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Played by: Julian Sanza, DIONIGI, Markus Schneider / Robot Scientists, Future Bones, Djs: Most Charted - Deep House
Review: It's some 13 years since Fernando Pulichino made his debut as part of rubbery, dub-disco/deep house fusionists Silver City, and seven since his first solo outing on Redux. Here, he pops up on Bristol's Futureboogie Recordings with more pleasingly dubbed-out disco chuggers and sparkling nu-disco workouts. "Ride On" is classic Fernando, with the Argentine producer expertly combining a trademark punk funk bassline with spiraling synths, fluttering electronics and rolling beats. His electrofunk, Itallo-disco and Balearic influence shines through stronger on the trippy and dubby "Trespassing", while "Mid Decade" is a kind of bubbling, sun-kissed analogue nu-disco jam. There's also a neat bonus in the shape of DJ Nature's rework of "Ride On", which turns Pulichino's original into a woozy, guitar-laden deep house gem.
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FBR 037
23 Oct 15
Deep House
23 Oct 15
Deep House
Played by: Titeknots, Chris Massey, Kraak & Smaak, Mirror People, YAM WHO?, Alkalino, Juno Recommends Deep House, Kenneth Bager // Musicfordreams, Ltj xperience, 80's Child, Mike Woods, Paper Street Soul
Review: Lo-fi synth maestro Ruf Dug has cordially invited us to take a short stay on "Ruffy's Island", a lesser-known tropical paradise nestled somewhere between Manchester and Madagascar. To get a better view, he first invites us to dance along aboard his "Boat Party", where cheery lead lines skip around a crackling analogue groove. Next up is guided tour of the island's "Techno Cave", a dark place where you're encouraged to dance shirtless to the accompaniment of tribal drum samples, foreboding riffs and mind-altering electronics. Lurking towards the back is Sharif Laffrey, who guides us through ten minutes of stomping beats, weirdo riffs and glassy-eyed jacking intensity. The highlight of the trip, though, may well be "Abandoned Pyramid", a dubbed-out chunk of tropical synthesizer madness constructed in cahoots with Contours.
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FBR 064
08 Mar 19
Deep House
08 Mar 19
Deep House
Played by: Sam Redmore, FINGERMAN, YAM WHO?, Dr Packer, Juno Recommends Disco, Tonbe, D*A*S*H, BRENDON P, Discotron, Melon Bomb
Review: Crazy P man Jim Baron once more dons his Ron Basejam alter ego, delivering a strong virtual double A-side for Bristol's Futureboogie Recordings. Opener "Time" not only features some decidedly cosmic spoken word vocals from Vern, but was also co-produced by PBR Streetgang man Bonar Bradberry. In typical Baron fashion, the track is a loose, warm and inviting affair that effortlessly blends live instrumentation (guitars, bass, Clavinet) with a rolling dancefloor groove. "The Carrington Spirituals" is an altogether more urgent affair, and sees the experienced producer offering a typically attractive, horn-heavy take on loopy disco-house.
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FBR 045
12 Aug 16
Disco/Nu-Disco
12 Aug 16
Disco/Nu-Disco
Played by: Owain Kimber (Owain K), Grant Nelson, Chrissy, Justin Miller, Electronic Youth, Flash Atkins, Mike O'Mara, Maurice Aymard, Hot Toddy, Dirt Crew, Alkalino, Juno Recommends Deep House, S22, Kruse & Nuernberg, Freddy Love, Tura, Adam Moss, Mike Hindle - Immersed Audio, Djs: Most Charted - Deep House, Groove Armada, Phonique, ABC Music
Review: Given the mystery surrounding this release - unnamed "well known London DJ/ producer" joins forces with (also uncredited) "star Bristol musician and vocalist" - it would be easy to let the music pass you by. Yet "It's You" is excellent - arguably one of the strongest Futureboogie releases to date. It eschews the label's usual styles in favour of a low-slung combination of sparse, Hot Creations-ish house rhythms, soul-aching vocals and Prince-ish 80s funk squelch. It's a great combination. Crazy P man Ron Basejam offers a deep and sunny house interpretation, whilst Bristolian housers Eats Everything and Christophe deliver a fluid fusion of disco percussion and bubblin', retro-futurist acid house.
