DJ Hybrid & Next Chapter - "Listen & Flow" (VIP mix) - (4:47) 58 BPM
Kartoon - "Run Dat" - (4:30) 58 BPM
DJ Slinke - "On My Level" (VIP mix) - (4:25) 58 BPM
DJ Hybrid - "Lost In The Jungle" - (4:48) 58 BPM
Redline & Jumanji - "Wheel Up" - (4:25) 58 BPM
Sikka - "Smashing It" (VIP mix) - (3:25) 58 BPM
Criminal Sound - "Cold Blooded" - (5:58) 59 BPM
Imprint - "U.X.O" - (5:17) 58 BPM
Shayper - "Asgard" - (5:09) 58 BPM
Mosley - "Incline" - (3:39) 58 BPM
Imprint - "Snarl" - (5:11) 58 BPM
Geekcroft - "Maverik" - (4:27) 59 BPM
Luke EP - "Shine Eyez" - (4:01) 58 BPM
Review: Holy moly! This is how you smash open a new decade; a 50 track album absolutely drenched in stinkage. Now a tradition for DJ Hybrid's label, this anthem collection is one of the biggest to date with names and vibes across the spectrum. Epicentre, Kumarachi, Conrad Subs, Stompz, Veak, RMS and many more all bring their fieriest artillery with highlights bursting from the seams. Every single track slaps the dance from the stripped back drumfunk and demented mentasms of Substrate's "Throwback" to the mystic sitar twangs and heavy bass bangs of Euphonique's "Moksha" via ruded up Dread bass badness of the bossman's own "Lost In The Jungle". And that's not even the tippiest tip of this anthemic jungle iceberg. Don't dilly dally.
Review: With Hazard rounding up another killer year for Hype and Pascal's label with his first release in five years, Playaz take stock of 2019 with this savage showdown from all their main mandem. From the eerie gurgles and scraps of Annix & Kanine's "Jackpot" to the flabby wobbles and groans of Limited's "Soldier" to the sweet seduction twist of Jam Thieves' "Love Forever" this 25-track pack covers the entire spectrum of proper rave-primed drum & bass with all manner of curveballs and boundary-pushing badness. No compromises, a healthy balance of elder statesmen, new headliners and young talent and a sound that's distinctively theirs, Playaz are about to bulldoze into a new decade... And this is how it all begins.
Review: Viper have been smashing things over on the dancefloor side of the scene for decades and a big part of that is their yearly annual, a compilation which celebrates some of the best releases from the year. One of the best pics of the annual without a doubt is the Annix remix of Pulsation by Mefjus & Insideinfo, a big task for the duo to take on considering how relentlessly classic the original is. But Annix have smashed it with their drawn-out and suspenseful jump uptake, one which sucks all the air out of the room and then releases it as a smorgasbord of warped out energy and choppy force. There are tonnes of other great picks here too, including from new blood Millbrook and others.
Review: Killaz by name, killer by nature; Vital Elements and Tobie Scopes' continue to set the agenda as DJs, artists and as label owners. This third annual mix-up is certainly no exception as they plough through 59 tracks - many of which are brand new exclusives - to paint a picture of exactly where drum & bass is at right now. A thick smelly melting pot, everything is thrown into the mix: Upgrade's spine-trembling harmonics on "The Voice", ruded-out bassline badness from Voltage ("My DJ"), various jump-up hybrid creepers from Russian newcomer Ozma, brand new dark wobble lava from Serial Killaz themselves ("Rudebwoyz") the list goes on and on. This is a huge package and it comes with a superb mix too. Treat yourselves or defeat yourselves.
Review: Nussic are developing a bit of a reputation for spewing out some of the most venomous beats in the business and their talent for pushing some of the best artists on the jump-up spectrum is undeniable. Motiv is holding up that standard with his debut EP on the label and he's doing it in style, something clear right from the start of this EP. 'Gallows' reels you in with a lovely intro, it's upbeat beginnings quickly regressing to a really sick wall of pure energy that's reminiscent of Kings of the Rollers and insanity more generally. The rest of the release is equally aggressive, 'Fakes' being another highlight. Sick release.
