's Relish remix)" too. But it's more on the cosmic, nu-disco tip. Also of note, there's some slow burning and detuned EBM flavour courtesy of Romeo and his remix of "Beaches Of The Black Sea."
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PWF 010
04 Jul 16
Minimal/Tech House
04 Jul 16
Minimal/Tech House