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FBR 007
01 Apr 12
Deep House
01 Apr 12
Deep House
Review: Pre-pandemic, James Dyer was a rising star on the Bristol club scene, with a trademark sound that tended towards the cosmic, chugging and otherworldly. Here he makes his production bow as Chez de Milo on local label Futureboogie, beginning brilliantly with the throbbing, paranoid and wide-eyed 'Bushwa', where intense, undulating acid lines, bleeping melodies and seriously spooky pads bubble away atop a thrusting, bass-heavy groove. His love of bleeps and ambient techno era electronics is further explored on 'Mantella' and the more dubbed-out, sub-heavy trip that is 'Golden Ratio'. Also worth a listen is the Smagghe & Cross version of 'Bushwa', which features two long dark and driving sections of trippy dancefloor pleasure divided by a brilliantly bizarre ambient breakdown.
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FBR 079
12 Feb 21
Deep House
12 Feb 21
Deep House
Review: Bristolian merchants of the finest lo-slung grooves Futureboogie return, with this absolutely hot release by Holding Hands boss Desert Sound Colony and label mate Baby Rollen. The Beta Burner EP comes with added psychedelic flavours courtesy of an A Sagittariun Remix. From the bumpin' late night acid funk of the title track, it then gets a Yorkshire style '90s bleep techno rework by A Sagittariun (Re-Dream) before the loose and off-kilter electro breaks of "Dumpster Truck" (original mix) goes for something looser. Finally DSC goes solo on the funky "Seismic Soy Bean".
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FBR 065
05 Apr 19
Minimal/Tech House
05 Apr 19
Minimal/Tech House
Played by: Chris Massey, Dicky Trisco, Kraak & Smaak, FINGERMAN, YAM WHO?, Jean Jacques Smoothie, Flash Atkins, Alkalino, Juno Recommends Deep House, Neil Diablo, Future Bones, Djs: Most Charted - Deep House, Ponty Mython, Field Theory November 2016 Chart
Review: Ron & Neil is an all-star collaboration between old buddies Jim "Ron Basejam" Baron (Crazy P), and Rack 'N' Ruin boss man Neil Diablo. Pedre Son Aclat marks the project's first appearance, with the three original tracks sitting somewhere between shimmering nu-disco, sparkling powder house, and disco-influenced grooves. The title track sets the tone, layering up colourful synthesizer chords and melodies. While tasty, Man Power's bubbly, Balearic style revision - all analogue synths, cheap drum machine hits and sleazy vocals - is arguably more satisfying. "You Feel It" is a creepy, low-slung deep house/disco hybrid blessed with killer percussive flourishes and a weighty punk funk bassline, while "Tears" is a glassy-eyed fusion of warehouse-friendly electronics and disco-funk hedonism.
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FBR 042D
29 Apr 16
Deep House
29 Apr 16
Deep House
Played by: ROTCIV, Julian Sanza, Jac The Disco, PBR Streetgang, Alkalino, Juno Recommends Disco, Juno Recommends Deep House, Tonbe, Markus Schneider / Robot Scientists, CHEWY RUBS, Andy Buchan, Kiwi, Paper Street Soul
Review: Alex "Kiwi" Warren is undoubtedly a star in the making. Since he last appeared on Futureboogie in 2016, his stock has risen further thanks to fine outings on Moda Black, Blitz and 17 Steps. Predictably, this is another fine EP. We're particularly enjoying the horror-inspired Italo-disco chug of "Amityville", where Warren makes terrific use of notable vocal samples and a thickset arpeggio bassline, though DJ Tennis's breezier, disco-tinged deep house re-make is almost as good. There's more dark and throbbing Italo-disco style fun to be had via the thrillingly heavy and pulsating "Warriors", while EP closer "Paco" - all glacial, tumbling synthesizer melodies, undulating acid bass and unfussy drum machine beats - offers a more considered option for those searching for solid warm-up fare.