Review: Bomb Strikes, the UK hip-hop/funk/soul/breaks label headed up by Mooqee & Beatvandals, celebrated their 15th birthday in 2019 with a fantastic compilation album, and to further celebrate the success of the label in 2019 they're releasing another compilation featuring 15 of their best cuts from the past 12 months. What's most impressive is the variety on offer, ranging from straight-up hip-hop from Alexander Norman Prosper & Stabfinger, to party breaks from Ali B and Krafty Kuts, to 'new old' soul from Flevans, to the fairly self-explanatory 'Disco Weapon' and 'Mirror Ballin'' (by Shaka Loves You and X-Ray Ted, respectively. Tons of fun for festive season funkateers of all ages!
Review: Is Jack Stevens a butcher in disguise? Because he's certainly gone HAM on his Workforce project this year. A dominant force throughout 2019, the SpectraSoul member has dented our playlists and collections with three weighty EPs this year; two on his own Must Make imprint and now this end-of-year curveball on Exit. Six track in total, each one digs deep into the foundations while sounding like nothing else being made right now. EP essentials include the unapologetic bashment of "Take Your Time", the savage two-step and Quarantine headbutt of "Didger", the industrial funk and technoid dynamics of "Make Me" and the dark sensuality of the title track. But to be honest every track is essential. This is seriously high grade stuff.
Review: Hailing from Coventry, DJ Hybrid has firmly established himself over the last couple of years as someone at the forefront of D&B's re-discovered love for jungle-influences and bouncy but hard-hitting basslines. Drawing upon those influences, he's back on Audio Addict for a full-throated six-tracker that kicks off with 'On A Riddim', a gently weighted sine-based wobbler that pushes on every corner of the range. 'Madman' and 'Funk Pulse' have clear Kings of the Rollers vibes, with juddering bass pulses and that recognizable sense of hardware-based rawness. This release has overtones of Manchester and undertones of the South - proper UK underground stuff.
Review: The bright-light, groovy aesthetic of Chopstick Dubplate is back at the start of this year, so get out your Red Stripes and don ya wavey garms because a whole load of artists aren't messing around with their remixes this one. A load of ragga-infused tunes are here for you, uplifting samples abound and suddenly it's not January - it's June, July and August and the sun is shining. This doesn't stop Aries & Jacky Murda's take on 'Soundboy Gone' from coming out the blocks in a moody way, though, and neither does it stop Mozey from attempting to knock your hat off. Chopstick Dubplate always manage to pull out the stops in a way that makes you nervously smile, this one is no different and there's other excellent tracks from Samurai Breaks ,Kleu and DJ Gaw.
Review: The North Quarter welcome another kindred spirit to the family; Satl. One of the most exciting newcomers to emerge since LSB, there's a soul and depth to his music that's won him friends like Digital and TNQ bossman Lenzman. This is his most comprehensive and revealing EP to date as he goes to town on the blank canvas with more shades than you might know him for; as well as the poignant ("Supposed To Be", "Coming Back") and the soulful ("All My Life") and the blissful ("Self Reflection") there's also some exciting variations in tempo ("Modern Jah" hits like a Dominic Martin record and "Aadje" is pure modern dub) and shades of Marcus-inspired techno in the mix ("Drifted")... Trust us, this man is just warming up and TNQ is the best place to give him freedom and encouragement to reach the next level.
Review: Choose Conrad Subs. Choose Deep In The Jungle. Choose a lifetime of being happy-slapped by amens and tickled in the gut by long rumbling subs the size of elephants. Choose collaborations with DJ Hybrid like the swaggering "Rinse It". Choose absolutely slamming Urban Takeover-style 96 era jump-up "Rough Beats" and skank so hard you give yourself a hernia. Choose sexy vocals like the ones on "Through My Eyes". Choose the insanely brutal slammage of "Imperial Roots" and feel like you need to take a long hot shower afterwards and still feel like you're covered in engine oil. Choose this EP and double dropping every track tune fi tune. Choose bludclart jungle. It's the ravers choice...
