Review: Incredibly, brothers Robin & Simon Lee have been providing us with their slick updates of the classic disco and house sound since 1995! This bumper 25-track collection tells the story from the birth of FA Records in 2006. There's a lot to tell too; it's packed with enough vintage-sounding grooves to shame the Paradise Garage. Highlights include Jay Shepheard's breezy remix of FA's debut "Original Disco Motion", FA's own Rocker's Revenge-esque, "Hypnotic (disco mix)", the linear, chugging arpeggiation of "Touch It" by The Shack, the loopy robot-funk of "Lifestyle 101" by Rudy's Midnight Machine, the moody "revenge mix" of FA's "I Wanna Dancer" and the killer retro house-isms of Miss Cheesecake's "You Must Create", exclusively provided for us lucky folks!
Review: Longstanding west coast jungle informer 6Blocc comes correct with an album of chunky edits. Complementing the lower-tempo "Gritty N Grimey" parallel release with whistle-stop 170 ruffage, each of the 21 cuts take the London template and bake it in classic Cali sunshine. Highlights include the super-freaky Adina Howard reference "Freak In The Jungle", a gun-toting Blackstreet cowboy cut "Diggity" and the Marky-esque soulful roller "Time Flies". Capturing ever deft move of 6Blocc's commitment to the US jungle movement, Cali Jungle is the ultimate document of where both he and his fellow 170BPM countrymen are at right now... And it's a great place to be.
Review: Tru Funk are bona fide bringers of beats to soundtrack any good house party and this Essential Selection of Nu Party Break brings together a complete playlist for Saturday night. A whole load of scratching, sampling and cutting comes from DJs AKA, Axe, Kid Stretch and Rudd and Skandi, while it ain't only new school with more traditional funk jams coming from BMD's "Bad Man". There's also some Daft Punk-meets-DJ Shadow-meets-Stevie Wonder action on Funkanomics "One More Headache", while Funky Boogie Brothers bring back the big beat fun with "Street Jam" - and that's not even the half of it!
Review: LA-based 6BLOCC is really the only dude making some straight up jungle mayhem in the Greater Los Angeles area these days and his Cali Jungle compilations are just about the only class d&b edits out there! This time he's back with round two of the series and it's another thrilling 25 cuts of break-ridden goodness for your Saturday night ruffage! Think Members Only but for old-school UK rave anthems and you're almost there...this is for anyone who is in love with the genre but requires that little extra diversity, that additional touch of funk. What a package!
Review: Big booty business: Actual Sounds cherry picks 20 favourites from 2014's audio assault with party-priming results. A great opportunity to fill the gaps in your collection; highlights hang mischievously from every corner like groove Gremlins from Altered Grooves' monster-mashing "Muppet Funk" to Big Bang Breaks hip-hop homage "Regulate The Dogg" to Actual Phantom's essential montage soundtrack "Fly Tiger". From Rocky to straight-up block rocking, this is testament to Actual Sounds' dedication to edit craft.
Review: What do we have here then? Well Morlack's decided to compile the perfect (digital) stocking filler here, with the 33 tracks bumper compilation Essential Blasters on his mighty Funk Blasters label. Essentially we get many tracks from a small pool of artists, but that's cool because it's literally chocker with party anthems, all perfect for the festive season. Highlights include the brassy, go-go stomp of Morlack's "Put It Out", the raw breaky funk of "Lemme Talk" by Itchy Bastards and the 4/4 rockabilly swagger of "Elephant Boogie" by Mondo Exotica.
Review: LA's most annihilistically prolific bass fiend 6Blocc returns with yet another full length collection (his fourth this year so far) This one pays special dedication to jungle's deepest foundations with twisted amens, mangled synths and raucous MC calls to action. All tailored for the floor and your chaotic creative mixing pleasure, highlights swing like gremlins from every snare roll and edit. Big moments include the traditional organ skanks of "Jungle Lick", the rubber-ball subs of "Original Junglist" and the chalice-chuffing vocal flexes of "Reggaematic Style". Bona fide roots business.