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FBR 056
26 Jan 18
Disco/Nu-Disco
26 Jan 18
Disco/Nu-Disco
Played by: Juno Recommends Deep House
Review: Geoff "Man Power" Kirkwood has been friends with Futureboogie Recordings founder Dave Harvey for years, so it's little surprise to see him releasing an EP on the on-point Bristol imprint. "Barranquilla Trifle" is arguably one of his most ear-catching cuts to date, too - an exotic, humid and mind-altering fusion of bubbly electronics, glassy-eyed synthesizer riffs and hustling drum machine beats propelled forwards by wave upon wave of mind-altering acid lines. Mancunian hero Ruf Dug's accompanying "Zouk Remix", which sounds like a long lost synth-zouk classic from the original Balearic era, is arguably even better. The cosmic deep house shuffle of bonus cut "Kaon" completes a superb package.
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FBR 058
13 Apr 18
Deep House
13 Apr 18
Deep House
Played by: Jimpster, Dicky Trisco, Kraak & Smaak, PBR Streetgang, FINGERMAN, YAM WHO?, Kisk, Don Dayglow, Dr Packer, Juno Recommends Disco, Juno Recommends Deep House, Rayko, Benjamin Ferreira, Markus Schneider / Robot Scientists, BRENDON P, CHEWY RUBS, Jakobin & Domino, LEGO EDIT, Stephen Richards (DiscoDaze), DJ Amir, Andy Buchan, Chuggin Edits, Sould Out, SITUATION, Downunder Disco, Paper Street Soul, Melon Bomb
Review: Crazy P main man James Baron returns under his Ron Basejam alias, with more liquid nu-disco jams. Started as a casual side project 12 years ago, Baron wanted to 'capture the more diverse and quirky sides of his musical tastes', creating underground music that he incorporates with character, personality and humour. The After The Rain EP sees him return to Bristol institution Futureboogie, for the first time since 2016's "The Carrington Spirituals". Featuring the very soulful and near spiritual title track, the lo-slung funk attack of "The French Exit " and the late night acid express of "Raise" (featuring some vocals reminiscent of the legendary Daryl Pandy) among others - each one is a a sure shot and will light up the dancefloor.
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FBR 059
04 May 18
Disco/Nu-Disco
04 May 18
Disco/Nu-Disco
Played by: Rocco Universal, Julian Sanza, PBR Streetgang, Juno Recommends Disco, Juno Recommends Deep House, Tonbe, JUAN SOTO, Simonlebon (Luv Shack Records), Markus Schneider / Robot Scientists, Dave Mathmos, 80's Child, Kongisto, Problematic Disko, Enjanzea2
Review: Four cuts here from Mexico's Mateo Gonzalez - better known as Theus Mago - that will suit those who like their disco on the more electronic/leftfield/experimental side. Opener 'Apache Nights', for instance, owes far more to bleep techno and the early Warp sound than it does to the likes of (say) Chic or Earth Wind & Fire, while the accompanying Chicken Lips re-rub comes on like Kraftwerk jamming with Rennie Pilgrem. 'Piu Mosso' is a more straight-up homage to early 80s Euro/Italo disco and centres around an infectious, Arabic-sounding hook, while finally closer 'Sergio Ramos' could work in disco/Italo/EBM and progressive house sets alike.
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FBR 074
19 Jun 20
Disco/Nu-Disco
19 Jun 20
Disco/Nu-Disco
Review: Bristol disco stalwarts Futureboogie bring us an EP from Hungary's Andras 'Gensi' Genser that features a brace of remixes from London lad Decius. The original of 'Primavera 707' is a dreamy 'nu-disco meets melodic/organic house' affair that's served up with or without a female vocal in an unidentified language - Portuguese, maybe? Decius's remix takes the track down a more Afro-inspired route with busy, shuffling percussion and a male vocal, though again a Dub is also available. Elsewhere, 'Humble Brush' is an energetic nu-disco instrumental, while 'The Great Body Buzz' is the finest cosmic-acid meltdown you'll hear all week.
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FBR 081
25 Jun 21
Disco/Nu-Disco
25 Jun 21
Disco/Nu-Disco
Review: Alexander Pletnev aka Ponty Mython is originally from Russia, but is currently settled in Vilnius, Lithuania. His releases have popped up on top labels such as Dirt Crew, Nurvous and Quintessentials in recent times - and he can now add Bristolian tastemakers Futureboogie to that list. His sleek nu-disco style of groove as heard on "Pink Tango" is a neon-lit, lo-slung balearic groove for Summertime cocktail parties. Injecting more of an '80's flavour into it is Fabrizio Mammarella (one half of Black Spuma with Lauer) working his retroverted magic as always and jam packed full of vintage synth presents. From something different, Pletnev offers up the tropical vibe of "Appreciate It While It's Not Too Late" (original mix) and its mesmerising marimba action that makes you wish you had a hammock and Pina Colada in hand.