Review: It's been 15 years since Shogun Audio burst into life on the South Coast and under the watchful eye of Ed Keeley AKA Friction, as well as K-Tee, it's grown and grown into one of the best labels in the business, without a doubt. From the classics like Perez's seminal 1984, to more recent, futuristic numbers from the likes of Koherent and Document One, the label is truly diverse and that's represented extremely well in this 15 Years Of compilation. Featuring a litany of acts both old and new, including Technimatic, Pola & Bryson and Friction, this one is for the proper fans. Document One's 'Vibration' is a favourite of ours, with a stupidly cool, distorted bassline that packs a tasty hardware edge, undergirded by a click-and-snap drum line. Pure quality right here.
Review: Liondub are celebrating a decade of existence and they're doing a three-part compilation series covering the past, present and future of the label. By definition, then, these series' feature plenty of talent from all across the spectrum and time period of the genre. One of our favourite of the 26 cuts is Bou's VIP of Keep Away, a deliciously double-bass infused number that is both funky and heavy, the ideal combination, and he's flipped up the arrangement here with some precisely placed note changes. There are also features from Vital, Euphonique, Dutta, Marcus Visionary and more, with the overall vibe being one of toughness and power. Top stuff.
Review: Having just celebrated their 15th year with one of their best ever collections, Friction's Shogun Audio look back over a strong year of sonics. Flexing a stellar rollcall of all the label's talents - Ed:It, GLXY, Technimatic, Pola & Bryson, Monrroe, Document One, Koherent and many more - there's an exciting energy to the label's collective and this collection captures that vibe. Highlights include Ed:It's fast-lane percussive roller "So True", the deep dream manoeuvres of Koherent and Charli Brix's "Voices" and Document One's epic electrified shredder "Holy Moly". These are just three of 20 reminders of why Shogun have had such a great year in 2019.
Review: Coming in hot off the back of some great releases is both Sota and label Pick N Mix, who have collaborated on the producer's 8Bit EP, a six-tracker that spans a variety of sounds, all of which are driving and filled with purpose. Title track '8Bit' is a jagged roller with a great flowing feel to the percussion and an arrangement chock a block with funk and soul, despite its constituent elements being far from soulful. That's the sign of a good heavy D&B track and both producer and artist have nailed it.
Review: Brothers in bass and real life, Phibes follow up releases on Bomb Strikes, Jungle Cakes and their own self-titled label with this massive LP follow up to their debut album Change Of Late last year. 12 tracks in total, the collection delves deep into every corner of their sound, providing certified scuds for any hour of the dance you're asked to play. From the crafty balance of euphoric light and dank dark bass on "Let Me Go" to the out-and-out stinkage of the savage dancefloor-focused "I Don't Give A F**k", this is the sound of two artists who are fully off the leash and writing what the heck they like. Other massive highlights include the rudeboy riddim "Dub Service", the toxic bass and mid 2000s Playaz vibes of "Amadeus" and the gritty groans of "Bombz". Fire in the hole!
Review: The 'Jalapeno Funk' series reaches its 11th installment, which is no mean feat! As such, you should have a pretty good idea what to expect here already, and you'd be right. All the usual Jalapeno suspects - Flevans, Skeeweiff, Smoove & Turrell, Speedometer, The Allergies, Dr Rubberfunk, Aldo Vanucci - are present and correct, and while it has to be said there aren't many stylistic surprises or curveballs on offer, fans of the label's trademark funk 'n breaks sound will be more than satisfied, with highlights including Flevan's light-footed 'Speculate' and Vanucci's Hammond-toting 'Get A Hold On This'.
Review: Technique Recordings, founded by Drumsound & Bassline Smith back in 1999, is turning 20 this year and they're releasing a huge remix compilation to celebrate. Featuring remixes from artists old and new of Technique's best tracks, mostly originals from the founders themselves, this album stretches across 27 heavy, dancefloor numbers. The first outing, a remix of 'Come With Me' by Bladerunner, is classic KoTR vibes and we love the array of twisting, snarling basses that fans of this producer will recognise. Shouts also to Digital for his swirling remix of 'I Need Somebody', featuring some classic amens, and also Smooth for his popping remix of Tantrum Desire's 'Vybez'. Top stuff from a stalwart of the scene.