Review: Valique must have the world's largest record collection, as he is now on his fourth anniversary re-edit compilation and still shows no signs of stopping. This time round we get a whopping 28 reworks to choose from. It's packed full of copyright dodging megahit reworks including "Booty Itching" which features a super-teased KC & The Sunshine Band sample, the trippy acidic rework of Owner Of A Lonely Heart by Yes and dreamy disco laser-fest "When Did I Stop Loving You". Party gold.
Review: If life teaches you anything it's to expect the unexpected. Here the mighty re-edit label Katakana deliver their 42nd instalment of scapel jobs. However, this time, rather than have a specific producer curate an EP, they've shaken up the formula and delivered a compilation of edits. There's a whopping 24 reworks to enjoy too, many thrills and spills, but our favourites include Morlack's explosive drum-lead MJ cover, "Don't Stop", Mister Vagz' corny 60s mash-up "Love Me Venus" and Dim Zach & Deem's baggy rework of the Happy Monday's sublime "Loose Fit".
Review: This decidedly epic collection marks Katakana Edits's first foray into the compilation market and is designed as a "best-of" style outing. It boasts 30 reworks, mash-ups, remixes and re-edits gleamed from the prolific imprint's first 50 singles. Naturally, club-ready material comes thick and fast, with a multitude of genres - think swamp funk, disco, dub disco, electrofunk, Italo-disco, hip-hop, reggae and dancehall - and wide variety of tempos represented. Naturally, some of the reworks tend towards the well known, though there are also plenty of rubs of lesser-known gems for those who want to dig deeper than familiar peak-time anthems. Most importantly, the standard remains impressively high throughout.
Review: Valique celebrates six years of consistent edit gold on his 12-year old Vehicle imprint. Digging deep across the collection he whisks us through the feels with a supreme range of instant party-pieces. From the blonde ambition of the slinky "Appelle Moi" to the freaky upbeat ground control of "Oddity" via the insane stretch and slap of "What The Hell?" and his versions of "Human Nation" and "Give Me Shelter", this is an immense set that brings us all up to speed and gets us excited for the next six years of edits. V stands for Very good music.
Review: In which no fewer than 24 rock and indie classics get reworked for the dancefloor. Admirably, the mysterious V avoids the temptation to simply whack a 4/4 kickdrum under everything - in fact, many of the cuts could better be described as remixes or reworkings rather than simple re-edits. Inevitably, some of the resulting concoctions work better than others - and which you think that applies to may depend on your views on the original source material - but if you're looking for a way to drag non-house/disco lovers onto the floor, this collection should serve you well.
Review: The second instalment of Licked Out Funk on Funk Fusion is rip-roaring to say the least, as all 28 tracks were brought into this world with the sole purpose of getting you moving, something accomplished through big drum hits and recognisable samples. Almost every track on this compilation has a sample you'll recognise; 'Come To Skanker' is a distortion of Beatles classic 'Come Together', 'Ain't No Funkin' does a good job flipping Chaka Khan's original 'Ain't Nobody' and 'Trippin Biggie' gives the funk treatment to The Notorious BIG. This is a feel-good album of still quality tracks and you'll have a hard time not moving to the procession of boom-bap drums, big synth lines and sense of retro nostalgia.
Review: This is a unique release of hip-hop influenced soul and funk drum & bass, tailor made for the relaxing lifestyle of Venice Beach. There are fluttering breaks, whispering basslines and endless minutes of voluptuous soul, which roll out alongside touches of menacing vocal to really add some oomph to the release. 6Blocc has killed this collection, and his remix of 'Time 2 Shine' is packed with retro 90s vibes, as spoken samples hover over an instrumental of pure vibes. Wonderful stuff.
Review: This impressively expansive collection from experienced remixer Valique showcases some of the best downtempo and Balearic edits from his popular V's Edits series. There's certainly plenty to get the blood pumping and the juices flowing throughout, from a chugging, ten-minute take on Pink Floyd ('Brickwall') and a pleasingly squelchy take on Daft Punk and Pharrell Williams' 'Lose Yourself To Dance' (here renamed 'Lose Your Elf'), to a chunky dub-house re-imagining of Jimmy Cliff classic 'The Harder They Come' and a loopy, hypnotic, mid-tempo disco-rock revision of T-Rex ('Jewelry'). Throw in party-hearty takes on cuts from Marvin Gaye, Michael Jackson and the Beach Boys (an odd but impactful reimagining of 'Good Vibrations') and you have a great value compilation.
