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Review: Diplo, Sleepy Tom and singer Priscilla Renae recently teamed up for Jade (90s RnB girl group)-sampling international mega hit "Be Right There". Now its back for the remixes, our faves of which include Naderi's stoner trap version, BoomBox Cartel's overdriven synth mix and Flava D's superior UKG rework.
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MAD 267
04 Dec 15
Funky/Club House
04 Dec 15
Funky/Club House
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88R 529A1E
16 Jan 24
Pop
16 Jan 24
Pop
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88R 529A1F
16 Jan 24
Indie/Alternative
16 Jan 24
Indie/Alternative
Various
Played by: George Kelly, Shadow Dancer, ASHLEY BEEDLE, Hot Toddy, Juno Recommends Techno, Juno Recommends Broken Beat Nu Jazz, In Flagranti, Mike Absolom, Juno Recommends Dub, Barrio Jazz Gang, ALEX MAYER, GSD
Review: The perception may still linger that Tony Allen's influence on modern electronic music is limited to Afrobeat or broken beat, but as this remix compilation attests, his influence looms large in other, unexpected places. On Chop Up, for example, Carl Craig finally delivers his response to his evergreen 2004 version of Beanfield's "Tides", with hypnotic chants, rolling drums and brassy breakdowns dominating his take on Allen's "Kilode". Equally, Mark Ernestus is inspired to push Allen legacy into the realms of low-slung house, with "Moyege" transformed into a languid, dubby disco rhythm. However, it's not just the more cerebral end of electronic music that has been seduced by Allen's genius: US star Diplo also contributes to Chop Up, with a squelchy, party take on "Fuju Ouija", while other unexpected contributors like Hypnotic Brass Ensemble and Salah Ragab keep the mood upbeat: the former drops an irresistible swaggering version of "Sankofa' and the latter brings a flavour of Notting Hill Carnival to "Ole", as celebratory brass competes with sunny day ivory tinkling. In spite of these joyful renditions of Allen's legacy, the version that we keep returning to is Moritz Van Oswald's take on "Ole". It's fascinating to hear that Allen's tumbling, rambunctious drums informed the Basic Channel member's work in the same way as King Tubby, but even more fascinating is what van Oswald does with Allen's drumming. Transforming them into solemn but understated marching beats, he uses them to underpin the most atmospheric, woozy dub chords this side of "M6".
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HJRCD 34
16 Sep 11
Broken Beat/Nu Jazz
16 Sep 11
Broken Beat/Nu Jazz
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190296 526442
22 Oct 21
Deep House
22 Oct 21
Deep House
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TRAP 002DD
17 Nov 13
Dirty Dubstep/Trap/Grime
17 Nov 13
Dirty Dubstep/Trap/Grime
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TRAP 003DDUS
12 Oct 14
Dirty Dubstep/Trap/Grime
12 Oct 14
Dirty Dubstep/Trap/Grime