Review: Marc Hype, boss of German 7-inch label Dusty Donuts, mixes up this seventh volume in Bomb Strikes' 'Funk N' Beats' series. It's an eclectic, funked-up selection that ranges freely through hip-hop from The Nextmen and Red Astaire, 'new old' funk and soul from Speedometer, Soopasoul and the Hot 8 Brass Band, nu-jazz from Nicole Willis and Jazzanova and more besides. Highlights include The Traffic's funked-up cover of Daft Punk's 'Harder Better Faster Stronger', Speedometer's cover of The Chi-lites' 'Are You My Woman?' (AKA 'Crazy In Love'), and Hype's own take on electro classic 'Al Faafyish (The Soul)'.
Review: When we heard the news that Cimm had an album on the way, we could barely contain our excitement. When we then learnt it was to be featured on Sentry, our expectations tripled, and boy does Cimm deliver! The project takes the name 'Unknown Caller!!' and is a perfect embodiment of what today's deep dubstep scene represents, from the irresistible sub pressures of 'The Corner' alongside Rider Shafique to eastern-dub hybrids of 'Blue Sapphire' and lower tempo bass quakes of 'I Am Jack Travis'. The collaborations are fruitful on this one, as Cimm also invites Youngsta, Mr K, SGT Pokes, Riko Dan and Animai to take part in what is undoubtedly one of the strongest dubstep projects of the year.
Review: Guzi is landing on Sub-Liminal Recordings once again this week with a sophisticated and incredibly fun release, one which, if you hear out live, is certain to get you moving. There's a carelessness and a freedom to these tracks and it creates a tangible sense of kinetic movement. The title track kicks things off in style and it's 'Area 51' that really takes the cake, a winding, subby track that flips between roughshod amen junglist work and a more rolling, stripped back tip, including powerful, punchy basses all the way. It's a wicked track and definitely the highlight of the release. 'I Can't' feat. Zoner is another absolute banger but one that's deep and wispy in all the right ways, as stuttering drum lines perforate over monochromatic bassline injections. Sick!
Review: Its festival operation may have enjoyed its most successful year so far, but Dekmantel remains true to its underground roots on this look back at 2019. There's the off beat disco of Freedom Engine, Mathew Jonson's new project, as well as left of centre curveballs from Lamellen and Epsilove. That said, the Dutch collective also understand what's needed to rock a dance floor. Fittingly, 2019 includes the electronic disco of Jex Opolis "Earth Boy" and Betonkust & Palmbomen II's acrid acid workout "Underground Dance Floor", which both appeared on the label earlier this year- as well as the timeless icy techno classic of Terrace's "Bewitched".
Review: As ever with Moonshine Recordings, they have delivered us a seriously top notch selection as they unveil sixteen tracks of sweet reggae bliss. We have one of a line up on the table as we see names such as G Roots, Frenk Dublin, Blind Prophet, Adam Prescott and more throw us contributions as rootsy flavours are given a 2019 face lift. There are some clear standouts from this work, despite all sixteen tracks being absolute show stoppers, including 6Blocc & General Jah Mikey's system-ready stomper 'Too Rude' and the euphoric horn manoeuvres of 'Enchanted Dub' from Halcyonic, G Roots, Digid & Vale. The whole project is excellent, and we are super stoked to have it available here at Juno Download.
Review: Deep In The Jungle Records is a UK jungle imprint that have been making bigger and bigger waves over the past several years, a big part of which is their affinity for fat compilations that straddle numerous sub-genre boundaries and which represent lots of different artists. This next one is about classics and it features artists like Conrad Subs, Kumarachi, DJ Hybrid, Kartoon and more. Conrad Subs is a favourite of ours and his cut, Takeover, is a wicked, deep rolling piece of work that packs a sick bassline, one which makes you think of late-night raving at its finest. This is a top compilation from a star label of the new wave.