Review: It's a great sign of the state of music when the tenth installment of Tru Funk's Tasty Beats series, which normally features about five tunes, boasts 21 fresh new cuts! It's a veritable feast of party mash-up bangers, with something for everyone. Highlights include the funky Khia/Snoop blend of "Gangsta Lick", the cut-up electro-funk of "Golden Ass" and the hands-in-the-air Stevie Wonder madness of "Party Like We Do".
Review: In 2010 London/Kent based label come agency come promoter Digital 6 started from the bottom, fast forward 7 years and they have built a solid following and are well respected by peers, critics and most importantly fans of music. This mammoth album show cases the 'Best Of' the imprint with a massive 36 tacks. Ranging from the gloriously sun-kissed, ragga jungle tips 'Let's Go This On' and 'Stay Strong VIP' to the hard hitting hip hop dipped 'In The Hood' and 'Gotcha Back'. The album also comes with some interesting remixes like the dark and brooding jungle remix of '50,000 Watts and the beautifully sinister remix of Portishead's 'Humming Darkside'. If you're into eclectic, well-crafted quality drum and bass, this album is well worth the long listen.
Review: Alert: another Actual Sounds release has arrived! New school nu-skool breaks, if there ever was such a thing! These guys are not messing around and here's why: They start off with a block rockin' remix of "Twist & Shout", "Cypress Pills" is, well... But wait there is more: "2Pac Wine" is a mashup on "Red Red Wine" and a rap by the late great rapper. Elsewhere "Get Your Hold On" mashes up in style again merging Missy Elliot and Kanye, "Love The Police" samples N.W.A. over some fierce Meat Katie style breaks and we'd best not forget "Buttersweet Symphony" which samples 'that' famous track by The Verve over some more fierce breakbeats for U.K. dancefloors. The definitive party starter!
Review: This latest offering from the shady Katakana Edits crew makes their previous offerings seem positively anemic by comparison. Boasting a whopping 22 tracks, it's almost certainly guaranteed to provide decent ammo for every house party imaginable. Highlights include the chugging electro dub sing-along "Shakka Boom" by DJ Clairvo, the p-funk meets disco of vibes of "Miami Freaks" by Lee Zamah and Timewrap's pumped up version of The Velvettes's perennial Motown classic, "He Was Really Sayin' Something".
Review: Valique's V's Edits reworks have long been some of the most popular re-edits on this platform, with DJs responding not only to their floor-friendly nature but also the wide range of sounds and styles he turns his hand to. So, what's on offer this time around? Well, for starters Yellow Blues is raising money for victims of the war in Ukraine, a country to which Valique has family ties. As usual, it's a mixed bag of goodness, with highlights including a squelchy, TB0-303 speckled take on a Johnny Cash classic, the chugging nu-disco/swamp blues fusion of 'Was It Worth It?', a fine revision of Rodrigues classic 'You Can't Get Away', a housed-up tweak of an old Doors gem ('Learn To Forget') and a toe-tapping, club-ready revision of Kenny Rogers' sing-along 'Just Dropped In (to See What Condition My Conidtion is In)'.
Review: Paris DJs earned themselves a serious reputation as kings of the compilation with their online mixes notching up 3.7 million (or so they say) downloads. This popularity led to them releasing many official and fully licensed themed comps. However although they've previously explored Afro tropical, psychedelic, jazz and hip-hop themes, they've never touched on funk and soul...until now. They've dug deep here too, providing 15 very different interpretations of these styles including the eerie electro-funk of "Brassa Nova", the chilled out funky hip-hop of "Return Of The Dig-Fu" and the retro analogue shuffle of "Thinkin Back".
Review: Tumble Audio has been providing us with seriously killer bass music for a few years now, and here they celebrate reaching their tenth release by recruiting Roadman Joel to curate a selection of the kind of seriously heavy tunes you might expect to hear at one of their many label nights. There's a whopping 18 tracks on here covering a wide spectrum of British urban dance music, including Majora's ridiculously amazing tribal UKF monster "T&C's", A Motion's ghetto 2-step hybrid "Back In Your Love" and Sentiment's wobble-heavy tropical jam, "Change You".
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