Review: As one of Bristol's brightest dubwise sparks, it's always exciting to see Drone return to action, this time around unloading a full length album project, courtesy of the legendary 1985 imprint. In short, it's a masterful display of sonic development, from the slower, more grungy introductory squelches of 'Cyclone' through to the face-melting synth swipes of 'Burnt Lungs' and grime drum-skips of 'The Swamp'. From start to finish, this project showcases Drone's innate ability to to deliver high energy originals, both solo and in collaboration with the likes of Alix Perez, Deft, Snowy, Emz & Nah Eerto. Our highlights have to include the juke-driven carnage of 'Jugtown' alongside Hyroglifics, which packs an energetic slap, next to the euphoric embrace of 'Always' which sees Notion join the party for a lively link up. Overall, pure awesomeness!
Review: The enigmatic Drone touches base on Project Allout with a hot, ripping new single accompanied by a handsome remix package. The original "Skengman Mode" is a high-tech grime hybrid backed by a fierce percussion flex; among the remixes, you got Spooky's wobbled-out version, Mr Dubz's broken beat reinterpretation and a whole load of other low-end goodness by the likes of Moony, Notion and other label regulars.
Review: An absolute leviathan of a compilation from Project Allout here, and it's just in time for some Christmas cheer from one of the fastest growing UK bass hubs in the game! A tad packed for us to go through it all, but this is guaranteed quality, especially given the fact that the release features plenty of label regulars, new faces and even some pretty incredible cameo appearances from the likes of Caspa, Deadbeat and Dubzta. Each puts in a fine performance, particularly Deadbeat with his "Street Life" cut, a glorious mashup of funky house breaks and wobbled low-end. Be sure to check the licks from Spooky, Mr Dubzta and Tuff Culture, too. Badman vibes and another stunner from Project Allout.
Review: Thirty Three nuggets of serious UKG gullyness; Project Allout have already developed a serious reputation for generous dispatches, but this is whole new level. Uniting their many lengmen for a deep exploration of the pastures between bassline house, instrumental grime and the broader realms of bass music, every area is covered. Highlights include the eski angst of Chemist RNS' "Stare", the violin-snapping, post-dubstep darkness of Deadbeat UK's "Graveyard", the outrageous VIP muscles of Hoax and Dubzta's "Twilight Zone" and the sassy vocal flexery of Pavv's "You Got Me". This is just the tip of the bassline iceberg, though. Dig deep and grab your own lenger; there are enough here for everyone.
Review: Charismatic Tumble selector Joel hits the road once again with a collection of sinewy UKG, future bass, twisted house and barbed wire grime. Highlights fall of every track like an ill-fitting suit with gully gems such as the weirded out wobbles of Joedan & Kontent?s ?Ruggish?, Killjoy?s vitalising squelch funk on ?Public Enemy?, and premium sexytime silk in the form of Taz?s ?Lonely? and gossamer two-step soul by way of Spekktrum?s ?Talk To Me?. What with it being exactly a year since the last Roadman collection, we?re hoping Tumble turn this into an annual affair.
Review: U Wot Blud? Is the UK's most forward-thinking bass label, and when they decide to celebrate something, they don't mess about. The occasion in particular here is the label's 25th release, and to mark it they have prepared this 52(!) track compilation. It's a flippin' rollercoaster ride of bass shenanigans, with some of the many highlights including the trancey, leftfield trap of "Hater" by Wizard, the neon-flecked bass pulses of "Blackmail VIP" by Aliii and the techy-disco fizz of "Nonsense Skank" by 94 Bliss. Best take a month off and get totally lost in this jungle of bass gems.
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