Review: NOTE: Remix contest closed on 25 February 2021.
Moveltraxx teams up with Juno Download for a remix contest of one DJ EARL's tracks taken from new album BASS + FUNK & SOUL.
Winning remixer will see their WHAAAM rework officially released in the next STREET BANGERS FACTORY compilation on Moveltraxx and receive GBP100 cash. Second price is GBP 50 worth of Juno Download voucher.
Send in your remix via WeTransfer / Dropbox at info@moveltraxx.club before 25 February 2021. You can download the stems here.
Review: Spanish bass hero A2C is back with a one-track short sharp shock, Sound Boy, following a recent compilation EP. Keeping us on our toes this new track will grab you by the short and curlies and have you dancing on speaker stacks for the next month or so until his next installment arrives. Having said that this song is uncharacteristically mellow for A2C - with a gorgeous, lilting guitar strum evoking thoughts of balmy sunsets whilst a headnodding bassline gently chugs away underneath. Mellow vibes aplenty!
Review: In Flagranti seem incapable of putting out releases that feature more than one track. Of course, when that track is pretty tasty, it's still an enticing proposition. That's certainly the case with "Whenever", which continues their method of blurring the boundaries between re-edits, remixes, and sample-heavy original production. Heavily electronic, a little trippy and seemingly designed for locked-in dancefloor moments, it sits somewhere between groovy proto-house, proto-trance, and the more Balearic end of later Italo-disco. There's also a rather odd spoken word vocal that plays throughout, though it's buried in the mix making it tricky to comprehend. It all adds to the track's inebriated effect.
Review: Composer, arranger, pianist and producer Bebu Silvetti is most famous for "Spring Rain", a Salsoul-released chunk of symphonic disco written and released in 1977. He was responsible some other sumptuous, grandly produced disco cuts during the period, including "I Love You", which here gets a digital reissue. The title track from his 1980 album of the same name, it wraps sugary-sweet vocals in typically undulating strings, luscious orchestration and a no-nonsense disco groove. Production-wise, it ticks a lot of disco boxes - think stripped-back instrumental passages, whispered vocal build-ups, a colossal drop, and so on - and should be considered one of the Argentine's most absorbing compositions.
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