Review: Ichisan's 2017 debut album on Bordello A Parigi was arguably a little overlooked, which is something of a surprise considering the quality of the assembled Balearic, synth-wave, nu-disco and Italo-disco tracks on show. Hopefully the same fate won't befall his sophomore set, "Polykarp", because it's every bit as alluring and ear pleasing. It offers up a similarly colourful and vibrant collection of synth-heavy tracks, with highlights including the acid-flecked Italo/nu-disco fusion of "Polykarp", the Lindstrom style space disco positivity of "Kino-Sloga", the Todd Terje-esque Scandolearic dancefloor warmth of "Gonzo-Bossa Nova" and the Italian dream house revivalism of "Halo House".
Review: LSB and DRS: combos don't come any stronger than this! We already know this from incredible tracks like "The View" and "New Day" but The Blue Hour is a whole other level of their soulful prowess. Jazzy, smoky, thoughtful and blues to its very core, there's a musicality and spirit to this album that transcends any genre thanks to both Del's disarming lyrics and barbed charm and Luke's natural soulmanship and sense of groove. From the smoke-stacked horn-based dream "Umbrellas" to stunning cosmic risers like "Keep The Time" and "Could Be" and to every other planet that orbits in between, this is one of the best albums in the D&B sphere this year. We will look back on this as a timeless classic. Essential.
Review: Zombie Recordings always deliver tough, urban-edged sonics that don't prance around or act fancy, they just get down and dirty. Nick The Lot has delivered exactly that here, with a six-track EP of moody tones and no-nonsense drum lines. 'Mosh Pit' is a perfect example of said drums, with impossibly clean hits and a clear sense of space and progression, its bass stabs are almost shadowed out. 'Karma' is the most futuristic, with a deep back end and seriously cool synth spasms that lend it a techier feel than the other cuts on the EP. The other four are equally top-draw - make sure to check these.
Review: So at this point it's difficult to find the words to describe Night Bass, who have pushed out one of the most relentless release schedules we have ever witnessed here at JunoDownload over the last 12 months. The 4x4 giants have here assembled what they believe to be their best releases of 2019 into one handy selection, featuring absolute stormers from the likes of legendary faces such as Taiki Nulight, Shift K3y, Bushbaby, Notion, Corrupt, Phlegmatic Dogs and more, including a feature from label founder and worldwide dance music legend: AC Slater. What a year it has been for Night Bass, and we can't see them slowing down.
Review: DLR is taking a break from his recently exclusive dwelling at Sofa Sound to come up with this, the One More Record EP on C.I.A, a three-track jungle EP which sees the Bristolian step over onto the breaksy side of things for the first time in quite a while. Label bosses Total Science step in on the first track, 'Spluurge, which packs rave-piano influences and a tightly bound knot of central percussion that drives the whole thing forward. Title track 'One More Record' is another highlight, with a slightly stripped back approach that seeks to impress, not overwhelm, a tactic that works wonders here. Top release.
Review: Conspire has been popping up on labels both liquid and otherwise for quite some time now, and if you haven't checked out his back-catalogue we definitely recommend you take a dive one quiet evening. He's next up in the Soul Deep Artist Spotlight series and damn, what an instalment number five is as the man himself rolls out some soul across varying drum patterns and vibes. 'Jazz Fusion' takes the funkiness of Peshay or someone similar and chops it into bits, gullying things out whilst keeping the overall feeling upbeat and energetic. 'Alone With Nature' is also a highlight, another jungle number, this one packs melancholic piano chords and a stuttering drum break which flutters in tandem. Lovely.
Enter The Gates (feat Rider Shafique - Egoless remix) - (4:31) 62 BPM
Enter The Gates (Egoless remix instrumental) - (4:02) 62 BPM
Review: Deep Medi Musik really do have an untouchable knack for finding absolute gems, all holding a strong, front facing system influence, with this latest remix project from Dubkasm, Rider Shafique and Egoless being the perfect example. We find ourselves in the midst of a field of tasty sub designs and eerie compositional designs. Egoless reworks the Dubkasm sound into a slower, more stuttered creation, allowing Rider Shafique's impactful poetry ring out loud and true. What a way to finish up the year!
