Review: Liquicity proudly presents Voyage 1, a journey into the heart of the music that makes this crowd tick, courtesy of some of their favourite players. First up to share their delights is Champion and as "What I Need" takes off hard into the stratosphere after a strong intro featuring powerful vocals and souped-up synths he sets his sights on becoming D&B royalty. Fracus & Darwin roll up next, driving "Succeed" forward with lyrics from Mark Slammer and restrained percussion and pads fighting it out in a tight space of experimental production. It's a real mid-release treat. "Closer" acts as respite as Hugh Hardie plays with inspiring samples, retro sounds and soaring strings. Finally, Feint slams some serious dancefloor vibes into the mix, stabbing those synths and dropping the chorus hard. It's a right old mixture, you'll love it.
Review: It's grime o'clock at Hyperdub HQ as Terror Danjah and Champion square-off with some midrange baiting badness as cheeky and rude as you would expect from two masters of the art. Danjah's "Glide" actually struts on a peppy 4/4 rhythm, but the synths keep things dutty whilst there are plenty of quirks stitched into the beat. Champion's template on "Bowser's Castle" is broader, with fulsome melodies and a dextrous switch between ring modulating bassline throw downs and glossy synth refrains. In both instances the collaborations between the two bring a more hectic style full of clattering percussion and urgent tempos, clearly fed on the energy of shared studio time.
Review: Moscow's Champion Sound gang make their debut on Frenk Dublin's Dub Communication with an all-out warning. System-tailored, warmer than a cuppa in the midday sun, bouncier than a bag of rubber balls and laced with soothing vocals buried deep in the mix, its summer arrival couldn't have landed at a better time. Remix-wise Halcyonic and G Roots bring horn player Vale into the mix for more of a Latin-lashed stepper twist while the label bossman brings us home on a stately deep dub swagger. Three killer jams in their own right, DC aren't messing around here. Champion.
Review: Champion feels so good he wants you to feel like a winner, too. This has been the way since he emerged eight years ago and proceeded to tear a hole out of the UK funky game. Flexing a sharp 4x4 feel with some deliciously manipulated bass designs and stacks of space between the elements to create a suspended state of funk and groove, every track makes you feel like a champ; the molten toxic bass of "One Time", the pure swamp-bass evil of "Drill", the chugging bassline/grime hybrid "Kill All Dem", the breath-taking textures on the Four Tet collabo "World" and the raw truth of "Young Raiden", the list goes on. This is how you do a debut album in 2017. Champion sound.
Review: Bomb Strikes continue their quite frankly untouchable run with this latest release as they unveil the fourth edition of their 'Bass Funk' compilation series, showcasing some of the most forward thinking bass music about right now. As a compilation, it covers a lot of ground, from the tearout D&B stylings of Featurecast's 'Trigger Finger', to the futuristic post dubstep designs of 'Flexx' from Stylust. Other highlights for us include Kenny Beeper with his groove-infused scratch masterpiece 'Crown Jewels', the long awaited 'Back To The Flow VIP' from Krafty Kuts and of course, Champion's high profile appearance alongside the unmistakable vocal presence of Dread MC on 'One Time'.
Review: Formed ten whole years ago, this Hertfordshire trio (David Wilson, Sammy Stabile and Adam Smart) have paid their dues with their exceptionally slick take on DnB eventually winning fans including Zane Lowe, DJ Friction, MistaJam, Annie Nightingale and even Ellie Goulding! It's all lead up to this, however, their debut album, Under The Blue. Featuring 14 thrill-packed excursions, with highlights including the heart-warming anthem "Sins" (featuring the sweet tones of Charli Brix), the soulful mysteries of "Echoes" and the warm elegance of "Closer". High end beats.
Review: Viper are a big, bad and dangerous label and their 2021 annual is an expression of what makes their output so potent. This whole LP is unafraid to be dancefloor heaviness in an approachable sense, and the whole extended roster has turned up, from label boss Futurebound to Murdock, Blaine Stranger and more. 'Dragon' by the latter is especially good, as a foghorn influenced bass node curls its tendrils amidst a a synthy forest of organic ambience and excellent production. Cyantific and Bl4ck Crowz also impress on 'Waiting 4 U', which stomps its feet in a petulance that's less childish and more chidingly sick, a true festival anthem for sure. The album is a must-listen for all those who rate the Viper side of drum & bass.
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