Review: As one of Bristol's brightest dubwise sparks, it's always exciting to see Drone return to action, this time around unloading a full length album project, courtesy of the legendary 1985 imprint. In short, it's a masterful display of sonic development, from the slower, more grungy introductory squelches of 'Cyclone' through to the face-melting synth swipes of 'Burnt Lungs' and grime drum-skips of 'The Swamp'. From start to finish, this project showcases Drone's innate ability to to deliver high energy originals, both solo and in collaboration with the likes of Alix Perez, Deft, Snowy, Emz & Nah Eerto. Our highlights have to include the juke-driven carnage of 'Jugtown' alongside Hyroglifics, which packs an energetic slap, next to the euphoric embrace of 'Always' which sees Notion join the party for a lively link up. Overall, pure awesomeness!
Review: Over the years we have seen Drone move into numerous different electronic areas, with this latest reuniting with Sector 7 Sounds being the most experimental yet. We open up with 'Malevolent', an 808-driven sweep through intense synth lines and almost horrorcore style melodies, before 'Kaleidoscope' gives us a much more classic sounding Drone arrangement, focussing on smooth drum processing and digital-flute-like melodies. The title track 'Polar Opposite' then rides into view, utilizing a dizzying display of electronic percussion for a serious vibrant slap, before everything is stripped back for the eerie soundscapes of 'No Future', which through dissonant yet pleasing harmonies, rounding out the project with more unique textures.
Review: U Wot Blud seriously have to be contenders for having the best label name ever. Their music ain't bad either and here they present who they feel are some dead cert "Rising Stars". All elements of bassland are covered over these four tracks, often many in just one song - highlights include the Robin S-getting stretched into linear garage house of Forbid's "Lost", the ADHD wobble attack of Pavv's "Out Here" and the doomy shuffle of "Givin In" by Albzzy.
Review: U Wot Blud? Is the UK's most forward-thinking bass label, and when they decide to celebrate something, they don't mess about. The occasion in particular here is the label's 25th release, and to mark it they have prepared this 52(!) track compilation. It's a flippin' rollercoaster ride of bass shenanigans, with some of the many highlights including the trancey, leftfield trap of "Hater" by Wizard, the neon-flecked bass pulses of "Blackmail VIP" by Aliii and the techy-disco fizz of "Nonsense Skank" by 94 Bliss. Best take a month off and get totally lost in this jungle of bass gems.
Review: Thirty Three nuggets of serious UKG gullyness; Project Allout have already developed a serious reputation for generous dispatches, but this is whole new level. Uniting their many lengmen for a deep exploration of the pastures between bassline house, instrumental grime and the broader realms of bass music, every area is covered. Highlights include the eski angst of Chemist RNS' "Stare", the violin-snapping, post-dubstep darkness of Deadbeat UK's "Graveyard", the outrageous VIP muscles of Hoax and Dubzta's "Twilight Zone" and the sassy vocal flexery of Pavv's "You Got Me". This is just the tip of the bassline iceberg, though. Dig deep and grab your own lenger; there are enough here for everyone.
Review: Charismatic Tumble selector Joel hits the road once again with a collection of sinewy UKG, future bass, twisted house and barbed wire grime. Highlights fall of every track like an ill-fitting suit with gully gems such as the weirded out wobbles of Joedan & Kontent?s ?Ruggish?, Killjoy?s vitalising squelch funk on ?Public Enemy?, and premium sexytime silk in the form of Taz?s ?Lonely? and gossamer two-step soul by way of Spekktrum?s ?Talk To Me?. What with it being exactly a year since the last Roadman collection, we?re hoping Tumble turn this into an annual affair.
Review: An absolute leviathan of a compilation from Project Allout here, and it's just in time for some Christmas cheer from one of the fastest growing UK bass hubs in the game! A tad packed for us to go through it all, but this is guaranteed quality, especially given the fact that the release features plenty of label regulars, new faces and even some pretty incredible cameo appearances from the likes of Caspa, Deadbeat and Dubzta. Each puts in a fine performance, particularly Deadbeat with his "Street Life" cut, a glorious mashup of funky house breaks and wobbled low-end. Be sure to check the licks from Spooky, Mr Dubzta and Tuff Culture, too. Badman vibes and another stunner from Project Allout.
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