Kansas City Express - "This Is The Place" - (5:23) 74 BPM
The Soul Tomadoes - "Crazy Legs" - (3:06) 61 BPM
Review: One of two turntablist-oriented compilations this week from School Yard Breaks, but where 'Dusty Fingers' is jazzy and cinematic in mood, this one's smooth and soulful, with cuts from well-known veteran players like Mandrill, Larry Sanders, Con Funk Shun and Silver Convention nuzzling up alongside contributions from lesser-known 60s and 70s artists (The Soul Tornadoes, Kansas City Express, Lee Williams) and contemporary practitioners (Finland's Soul Investigators). Highlights include Silver Convention's phat, sleazy 'Madhouse', Lee Moses's country-soul-blues take on 'Hey Joe', Art Butler's Hammond-tastic 'Soul Brother' and a blistering James Brown medley courtesy of the Max Greger Orchestra.
Review: Monk Audio have a bit of a reputation for spewing out some of the most venomous beats in the business and their talent for pushing some of the best unknown artists on the jump-up spectrum is undeniable. Erritate is holding up that standard and he's doing it in style, something clear right from the start of this EP. 'Skillet' reels you in with a wicked, tech influenced intro, it's murky beginnings moving into a banging build up and then quickly regressing to a siren-like wail of pure energy that's reminiscent of Kings of the Rollers and insanity more generally. The B-side - 'Sauce Pot' - is just as good and rounds out the release in top fashion for this young, Kent based producer.
Review: Nuusic put out some damn good music. In fact, we're still reeling from their Sound of Nuusic compilation and that was months ago and so this EP from Disrupta is a welcome addition to the ever-burgeoning world of D&B. Five tracks long, Karma is a moody, raw release that would undoubtedly sound fat through a soundsystem. This is especially true for track one, 'Origin', a diving, sub-heavy piece of work that gargles on the stabs and bounces on the hits. 'Fire' featuring Zoro has a cool, steppy beat pattern and even bigger bassline to match. Top stuff.
Review: Turntablist-friendly US label School Yard Breaks serve up 25 jazz, funk and soundtrack gems, especially collated with the scratch DJs in mind. It's an approach that throws together some strange bedfellows: Louis Clark's 'Crime' is string-led, suspenseful and cinematic, as is Eugenio Grandi's 'Killer Squad', and Zdzislawa Sosnicka's 'Good Night Darling' is an Eastern European torch song, while other tracks such as Betty Davis's 'Your Mama Wants Ya Back' or Reith's 'No No No' operate in more straight-up funk/soul territory. But if it's simply big, dramatic stabs, jazzy horn flourishes and scorching vocal licks you're after, you'll find them in abundance here.
Review: Solo Moderna is a Dutch producer who hails from Tilburg, and who specialises in eclectic grooves inspired by world music, or in his words, "cumbia, Afro, ragga, electroting, lo-fi and baile". Accordingly, this album - his third - ranges from the Latin party vibes of 'La Bandolera' and 'Feliz Sintetizador' to the Afro-funk of 'Boum Boum', via doses of 1950s Jamaica ('Mento Moderna'), high-life ('Momento Disco') and more. Hammonds, hand percussion and fluttering acoustic guitars are much in evidence throughout but there are hints, too, of a more contemporary, post-house/techno production aesthetic on cuts like 'Sonido SiD Africano'.
Review: Second albums are meant to be difficult but you tell that to Survival and Script and they'll laugh in your prudy little face: Scar's follow up to The Orkyd Project is another remarkable body of work. The first of a three album deal the London duo have with Metalheadz (the first ever deal the label have ever offered any artist) High Fives & Devil Eyes is a powerful jolt of timeless D&B that dig deep into every corner of the genre. From the alluring intro of "Circle Of Trust" to the deep, introspection of the finale "Eternal" via the wonky-assed "Pauline", the scuzzy gritty bass of "First Sound" and trippy funk of the album title track, the only difficult thing about this second album is working out which tune you want to play in your sets first. High fives all round!