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FBR 057
09 Mar 18
Disco/Nu-Disco
09 Mar 18
Disco/Nu-Disco
Review: Eats Everything arrives on Futureboogie Recordings and, clearly, it's all going off. "Tone Music" is a slice of majestically wasted raw house that centres around a beguiling sci-fi synth riff, plinky plonk noises and the tormented warbles of a mad man. Oh, and a snare, a ridiculously massive snare. "Lo-Fi" is loose, dirty, garagey house that has a really urgent sense of spacey sleaze. Lastly "Doldrums" ends things on high with huge build-ups and, infectious rubbery bassline, skippy beats and a relentless cheap keyboard riff. In other words, pretty much perfect dancefloor material.
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FBR 012
02 Dec 12
Deep House
02 Dec 12
Deep House
Review: Chameleonic producer Jabru and label hopping bass producer Hackman come together to form the snappily named Bruh Jackman with this platter for Bristol's Futureboogie imprint. The duo is clearly mindful of Julio Bashmore's success since his Futureboogie releases a while back as this three track EP contains a healthy dose of soulful vibes. Lead track "Miss My Love" is a dusty little number with snapping percussion augmented by lush chiming melodies but dominated by that uplifting vocal. The brilliantly titled Joel Culpepper lends some real soul to "California", a glistening, laid back ride through seductive neo-R&B that justifies the vocalist's comparison's to Frank Ocean whilst "Just To Keep" can be filed alongside the current crop of vocal hook heavy, melodic deep house.
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FBR 016
28 Apr 13
Deep House
28 Apr 13
Deep House
Review: It's been almost a year since the last Futureboogie release, and it was about time the Bristol label landed a new artist on their roster; after all, they're only responsible for bringing out talent such as Julio Bashmore! Although Cassio Kohl surfaced a couple of years ago, he's been quiet on the releasing front, but he's back with three hot 'n' bumpy floor nuggets coated in a house flavour. "Let It Be Me" has a Chicago lick with a bouncy bassline and plenty of sweet atmospherics, while "Hear Me" is funkier with that fuzzy slap bass, and "Come Together" goes for the swing thanks to those skippy percussion stabs and rolling bass shots. Seductive and effective, perfect for the warm up hours.
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FBR 035
07 Aug 15
Deep House
07 Aug 15
Deep House
Review: The secret of Outboxx's success is undoubtedly the combination of Hodge's instinctive production - few have such an easy way with rhythm, build and release - and Matthew Lambert's effortless musicality. The latter's skills come to the fore on the brilliant title track, where luscious Rhodes, buzzing synthesizer lines and rubbery bass combine to make the deep house equivalent of killer jazz-funk. Almost even better is the fizzing, piano-laden goodtime jam "Gift of Life" - this time featuring regular vocalist Naomi Jeremy - while opener "Day One" has the feel of an eyes-closed, Adriatic anthem (it was, no doubt, created with The Garden Festival in mind). Best of all, though, is "Closing Titles", which glistens, throbs and, most crucially, entertains, from start to finish.
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FBR 033
08 Jun 15
Deep House
08 Jun 15
Deep House
Played by: Valique, Casio Social Club, FINGERMAN, Kiu D, Juno Recommends Disco, TURNTILL, Rob Garza, Evil Smarty, Future Bones, Ziggy Phunk, B.G. Baarregaard, Discothèque Credits , FRAN DEEPER
Review: Getting his name out there following a single on Winding Road Records in 2013, Lonely Boy is making his intentions clear on this single for Futureboogie. The LA-based producer has a strong handle on the kind of sleazy, four-to-the-floor house music that the Bristolian label favours, and the title-track delivers on every level. "The Subtle Frenzy" has a powerful emotive streak at the core of its own fuzzy synth lines, while "Take Your Time" drifts into slower, more thoughtful territory to show there's more than one side to this boogie-loving beatsmith. The Emperor Machine, meanwhile, whips up a chunky electro-house version of "I Like Disco" that adds a little more meat for the more pumped-up dancefloors.
