Review: Making music since the early '00s, badman duo Tantrum Desire have been keeping their sounds heavy from the streets of London since UKG was topping the charts. Bringing a fresh, modern twist to vintage and old school vibes, "Diversified" is a full-length look at where they're at right now, and it's mightily impressive. From the cinematic pomp of "Diversified" and the trancey rushes in "Genesis" to the totally massive "The Shadows" featuring Matrix & Futurebound and the ridiculously addictive "I Need You Here" with Drumsound and Bassline Smith, this LP is a must bag for any hardline drum and bass aficionado.
Review: Next Wave Acid Punx DEUX marks the second electrifying compilation from Eskimo Recordings, masterfully curated by Berlin-based musician and DJ Luca Venezia, aka Curses. Spanning some 50 tracks - this extensive collection weaves a captivating narrative connecting the dots between industrial pioneers like Throbbing Gristle, EBM legends Nitzer Ebb, and the post-punk experimentation of Malcolm McLaren or Big Audio Dynamite, all the while introducing us to contemporary talents such as Boy Harsher, Nuovo Testamento, and Years of Denial. With direct inspirations coming from personal voyages through Luca Venezia's record collection during lockdown - DEUX transports us through a hazy, pulsating clubland from yesteryear where a sonic journey pulls together other talent like The KVB, Jennifer Touch, Kris Baha and a selections of Curses own remixes and revamps.
Review: Drumsound and Bassline Smith's mainstream D&B assault is well worth watching. Applying catchy pop sensibilities to their tonked-out bottom-heavy technique, they're nipping at Fresh and Sub Focus's heels with real determination. Remix-wise we see Northern Lights throwing down a big dubstep vibe that sizzles and snarls with metallic menace while Tantrum Desire switches up for a speedy spliced and diced technicolour D&B version. Big.
Review: Bass is all over the place in the UK at the moment, so much so that this is already the second instalment in this recent compilation series. Boasting some heavy hitters including number one hit "Feel The Love" by Rudimental feat John Newman, we get 40 tracks spanning drum and bass, dupstep and electro house. Highlights include the fluffy pop meets dubstep of Netsky's "Come Alive", the wobble-hop of Foreign Beggars' "Flying To Mars", the future drum and bass of "I Remember" by Culture Shock and the epic synths of Camo & Krooked's "Further Away".
Review: Thought Technique's last 15 year celebration compilation was huge? You've seen nothing yet. It's their quinceaNera, dammit, and they're not giving up the party yet. Drumsound & Bassline Smith hang on to those summer vibes with two inclusions and artists like Tantrum Desire, Tremah, L Plus and Document One hold the fort with similarly stonking tunes. Unbelievable variety from the label that just keeps on giving. Then giving some more.
Review: Fifteen years. Can you believe it? Actually, the question we should be asking is; can you remember what the world was like without before Technique was championing the darker end of high energy drum and bass? Featuring absolute classics from the likes of Drumsound & Bassline Smith, Crissy Criss and Technique's own intelligent production scientist, it also features music from Trei, whose recent EP took is a must-check! There are also bone shaking tracks from brand new and up and coming artists like MaxNRG and Kronology whose productions sit perfectly alongside the greats.
Review: Bass is all over the place in the UK at the moment, so much so that this is already the second instalment in this recent compilation series. Boasting some heavy hitters including number one hit "Feel The Love" by Rudimental feat John Newman, we get 40 tracks spanning drum and bass, dupstep and electro house. Highlights include the fluffy pop meets dubstep of Netsky's "Come Alive", the wobble-hop of Foreign Beggars' "Flying To Mars", the future drum and bass of "I Remember" by Culture Shock and the epic synths of Camo & Krooked's "Further Away".
Review: 48 tracks, six exclusives, two mixes: Viper have already developed a strong-armed reputation for compilations over the years but this is taking things to a whole new ridiculous level. Investigating bass music's widest corners, the heady concoction of tracks ranges from premier league bangers (Wilko's remix of The Prodigy, Noisia & The Upbeats "Dead Limit", Andy C's "New Era VIP") to fresh-baked underground rollers (Dossa, Locuzzed and NC-17's drone-jump buzz-cut "Ninja", Dub Elements' deep space neuro-edged shredder "Metaverse") to lower tempo tear-ups from the likes of Pex L, Au5, Flux Pavilion and Doctor P and Specimen A. With heaps more in between, this accurately reflects just how exciting and closely linked all bass-laced genres are right now. Venomously immense.
Review: Mooqee's label Bombstrikes is doing all right for itself. So much so in fact that they've reached that milestone - a label's first compilation album. Here Mooqee has selected 25 sizzling bangers new and old that do it for him, and hopefully will do it for you too. Highlights include the compressed electro steamroller that is "Back To School", the crunch synth funky freakout of "Come On Bounce" and the devastating bass that's eaten all the pies of "Let's Do It Right Now". Heavy!
Review: Fun loving Party Breaks and Beats label Bomb Strikes serve up a retrospective collection curated by label bosses Mooqee and Beatvandals. With 31 full-length cuts plus a one-hour DJ mix, there's no faulting the VFM as we move through breaks, funk, hip-hop and the occasional gnarlier nugget. Standouts include Andy Cooper & The Allergies' rework of Run DMC's 'Mary Mary' and Beatvandals & A Skilz's 2007 cut 'Sunshine', which mashes up Roy Ayers and Indeep. But the one we keeping back to is Mooqee's 'Supacat Police' (2006), which makes devastating, ragga-fied use of chunks from a certain KRS-One classic that we won't insult your intelligence by naming!
Review: Twenty eight tracks, 12 exclusives, one mix... Viper smash down the doors of 2016 with an all-encompassing document that portrays D&B broadest, baddest landscape in great detail. Among the out-and-out classics of last year ("Dead Limit", "City Of Gold") you'll find some of Viper's most exciting smashes of the last few years ("One's Own", "What R U Doing?" "Universes") and, most importantly, 12 tracks that have yet to be releases before... Ranging from J Majik's muscular, monster-stomping return ("Drop It") to Toronto Is Broken's savage, skippy tech funker "Zero One", Viper aren't messing around at all on this one.
Review: Technique Recordings, founded by Drumsound & Bassline Smith back in 1999, is turning 20 this year and they're releasing a huge remix compilation to celebrate. Featuring remixes from artists old and new of Technique's best tracks, mostly originals from the founders themselves, this album stretches across 27 heavy, dancefloor numbers. The first outing, a remix of 'Come With Me' by Bladerunner, is classic KoTR vibes and we love the array of twisting, snarling basses that fans of this producer will recognise. Shouts also to Digital for his swirling remix of 'I Need Somebody', featuring some classic amens, and also Smooth for his popping remix of Tantrum Desire's 'Vybez'. Top stuff from a stalwart of the scene.
Review: Currently in the midst of popping open champagne bottles left, right and centre, Mooqee & Beatvandals, are celebrating the tenth birthday of their popular party breaks label, Bomb Strikes. Following some retrospective anniversary releases, we now get a selection of "Future Bombs" to enjoy. Highlights include Neon Steve's brutal dubstep/hard funk hybrid "Kill Em With The Vibes", the wobble-heavy synth epic "Rumble" by Herbgrinder and Mooque's own breaky electro-houser "Piano Thing".
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