Review: You can always rely on the Midnight Riot label to pick up a party. Seriously they'd get people dancing in a morgue. Here label favourite Ziggy Phunk turns in four sweet and tasty reworks of obscure 80s dance cuts. "Give It To You" is a soft focus helium-voiced disco cut that puts The Bee Gees to shame, "Some Kinda Lover" is nearly seven minutes of tight and sharp 80s electro-soul, "Sneak Preview" is a shiny filtered pop gem that bears more than a passing resemblance to early Madonna, and "Stand Up" is a sped up celebration of guitars and trumpets.
Review: Through his releases on Midnight Riot and sister label ISM, Danny Kane has proved time and again that he's one of the British nu-disco scene's greatest funk-soul-disco fusionists. We Come In Peace, his debut album, further confirms the Birmingham producer's rising star status via a mix of previously released singles, unheard workouts and a handful of fine remixes from such talented producers as J Kriv, Qwestlife and Art of Tones. Our picks of an extremely strong bunch include disco-funk/boogie fusion number 'We Come in Peace', revivalist '80s soul gem 'Do It Right', dreamy boogie-house roller 'Octopussy', future disco scene anthem 'Good Love' and his swirling, all-action disco-house collaboration with Natasha Kitty Katt, 'Ascend to Love'.
Review: Here on Neon Dancer Mr Absolutt stays true to his name and goes absolutely pure on his homage to the sound of early RnB dancefloors. "Night Drive" is a hazy blend of What's Love Got To Do With It tropical synths and sultry Princess-esque grooves. Elsewhere "One Love" is fluffy boogie fun, "The Cross" is a twangier Paradise Garage-era raw funk jam and "Champ" is a hiNRG-funk crossover. A refreshing 80s vodka cocktail of an EP (no prizes guessing which brand).
Review: Unheralded re-edit master Chewy Rubs pops up on Midnight Riot with four more tried-and-tested chunks of discoid gold. The rubbery, delay-laden boogie of "Universal Love" - think slap-bass, echoing vocal samples, synth squiggles and shuffling house drums - kicks things off, before "Party On & Get Down" successfully rearranges a smooth disco-funk shuffler. There's a dash of subdued disco bounce in the shape of "I'll Tell You", before "Let It Lay" delivers the knock-out punch - a righteous chunk of squidgy P-funk with just the right amount of delay-laden low-slung disco flavour. All four tracks are expertly teased and tweaked, suggesting they'll prove popular on disco floors over the next few months.
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