Review: The Garage Shared crew have always done a fantastic job of cultivating and pushing new UKG talent forward, with their continuously running 'Class Of' series doing a great job of showcasing that energy. This year it's another jam-packed event, welcoming 16 fiery new originals to the table, with the likes of BVNQUET, Soulecta, Clarcq, Purple Velvet Curtains and more all joining the party with a fabulous array of original UKG flavour. Despite so many established faces making this year's pickings, it's the newcomers that impress us the most, with Bill Bond's 'Nobody Like You' original providing it us with a quirky tap through new school garage fusion and Ashdun's 'Plasticine' original injecting a real sense of youth into the project. Another prime box of originality from all involved!
Review: Despite not being a name on everyone's lips, Belgium is, actually pretty freakin' awesome. They've given us lots of cool clothes, food and architecture, but in terms of music? Unbelievable. The previous two volumes of The Sounds Sound Of Belgium were mind-blowing excursions into uber stylish electronic music from disco to EBM to techno. Now we have Volume Three. We 56 examples of awesomeness here to get through but highlights include the punky creep-funk of "Poison" by The Weathermen, the staccato electro of "The Voice" by Telex and the techno on steroids mayhem of "Horsepower" by Ravesignal. This album is gold!
Review: Shall Not Fade's annual birthday compilations are always worth a look, not least because they tend to be packed with plenty of previously unreleased material from label regulars, friends and newcomers. This seventh birthday edition - the label's fifth compilation in total - is another epic, with 28 high quality tracks jostling for your attention. The track listing reflects the label's eclectic but largely dancefloor-focused approach, with highlights including the stomping big room techno darkness of Alan Fitzpatrick and Reset Robot's 'Alpha', the organ-rich New Jersey style peak-time house bump of Lis Sarocca's 'Oasis Floor', the bumpin' speed garage revivalism of 'All The Girls' by Main Phase, the warped, MC-sporting two-step wobble of Killjoy and Kwam's 'Active', and the deep and dreamy breaks/two-step fusion of 'Overcome' by Adam BFD.
Review: American industrial scene stalwart Dominick Fernow makes a somewhat surprising addition to Berlin institution Berghain's mix series on its ninth instalment. Under the Vatican Shadow moniker, he has increasingly flirted with techno, performing regularly at the Berlin institution as a DJ and with his intense live show. Of the mix, Fernow - who is otherwise known for work under many other aliases such as Prurient, Rainforest Spiritual Enslavement or Exploring Jezebel among others - has stated that his interest in DJing developed out of industrial music traditions such as mail art, tape trading, and sound collage. This sonic 'cut up' of electronic edits bridges the gap between several generations of electronic music subculture, taking in early UK industrial (Genesis Breyer P-Orridge), Japanese noise (Merzbow) and the very NYC underground that he came up in with contemporaries such as Virile Games and Kris Lapke (aka Alberich) also featured.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.