Review: In which no fewer than 24 rock and indie classics get reworked for the dancefloor. Admirably, the mysterious V avoids the temptation to simply whack a 4/4 kickdrum under everything - in fact, many of the cuts could better be described as remixes or reworkings rather than simple re-edits. Inevitably, some of the resulting concoctions work better than others - and which you think that applies to may depend on your views on the original source material - but if you're looking for a way to drag non-house/disco lovers onto the floor, this collection should serve you well.
Review: Anyone who decides to dedicate a fair chunk of his debut edits release to scalpel cuts of tracks from Led Zeppelin, Jefferson Airplane and Stevie Wonder must have gonads the size of watermelons. Sitting down could be an uncomfortable proposition, then, for the mysterious V, whose seven-track debut EP also includes chunky, floor-friendly re-tweaks of The Kinks and Sly & The Family Stone (as well as a couple of stonking disco bangers). While some would argue that much of the material here didn't need messing with, he's done an excellent job. The Dub of "Whole Lotta Love", for example, is pitched just right, offering much more bang and exactly the right amount of disco dubbiness.
Review: By now, we should all know what to expect from both the Balance series and Danny Howells, namely slick, atmospheric, spine-tingling electronic music of both an uptempo and downbeat bent. This bumper digital version of his latest double CD mix features some exceptionally good tracks, from the exotic, psychedelic techno of Will Saul and October's rework of Michael Mayer's "Mantasy" and the evocative Balearic deep house of Joakim's "Another Light", to the dreamy fluidity of Matthias Voigt's remix of Ian Pooley's "I Got You", and the crystalline electronics and wide-eyed beauty of Maricopa's ambient delight "Neon Shoals". It is, then, a sizzling hot collection of evocative electronic music for dancers and dreamers. Don't sleep.
Review: What more can we possibly say about nu-disco producer Valique and his two-year bootleg/edit/mash-up blitzkreig that we haven't already said? Listening back over these 31 offerings it becomes apparent that this is simply the soundtrack to one seriously mighty party. There are simply just so many dancing-on-tables moments here (we'll let him away with some of the shockers) including the grooved up DM cover "Personal Jesus" by Johnny Cash, the surreal, intoxicating deep disco take on Al Green's "Let's Stay Together" and the dreamy paradise melodies of "Still You". Here's to the next couple of years!
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