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FBR 030D
02 Mar 15
Disco/Nu-Disco
02 Mar 15
Disco/Nu-Disco
Christophe feat Danielle Moore
Review: Bristol's premier bastion of boogie inflected house music continues unabated with this release from central label figure Christophe. Bringing in the vocals of Danielle Moore, "Comeback" is a refreshing departure from the sample ripping techniques most use and in the process of originality brings a curious Detroit romanticism into the 80s electro funk context. Casino Times switch up into a more straight-up deep house groove that chugs away dutifully, while Christophe brings his regular cohort Lukas on board for a 'mastermix' that further builds on the Detroit tones with a serious Inner City flavoured version. The instrumental of the original rounds the package off nicely with a greater focus on those dirty funk elements of yesteryear that never grow old.
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FBR 018
02 Jun 13
Disco/Nu-Disco
02 Jun 13
Disco/Nu-Disco
Review: Following a killer EP of more downtempo leaning grooves on Astro:Dynamics earlier this year, Bristol's Crackazat returns on Futureboogie with some material aimed squarely at the floor. "Book On The Beach" combines caffeinated congas with a laid back Chi town groove, while "Panic Aggressive" is a more low slung affair combining a sleazy guitar lick with lo-fi keys. However, the real star is the nine minute epic that is "Tunnel". Raw and chunky with an impeccable sense of rhythm, and combining deep atmospherics with madly tweaking synths, this is possibly the most original house track we've heard this year. Highly recommended.
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FBR 009
01 Jul 12
Deep House
01 Jul 12
Deep House
Played by: Thrills
Review: Julio Bashmore closes proceedings on a breakthrough year with the release of the smartly titled Riff Wrath on his own Futureboogie imprint. Back in the misty eyed days of early January we plucked out young Bashmore as one of ten producers that we predicted would do great things this year, and the West Country dweller has more than delivered on this promise. Everyone Needs A Theme Tune, his EP for the fledgling PMR imprint has remained one of this year's most enduring releases and was recently endowed with a much overdue repress by the label. Subsequent EPs for Martyn's 3024 label and the newly established Futureboogie have also left an impression, whilst Bashmore has honed his remixing skills for an array of labels, turning up on heavy hitters such as Turbo and Sound Pellegrino. The sixth release on Futureboogie contains a double dose of deftly described filmic house music which pairs the vocal lead track "Ensnare" with some instrumental business in the shape of "Well Wishers", and we thoroughly recommend you check it out.
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FBR 006
11 Dec 11
Deep House
11 Dec 11
Deep House
Review: Having previously impressed with 2012 releases on Wolf Music and Losing Suki, James Welsh continues his ascent towards deep house superstardom with a typically fluid and atmospheric EP for Futureboogie. "Craven" sets the tone, lacing a touchy-feely, tactile house groove with tough 808 cowbells and an intoxicating vocal sample. Regular collaborator Terri Walker makes an appearance on the shuffling, cymbal-heavy old skool garage jam "King Edward Street", while "Bill Murray Came To My House Party" largely lives up to its riotous title. "Horse Fight", with its minor key chords and sprightly synth bass, also hits the spot.
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FBR 015
10 Mar 12
Deep House
10 Mar 12
Deep House
Review: This EP from Last Waltz is a big step forward for Futureboogie Recordings. Previously, they've released plenty of high quality dancefloor fare, but little that really tugs at the heartstrings musically. "Trinket", in particular, is very impressive in this regard, taking the label's "cocaine house" blueprint and wrapping it up in the most heartaching of piano lines and fragile, crystalline melodies. It really is excellent. The slower "Ashes" also ticks all the right boxes, sounding like a smacked-out fusion of sleepy deep house and intergalactic electronic disco. For those in need of more obviously upbeat fare, the Bad Passion remix of "Trinket" delivers carnival drums and MDMA builds as well as those pianos.
