Review: 2014 is a special year for Dom Angas. Not only is he turning 40, but it also marks 20 years since the release of his first single under the Dom & Roland alias. As part of the celebrations, he's handed over the parts to a string of classic productions to a veritable who's who of D&B talent. They provide a series of dark, pulverising, rolling and occasionally intense reworks, all designed to cement his reputation as one of the greatest exponents of the artform. Highlights are naturally plentiful, from the classic jungle breaks and rave-era rush of BTK and Optiv's rework of "Jungle Beast", to the exotic melodies, foreboding stabs and tech-tinged textures of Mindscape's mighty rub of "Mindfeeders".
Review: Featuring tracks from such luminaries as Hudson Mohawke, Benga and 16bit alongside new talent such as Shift Key and Morcee, Bullet Train Volume Two, selected by Bullet Train label head Marco Del Horno and Last Japan, spans the breadth of everything that's important right now in dubstep, bass and UK funky. Featuring a continuous DJ mix from the duo, as well as all the tracks unmixed, highlights include the snare driven riddims of Lil' Silva's "Patience", the massive dubstep bassline of Marco Del Horno and DJ Swerve's "Ho Riddim" and the fluid percussive workout that is R1 Ryders' "Just A Feeling".
Review: The boss is back! The legendary UK pioneer and Bedrock head honcho gives us a live set from Canada's second city, complete with crowd noise. Digweed's knack for sniffing out the most cutting edge progressive and tech house grooves is second to none and you can bet that this set is chock block full of narrative, innovative grooves: one journey you'll never forget! Featuring contributions from Germany's Recondite ("Tame"/"Baro"), Glasgow's Sei A ("You Can Bring"), Berlin's Smash TV ("Cascadia"/"God Key") and Los Angeles' Eagles & Butterflies amongst a host of other big names. Also comes as six continuous mixes for your listening pleasure. Enjoy!
Review: Listening to Miami 2014 it sounds like this year's WMC will be dominated by interpretations of classic US house. Prok & Fitch's "South Keys (original club mix)" is a storming tribal affair, while the key changes and heavy low end on My Digital Enemy's "Change" is reminiscent of New Jersey garage. Garage of a UK variety is audible on the rolling snares and rubbery bassline of Hot Since 82 's "Hot's Groove", but in the main, this compilation is US-dominated. Piemont's "Microsleep (original mix)" recalls the darkest excesses of Armand Van Helden house, replete with scary sirens, while the Kevin Knapp take on Richy Ahmed's "The Drums" is a clap-heavy Chicago jam.
Review: It's that time of year again, when deals are made and stars are born in The City Of Magic. In preparation for Miami's Winter Music Conference, Mark Knight & Co. serve up their hit predictions on Toolroom Miami 2019 - accept no substitute! Across a whopping 62 tracks, there's all you need to hear, right here, across the event's five consecutive days and compiled in three continuous mixes, appropriately titled: The Poolside Mix, The Club Mix and rather appropriately The Afterclub Mix. Highlights not limited to: Illyus & Barrientos swingin' diva antics on "Shout", chief Mark Knight with Danny Howard channeling early noughties tech house on the polyrhythmic "You Can Do It Baby", French bass-house hero Shiba San on the super boompty "Crush That" through to legend ATFC on the epic "Strong 2 Survive" (Dario D'Attis extended mix) and Israeli progressive house expert Khen on the slinky and hypnotic "Pecas" (original mix).
Review: The latest volume in Running Back's celebratory Mastermix series pays tribute to Hamburg's legendary Front club, which did much to popularize American house music (amongst other things) in Germany the late '80s and early '90s. The expansive set contains an epic DJ mix in two parts from original resident DJs Klaus Stockhausen and Boris Dlugosch, plus no less than 37 vintage cuts that made Front's dancers move. It's pretty much all solid-gold fare, with killer proto-house and first wave house jams being joined by obscure early UK electro (Syncobeat), Balearic deep house (Fila Brazillia's often-overlooked "Mermaids"), sleazy Italo-disco (Answering Machine), New Wave-era Euro dance, Paradise Garage-era New York anthems (Temper, Hot Streak), punk-funk (Modern Romance) and breezy, loved-up synth-pop (the brilliant Dub of Blue Moderne's "Through The Night").