Review: While Christos Antoniou AKA C Da Afro releases rather a lot of tidy re-edits, he often saves his best work for Midnight Riot. Or at least that's how it seems to us. Certainly, there's much to enjoy on the Greek producer's latest outing on Yam Who's label. Highlights include "Feel Like Dancing" - a rolling, pumped-up revision of a 1986 94 East private press jam to which Antoniou has added a thickset synth bassline - and the soaring orchestration and thumping disco-house grooves of "Heaven". Slick P-funk revision "Tonight" - all bubby synths, kaleidoscopic solos and Roger Troutman style talkbox vocals - is also worth a listen.
Review: Grecian producers C Da Afro and J.B Boogie first joined forces last year, releasing an E.P of filter-heavy disco/house fusions on SpinCat Records. Here, the Athens-based duo delivers more similarly celebratory, party-ready fare for Midnight Riot. They begin with the rolling, 109 BPM goodness of "Feel My Life", a delicious fusion of sparkling synths, glittery guitar lines, smooth vocals and head-nodding grooves. "Together (Guitar Mix)" craftily turns a lesser-known, mid-tempo boogie jam into a guitar and synth solo-laden, eyes-closed monster. Best of all, though, is the shirts-off pomp of "Bad Disco Lady", which gains much of its dancefloor power thanks to the combination of extended, filter-laden breakdowns and notable drops.
Review: In some cases it's useful to name-check some of the labels a producer has released music on; in the case of re-edit scene stalwart C Da Afro, it's easier to name the handful of imprints he's not appeared on. Here the prolific Greek rework merchant returns to Midnight Riot for the first time in almost five months, which by his standards is an eternity. As usual there's plenty to set the pulse racing across the EP, from the lolloping, electric piano-sporting orchestral disco brilliance of "Party Purpose", to the dewy-eyed, slap-bass sporting goodness of "Get Happy" and the filter-smothered disco-house revision business of bouncy closing cut "The Love For The Music".
Review: Athens based C Da Afro is radio Producer and owner Of Nitro Radio 102.5 FM. He delivers some neon-lit boogie down funk on his new offering entitled "Too Hot To Handle". With previous releases on Editorial Records, Spa In Disco, Alpaca Edits and fellow Greek George Kelly's Chop Shop Music: this guy certainly ain't messing around! For something a bit more low-slung (and definitely slo-mo) we'd say next offering "Passion Fruit" is certainly a tip for the early evening or late night alike. Finally "Rebel Disco" gets some swagger on via a '70s rock/disco fusion reminiscent of Frank Farian's legendary work in the era. These edits certainly are obscure enough (by our standards anyway) and certainly sound respectful - which is the main thing. Above all they are reliable dancefloor fodder for any discerning nu-disco DJ and we'd recommend them for sure.
Review: Greek producer C Da Afro steps up to the plate with four more re-edits here. The source of the first two is a mystery, but 'Gambling In Vegas' itself has clearly been drawn from the loungier end of the 70s disco spectrum while 'Knock Out Groove' moves a little forward in time to the boogie era of the early 80s. 'True To The Cause' reworks Cheryl Lynn's 'If You'll Be True To Me' from 1981 and is packed with hand-clappin', finger-poppin' disco energy, while Leon Hayward's 1983 Casablanca single 'I'm Out To Catch' provides the basis for EP closer 'Disco Tonic'.
Review: Greek producer C Da Afro (Christos Antoniou) has been plying his disco trade for a few years now, with releases on labels such as SpinCat, About Disco and Disco Fruit, but here he comes to the ultra-hip Midnight Riot with a three-tracker that'll delight those in search of some authentically 70s-sounding grooves. 'Yesterday' is a lavish affair topped with female vocals in a near-chanted style, 'Disco State' has a vaguely Candido-esque feel and sports some fine parpin' saxophone, while completing the package is 'The Flip Track', which is considerably pacier than the other two, operating at an almost hi-NRG tempo.
Review: When it comes to serving up floor-friendly re-edits of largely overlooked disco and boogie cuts, few producers hit the mark quite as consistelt as C Da Afro. The Greek producer has delivered tasty reworks for a dizzying array of labels over the years, none more so than the mighty Midnight Riot. He's at it again here, too, with what we believe to be his fifth outing on Yam Who's label. Choose between the rolling, jazz guitar-laden disco-funk bump of "The Shadow", the filter tricks and effervescent synthesizer/piano solos of cheery disco-boogie shuffler "Moving On Up" and the sparkling, Italo disco-meets-electrofunk brilliance of title track "Playboy Boogie",
which is arguably the strongest moment on another fine EP.
Review: Greek re-editor and remixer C Da Afro was one of the nu-disco success stories of 2016, so hopes are naturally high for his first outing of 2017. Lost In Echo is predictably strong, offering up a trio of tracks that gleefully blurs the boundaries between re-editing and original production. We're particularly enjoying the low-slung disco-funk grooves, fluid additional percussion hits, breezy vocals and dub disco effects of "Say You'll Be Mine", though sweet, boogie-based opener "You Don't Know" - all meandering organ lines, loved-up chord progressions, rubbery guitars and sing-along vocals - is arguably the EP's most floor-friendly moment. The pitched-down disco camp of "Tell Me Something" is pleasingly dubbed-out, too.
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