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FBR 010
12 Aug 12
Deep House
12 Aug 12
Deep House
Review: It's been a while since Bristol's Luke Turner last released new material, with his most recent outing on Futureboogie (the Maison De Cheval project with fellow West Country dweller Christophe) appearing way back in 2011. Happily, Back To Boogie finds him in good form, delivering a series of vividly coloured house gems. There's the wide-eyed, bright-and-breezy piano house pomp of "Narwhals", the cowbell-laden late night science of electrofunk-meets-deep house jam "Bassoon" and the woozy sax, tumbling chords and booming bass of the sensual "Drunken Master" (complete with a vocal sample from a familiar favourite). If that wasn't enough, he also drops some pitched-down vocals, spooky melodies and sub-bothering rhythms on the intoxicating "Is It True?"
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FBR 021
13 Oct 13
Deep House
13 Oct 13
Deep House
Review: Given their regular appearances at Futureboogie events, it's no surprise to find Bristol-based deep house duo Outboxx popping up on El Harvo and Joe 90's imprint. The Fade EP is perhaps not as drop-dead gorgeous as their sublime, self-titled debut LP on Idle Hands, but it's still packed with the sort of warm, undulating, floor-friendly grooves that should get any deep house lover's nether regions tingling. The sublime "Need You" - all gigantic pads, touchy-feely vocal cuts, liquid bass and sturdy beats - is probably the highlight, though the electrofunk-influenced, proto-meets-contemporary goodness of "Rikkis Groove" isn't far behind. Really, though, all four tracks are top notch. In fact, it's one of Futureboogie's strongest releases to date.
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FBR 020
22 Sep 13
Deep House
22 Sep 13
Deep House
Various
Review: Futureboogie's annual Summer Riot series is usually a reliable source of extra-spicy material that's sent dancefloors into raptures during the Bristol crew's numerous festival sets. This third instalment is no different. Perhaps the most startling including is "Red Road", an authentic chunk of disco-boogie (complete with Chic style guitars, rubbery bass and cheeky pianos) from Back to Basics resident Buckley. Really, it's superb - one of the best new straight-up disco tracks we've heard in a while. Elsewhere, local lads Outboxx drop a chunk of loved-up deep house, Waifs and Strays impress with the bubbly, powdery "Now Come", and newcomer Kemback goes all dreamy and delicious on the pleasingly wide-eyed "Mistake".
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FBR 027
18 Aug 14
Deep House
18 Aug 14
Deep House
Review: For all the polished productions they've released, Bristol's Futureboogie crew have always known where the party's at. This latest label release proves that they've not lost their sense of fun in a rush to represent the slicker side of Bristol's blossoming house scene. In its "Full Acid Vox Edit" form, Waifs and Strays' "I Saw Yo Girl" is a bit of a beast. Sat somewhere between pulsating acid revivalism and the UKG-influenced bounce promoted by the likes of Huxley and Julio Bashmore, it bristles with party-starting intent. The stripped-back "Dub Mix" is almost as large, getting just the right balance between hip-wigglin' bump and acid tweakery. Bluesy bonus cut "Remedy" is cut from the same cloth.
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FBR 013
13 Jan 13
Deep House
13 Jan 13
Deep House
Review: Having previously appeared on similarly hyped house label Wolf Music, South African producer Terrence Pearce is an excellent addition to the Futureboogie roster. Here, he supplies the Bristol-based label with a quartet of decidedly positive tracks. There's something for everyone, from the rumbling low-end pulse and saucer-eyed rave riffage of "Kings N Queens" and sparkling, hip-hop sampling deepness of "Up and Down", to the rush-inducing, sax-laden powdered deep house of "Halcyon". "Poise", a blossoming exercise in the simple joys of melody, is also pretty tasty.
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FBR 017
05 May 13
Deep House
05 May 13
Deep House
Review: From Leeds to London via Bristol; PBR Streetgang and X-Press 2 have collided to create two superb slabs of timeless late night house; "Cosine" is a prog-minded, star-gazing strutter that would have sounded impeccable if it were released at any stage in the last 20 years. "Key Free" is a more upbeat, tech-minded workout with jazzy intentions... The frenetic synth meanders underpinned by a really creepy, ominous synth bass tone that wouldn't have gone amiss on Garnier's F-Com back in the day. For remix pleasure, "Cosine" enjoys a psychedelic twist from Lauer and a crunchy, angular electro b-boy flip from Elastic Dreams man A Sagittariun. Powerful.
