Review: Dubstep's dissonant soundtrack usually leaves us floundering in deep space but Circle Vision bossman RDG and his phantom mate K Man have composed a darker trip much closer to home... "Lost On Earth". RDG scores the first two movements: "Rise" spurts danger with the demonic tones of Sun of Selah over a jagged dubby riff while "Against Us" fuses car horns and a paranoid atonal bass riff. K Man provides closure: "Metaharmonics" takes us back to 2008 with its scuffed chrome hook while "Lavender Sky" finally takes us off this gosh-forsaken planet with rocket pads. Due to the squiggly nature of the bass our destination, however, is unknown. Happy travels.
One Of Us (Claus Casper & Jean Philips remix) - (8:01) 120 BPM
One Of Us (instrumental mix) - (6:40) 120 BPM
Review: Ana Estonian in London, Urmet has been makin' waves since his musical arrival just a few short years ago. Here, on "One Of Us", he's going for the commercial jugular - teaming up with the silken voiced Lady Linn who delivers smooth, emotional vocals over his cast-iron deep electro-house. There are also two remixes if you're after something clubbier - the skippy, cocktail bar prog-house version by Claus Casper & Jean Philips and the superior, gentle and intricate rework by Dana Berquist.
Review: With Summer Camp, Moon Harbour introduces a series of compilations that features re-releases of summer tracks from the label's back stock. The slinky and emotive remix by veteran Dennis Ferrer of Sabb's "One Of Us" (feat Forrest) has not aged at all in the last three years. From 2013's time capsule is Sable Sheep's "Upon Burning Skies" which is tribal house at its finest and nearly a decade later: label head honcho Matthias Tanzmann serves up his terrific "Chano" which similarly explores polyrhythmic latin flair - it's sure to get some near spiritual moments in effect on the dancefloor.
Review: Without a doubt one of the best low-key record labels, Soul Deep is back with regular partner-in-crime Furney for a classic piece of funky D&B. Furney's music has a certain roughness to it, that rustiness in the drums and the lack of clarity in the highs, both of which conspire to add even more charm and character to his productions. The title track encapsulates that well, with its soaring sample and warm, padded bass notes. He goes a bit deeper than usual with 'Long Distance Relative' and 'I Can't Take It', subtler sounds at the back and more introspective tones at the fore on these two. A nicely diversified release from a stalwart of the scene.
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