Review: U Wot Blud? Is the UK's most forward-thinking bass label, and when they decide to celebrate something, they don't mess about. The occasion in particular here is the label's 25th release, and to mark it they have prepared this 52(!) track compilation. It's a flippin' rollercoaster ride of bass shenanigans, with some of the many highlights including the trancey, leftfield trap of "Hater" by Wizard, the neon-flecked bass pulses of "Blackmail VIP" by Aliii and the techy-disco fizz of "Nonsense Skank" by 94 Bliss. Best take a month off and get totally lost in this jungle of bass gems.
Review: As always with the now infamous 1985 Music imprint, they have assembled the great and good to explore the darker realms of electronic dance music, primarily focussing on dubstep and neurotic drum and bass flavour through this fabulous new 'Atlas' compilation. The names involved are pretty mind-blowing with a roster including the likes of Alix Perez, Drone, Headland, Foreign Concept, Safire, DRS and many more heavyweight names. The entire project has a touch of finesse and musical class about it, from the beautifully processed drum clanks of 'Nibiru' from Visages to the stunning vocal processing of 'Do Me No Good' from Nymfo. There really isn't a low point to this project with the sweeping soundscapes and electronic destruction of Deft's 'Scars' original being a real high point for us!
Review: Around the world in 12 wubs; Alix Perez's superlative 1985 continues to dig deeper and deeper into our psyche with the third volume of their faultless Atlas VA series. As always, the tempos are set to flexible as we slide and glide between the style and speeds courtesy of some incredible names... Cesco brings some proper dark UKG on 'Superstealth', Sir Hiss gets angular with the electroid funk of 'Shower Man Time', Visages go all slinky and futurist on 'Margit' while the bossman Perez and GLXY link up for something truly sexy and soulful with 'Green Lane'. All this and so much more, from Rockwell & Scepticz to Settle Down to Eprom, this is yet another exceptional adventure from the 1985 crew.
Review: As one of Bristol's brightest dubwise sparks, it's always exciting to see Drone return to action, this time around unloading a full length album project, courtesy of the legendary 1985 imprint. In short, it's a masterful display of sonic development, from the slower, more grungy introductory squelches of 'Cyclone' through to the face-melting synth swipes of 'Burnt Lungs' and grime drum-skips of 'The Swamp'. From start to finish, this project showcases Drone's innate ability to to deliver high energy originals, both solo and in collaboration with the likes of Alix Perez, Deft, Snowy, Emz & Nah Eerto. Our highlights have to include the juke-driven carnage of 'Jugtown' alongside Hyroglifics, which packs an energetic slap, next to the euphoric embrace of 'Always' which sees Notion join the party for a lively link up. Overall, pure awesomeness!
Review: Alix Perez's 1985 sets the bar again... Edition 3 is another instalment of their spotless V/A series which covers the label's broad range of shades. This one is a game of two halves as the first five tracks flex around the 140 region with crucial slabs from Halogenix's Lordel alias and dubstep men of the moment Ternion Sound. Meanwhile the second half flips to D&B with a whole clutch of impressive designs; Visages' "Memories" is a mournful stepper, Bredren get bad-ass with the thumpy, bumpy "Only One", Machinedrum brings some outstanding soul on "Braided Leaves" and Perez delivers three of his finest. Bring on Edition 4.
Review: Now it's been a brief minute since we last took in a brand new drop from Drone, one of the finest 140 and grime producers to emerge out of Bristol in recent times. This brand new drop on 1985 music however sees him return to that fantastic form of old, kicking off firstly with the title track 'Evil Sky', a demonic, slightly slowed roller, jam packed with grizzly bass energy from start to finish. Next, the minimal yet potent sub-splashes of 'Back & Forth' are chased up by the dungeon-ready percussive twangs of 'M416' and system-busting bass growls of 'Disturbed' for good measure. Finally, the eerie, bitcrushed landscapes of 'Reptar's Revenge' sees the EP round off with an evil twist, putting the finishing touches on an exceptional body of work.
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