Review: The one and only Digital celebrates his label's 50th release with this incredible V/A collection featuring some of the most important names and artists in the movement. Calibre, Klute, Kiljoy, Need For Mirrors, Drumsound & Bassline Smith and many more all feature on the album, ensure the Function signature broadsword, open-armed sound remains as developed and varied as it's known for being. Highlights include Calibre & Jet Li's drum-heavy drama stepper "Least Loved", the unabashed bashment of Digital's own "Dub Conscious", Seba & Jr Vallo's epic growler "Wasabi", DJ Trace's wild breakbeat ruckus "Spirits" and Klute's insane "Sick Of It All". These are just examples of a completely killer collection with no filler whatsoever... All contrasts, shades, styles and energies, Digital doesn't not mess around!
You're My Angel (extended Club mix) - (6:20) 58 BPM
Stem Cell - (6:40) 58 BPM
Review: Dread bossman and jungle pioneer Ray Keith takes us on a serious trip with this emphatic sign-out to the decade... And a hint at the damage he's about to cause with his album in 2020. "You're My Angel" takes the lead. A deeper, personal piece with pop finesse and authentic emotion, Ray reveals some impressive song writing and singing skills on this complete crossover curveball. For balance, "All That Jazz" and "Stem Cell" go in hard; the former hits similar cosmic frequencies as the likes of Mark System and Need For Mirrors with its juicy Detroit inspired synths, the latter is just a good old-fashioned techno-inspired grizzle. Heads down Dread business... Just how we like it.
Review: Bergsonist aka Selwa Abd follows 2017's From Dualism To Monism long player with this collection of left of centre tracks. Drawing on her Eastern roots, Middle resounds to organic drum sounds. At times chaotic and dense, audible on the title track's clattering arrangement, in other instances club-friendly and direct - just check "Gaza Border Violence" or the electronic groove of "Otology" - it marks her out as an artist with a unique approach. In case you are in any doubt about Bergsonist's capabilities, on "Magnesium" she deconstructs beat down house and adds extra, textured layers that are nothing short of hypnotic.
Review: Oh gosh! Current Value hits us hard with his 11th studio album 'Puer'. Released on Serum's Souped Up, it's a no-holds-barred exploration of the jumpier side to his far-reaching range. Big basslines, wily funk, zero-effs-given rave music, it's the German producer at his most playful. Highlights such as the sizzling harmonics of "Contemplate", the deep drones and savage kicks of "Chariot", the rising grainy riff and KO fills of "Pitting" and the reunion with man-of-the-moment Bou on "Running Your Mouth" are just some of the tracks that will melt your skin right down to your bones. And if that's not enough, he's about to drop album 12 on Methlab too. No one's doing it like Current Value.
Review: Liquid drum and bass here in all its bright colours with five tracks good enough for a DJ Marky compilation circa 1999. With stepping jungle influences and subby pulsations abound, they hit soft and subby or sweetly distorted, with vocals, detuned and spacious, colliding in an explosion of melody and unison in "Fools Wisdom", behind leading number "Closed Eye Visuals". Cherry blossoms bloom in "Sakura", while melody and amen breaks take up two different approaches to jungle in "M1" and "It's U", touching on subtle strands of cosmic, pop and R&B.
Review: Oh gosh! Bladerunner touches down with an epic six-track collection on his own Hi Resolution. Running his gully gamut from emotional to electrical to energetical, everything you could possibly need from a Bladerunner EP is right here... The subtle euphoria and piano-touched emotion of "All My Love", the total skin melting sizzles and bassline burns of "Intensity" and the techno-like insistency and dynamism of "Breathe" are just three of many highlights here.
Review: KLP Records are turning 25, a crazy achievement that puts them right up there with Metalheadz et al, and so they're celebrating with a big compilation of tunes. Nicky Blackmarket, Klips & Outlaw kick things off on remix duties for DJ Monk's Touch Me, Tease Me. It's a classic combination of artists and the end result is equally timeless, with a sense of vocal softness descending into hard percussive knocks and grating jump-up synth work. It sets the tone for the rest of the album, which features contributions from Dublic, DJ QT, DJ Vapour and a load more. Unbelievable.