Review: In keeping with the approach of its predecessors, the fourth annual Boogie Angst compilation brings together "cool cuts" from the past year and a smattering of exclusives and previously unreleased gems. As you'd expect from a label helmed by Kraak & Smaak, it's a genuinely joyous and celebratory affair, packed to the rafters with party-starting workouts. For proof, check the revivalist disco-boogie cheeriness of Titeknots' 'Feels Good 2 Me', the future soul shuffle of 'Treat U Good' by Moods, Noah Slee, Lyriya & Meron, the summery electrofunk sunshine that is Art of Tones' kaleidoscopic rework of LUXXURY's 'Just Like It Was Before', the Rhodes-laden warmth of Kraak & Smaak's nostalgic 'All I Need' and the spiritually-enriching Latin deep house shuffle of Osunlade's Yoruba Soul rework of his Casbah 73 collaboration, 'Let's Invade The Amazon'.
Michal Jablonski - "Myszek On Mars" - (4:55) 89 BPM
Review: KR celebrates its fifth birthday with this diverse techno compilation. KR050 gets off to a frenetic start with Clotur's "M33, a peak-time track that resonates to building acid and a firing, angular rhythm. Similar energy levels also fuel the grainy techno of Joton's "Cyber Machinery" and Roll Dann's contribution - the chord-heavy banger that is "Suga Nit White". But it's not all peak-time tracks. Benales looks to Detroit for inspiration to deliver the raw minimalism of "Undo", while a more contemporary take on stripped back dance music prevails on the murky "Lost In The Loop" by KUSS. And Metapattern's "25 Min" is a distinctive, ebm-inspired jam.
Review: Murder He Wrote straight out of Manchester brings a second version to his self titled 'Murder He Wrote' collection of tracks and bangers. Where the first compilation took in some production highlights that dated back to 2016, part two brims with two brand spanking new originals in "Tweet" and "Frozen", while the six others have all been lifted from the guy's massive Roska Kicks & Snares back cat. It provides a step back from the vocal heavy tunes from the producer of late, with the MHW returning to his roots in sub-bass, drums and percussion fully designed for the club.
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