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FBR 031
06 Apr 15
Deep House
06 Apr 15
Deep House
Review: Curiously, Warehouse Preservation Society's slim discography contains numerous acclaimed remixes for labels such as Rogue Cat Sounds and Wicked, but only one original production - a contribution to a multi-artist EP on Love on the Rocks. 'Endlessly', then, is their debut single - and very good it is too. In its original form, the track is druggy, trippy and seeped in old school nostalgia, with tactile synthesizer motifs and stabbing electronic motifs rising above a psychedelic, acid-style bassline and metronomic drums. 'Dublessly' is even sleazier and darker in tone, offering a superb, warehouse-ready alternative. 'Don't Mess My Head' is more percussive but no less dirty, doffing a cap to both proto-house and NYC freestyle, while Dave Aju's electro-influenced remix is even more sweaty, bass-heavy and drum-laden.
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FBR 080
23 Apr 21
Deep House
23 Apr 21
Deep House
Played by: Pablo del Monte, FINGERMAN, Kiu D, Juno Recommends Deep House, J&M BROTHERS, Djs: Most Charted - Deep House, Erik Rug, DJ P-SOL, Lord Leopard, Le Visiteur Online
Review: Bristol's Futureboogie return with some sure fire nu-disco grooves to get any party started. London's Jay Shepheard is on board with "Henry's Theme" sporting an early nineties house vibe. Next up is PBR Streetgang from Leeds doing their thing with a nice journey via a progressive house sound on "Suel Baril". There's also local Bristolian Lukas doing more of his low slung slo mo disco business and Phil Gerus with "Never Coming Back".
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FBR 036
21 Aug 15
Deep House
21 Aug 15
Deep House
Review: Australian oddball producer Dreems breaks away from his usual home; Thomas Von Party's Multi Culti imprint, for an appearance on Bristol institution Futureboogie with the Studio Glucose EP, where he collaborates with buddy Jamie Blanco from London. On "Percussive Racing Cars" the pair reference classic Chicago deep house, complete with Juno 106 and 303 basslines but with a modern twist. "Party Mix" goes for some woozy, groovy, tribal tech house geared for the late night or afterhours while "Red Frog, Green Frog" goes for a strange 80s/balearic tinged groove that many other Australian producers in Berlin are doing at present. There's also a brilliant remix of "Percussive Racing Cars" by Israeli man of the moment Moscoman, giving it a dusty and rusty acid house makeover.
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FBR 047D
14 Oct 16
Minimal/Tech House
14 Oct 16
Minimal/Tech House
Played by: Chris Massey, Valique, Alvaro Cabana (Rotten City), Don Dayglow, Domshe, Alan Dixon, JAMES ROD, Andy Buchan, Kiwi
Review: Next up on Bristol's Futureboogie is Alex Warren aka Kiwi who has had previous releases on the likes of Optimo Music, Blase Boys Club and Sneaky Music in addition to promoting for well known London parties and clubs like Orlando Boom/Kate Boss and The Nest. The versatile producer wastes no time getting stuck in, starting out with the explosive "Orca" which features one of the most amazing arpeggios this side of "I Feel Love". There's more vintage, synth driven disco vibes on "Minke" or "Logmans Break" while the feel good nu-disco vibes of "Pygmy" are reminiscent of modern greats like Jay Shepheard or Milton Jackson.
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FBR 048
25 Nov 16
Minimal/Tech House
25 Nov 16
Minimal/Tech House
Review: Given Futureboogie boss Dave Harvey's notable links to Adriatic festivals (he was previously the musical programmer of Garden, before launching his own Love International shindig at the same site), it's perhaps unsurprising that the label's releases should have a touch of Croatian sunshine about them. This latest EP from Tuff City Kids man Lauer is an excellent example. Both tracks bristle with woozy, sun-kissed positivity, with virtual flipside "Kilian" - all eyes-closed synthesizer melodies, chugging arpeggios and humid beats - sounding like it was tailor-made for sweaty boat parties and tipsy sunrise sessions. "Birsk" is similarly inclined, albeit with a quicker pulse and sounds which drag it further towards shimmering Balearic house territory.
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FBR 040D
22 Jan 16
Disco/Nu-Disco
22 Jan 16
Disco/Nu-Disco
