Review: Tale of Us launch their Afterlife label in style with the Realm of Consciousness compilation. Bringing together some of the best-known names in contemporary techno as well as a group of newcomers, it moves effortlessly between esoteric moods. Tale of Us contribute the ambient intro, while Monoloc and Woo York are both in more mellow form than usual on the melodic "Phoenix" and "Poseidon" respectively. Meanwhile, Recondite contributes the sad melodies and throbbing bass of "Murphy's Law" and Locked Groove balances supernaturally beautiful hooks with powerful bass pulses on "Emeralds". Even more dance floor-focused tracks, like Obscure Shape & SHDW's "Die Wiederkehr", are filled with trancey melancholia.
Review: The second instalment in Bpitch Control's compilation series gets off to a rousing start, with Rebekah dropping a pounding, hardcore-influenced techno track, "Last Summer". The same intensity levels are audible on Inhalt Der Nacht's "In Lust Verirrt" and Tham's "The Third Kind" but deployed differently, with both acts using swirling acid lines and blustery filters to arrive at the same destination. While keeping the focus on the dance floor, ebm influences loom large on "Herzschlag Der Figur" from German trio Die Selektion. The compilation also embraces ghetto techno as Andrew Moore delivers the slamming "That Makes Me So Horny" and big-room 303 mayhem on Alien Rain's "Dream Interceptor".
Review: The organisers behind German party The Third Room have responded to the coronavirus by setting up a label and tapping artists who played for them for the material on this split release. The proceeds from the sale of this EP will go to people who bought tickets for one of Third Room's cancelled events - a kind gesture. It's no surprise that the tracks on the compilation are reflective of the party's sound: Dax J and Obscure Shape & SHDW's contribution focuses on hard, fast acid; Inhalt der Nacht & Echoes of October drop the pile-driving "Beutezug" and even Ellen Allien's track is coated in ravey menace. The one exception to this approach is Hector Oaks's droning "Do You See The Light?"
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