Review: With an extensive repertoire that includes breaks, house and techno, Sam Binga's switch to future jungle rhythms has spawned some of his honest, his most exciting and his heaviest tracks to date. Sitting in the same unclassifiable field as Om Unit and Fracture, his productions wobble, writhe and punch sweetly around the 160/80 axis and feature a wealth of killer vocalists such as Warrior Queen, Rider Shafique and Romaine. Part dancehall, part jungle, part mongrel bass, Sam's skills are showcased succinctly across Wasted Days with a consistency that ensures the album experience is just as hard hitting as the individual tracks hit the floor. Get wasted.
Review: Rumours have been rife on this for well over two years now. Refusing to hurry as much as he refuses to compromise, Rockwell has taken his time and crafted one of the most distinctive, unique bass music albums: Obsolete Medium. Referencing ghetto-tech, classic hardcore (rave and punk) and formative jungle, every track, even the skits, justifies its place: from the torch-raising Banks-style leftfield ballad "Faces" through to the toxic waste bass and paranoia of "Guts/Bloods/Sex/Drugs" by way of the unadulterated rave mischief of "Please Please Please (Play This On The Radio)" and cosmiche bass of "Technoir", the whole album is detailed, precision articulated and full of surprises. Far from obsolete.
Review: From Prolix to Technimatic, Total Science to Was A Be by way of Icicle, Joe Ford, Fourward, Spectrasoul, Phace, Ed.It and many more, Friction's label digs deep from the genre's most innovative corners and eras. As we prepare to close off 2016, they've taken a detailed look back over the last 18 months of crucial output to not just represent where the label is at, but the genre itself. An ideal opportunity to fill any holes in your collection cuts such as Fourward & Linguistics demonic stomper "Storm", Was A Be's rudeboy-slewing halftime damager "Blind" or Break's sparkling "Emerald" and complete with a journeyman mix of the tracks themselves, this rounds up yet another serious year at the very forefront of drum & bass.
Review: Well well well... What a way to kick off a new year: Modified Sonics sees the entire Critical troop go to town on each other's work and celebrate the label's 15+ year contribution to the game. No stone unturned, no shoe unthrown; from long-demanded VIPs such as Emperor's sharp update on "Infrasound" and Mefjus's VIP of "Disrupted" come well-deserved re-ups of classics such as Binga's fuzzy take on Serum & Bladerunner's "Who Jah Bless", Benny L's gut-troubling twist of Enei's "Mosquito" and a crucial twist of Rockwell's breakthrough gamechanger "Underpass" from none other than Perez. With loads more dopeness from the likes of QZB, Hyroglifics, Klax and many more, this is one of the best V/A albums Critical have ever put together. Essential.
Review: Celebrating two decades deep in the game, Critical Music deliver this exceptional 22 track collection from some of the most innovative artists in the bass field. From old label mates such as Sam Binga, Mefjus and Ivy Lab to exciting newcomer talents like Spectral, Able and Cauzer, the entire collection is a blistering jolt of futurism that ranges the full Critical spectrum. Highlights range from the introspective tones of Buunshin's 'Forget About Me' to the dark, tense minimalism of Calibre's 'Verstat' by way of the barbed soul of Halogenix's 'IDGAF'. Here's to another 20 years...
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