Review: Whenever we see the 1985 Music banner sailing into port, we know we are in for a good time, especially when it carries goods of the level of these from VIsages, who continues to impress with another killer 4 track drop. We open up with the title track 'Dol Guldur', a gnarly fusion of metallic bass tones, neurotic drums and spiced up vocals, followed by Snowy's high energy vocal performance on 'Evidently', a serious grimey throwback. Next, the more ethereal vocal slides and mind-melting synth pads of 'Panacea' flip the themes of the EP right on their head, with a killer vocal appearance from Killa P on 'The Most' giving us the final dash of juice to round this EP off in serious style.
Review: Art of Tones fantastic collaborative EP with live disco-jazz outfit Chatobaron, last year's 'Flight of the Comet', have been given the remix treatment. The EP begins with a trio of takes on 'Ban The Disco'. Crackazat steps up first with a UK garage-influenced deep house revision rich in musical colour, before Bruno Hovart dons his familiar Patchworks alias for a luscious, all-live take that sits somewhere between deep disco, jazz-funk and organic house. If you're looking for a little more energy, check Paul Cut's driving, Rhodes-laden revision of the same track. Elsewhere, the 'Raw Analog Funk Remix' of 'Pendant Ce Temps La A Vera Cruz' is a languid, warm and richly organic deep house treat, while Tiurbojazz's take on 'Flight of the Comet' is a slow-motion, sax and piano-laden head-nodder with added Balearic sunshine.
Review: Long live team Alpha Pup, an excellently organised project that have moved onto the third edition of their epic '20/20' compilation series, exploring the most lethal reaches of underground bass music. Featuring hard hitting originals from the likes of Ivy Lab, Dismantle, Rocks FOE, Bakey and more, it's clear that the team have gone all out on this collection, with sounds ranging as wide as the hardcore inspired mysticism of 'Naananaana' from Rohaan, to the industrial techno-flavours of Ila Brugal's 'Cynical'. The whole project packs a punch, but our highlights would have to include both the intense metallic madness of Deft's 'OKURTHEEXPERT', alongside Manni Dee's monstrous 'Wet Slide' creation. Top work all around!
Review: In keeping with the approach of its predecessors, the fourth annual Boogie Angst compilation brings together "cool cuts" from the past year and a smattering of exclusives and previously unreleased gems. As you'd expect from a label helmed by Kraak & Smaak, it's a genuinely joyous and celebratory affair, packed to the rafters with party-starting workouts. For proof, check the revivalist disco-boogie cheeriness of Titeknots' 'Feels Good 2 Me', the future soul shuffle of 'Treat U Good' by Moods, Noah Slee, Lyriya & Meron, the summery electrofunk sunshine that is Art of Tones' kaleidoscopic rework of LUXXURY's 'Just Like It Was Before', the Rhodes-laden warmth of Kraak & Smaak's nostalgic 'All I Need' and the spiritually-enriching Latin deep house shuffle of Osunlade's Yoruba Soul rework of his Casbah 73 collaboration, 'Let's Invade The Amazon'.
Review: Midnight Riot do their bit to address the much-discussed gender imbalance in dance music with a 25-track collection featuring an almost entirely female line-up (though a few possessors of Y-chromosomes do sneak in as collaborators). With big names like Kathy Brown, DJ Paulette, Rowetta, Caron Wheeler, Sulene Fleming and Natasha Kitty Katt nestling up alongside a host of more up-and-coming artists, the quality standard is high throughout, with the musical emphasis largely on good-time, Saturday night house and disco vibes, though there a few more gently paced moments - notably in the form of covers of Bobby Caldwell's 'What You Won't Do For Love' and Sade's 'Sweetest Taboo' - while Paulette & Massey serve up a pleasing dose of acid on 'Sheroes'.
Review: Monty Luke's Nightdubbing project on Rekids was designed to showcase the Black Catalogue boss's deep love of dub-infused house and techno. This 13-track album combines previously unheard cuts with nine tracks previously showcased across a pair of EPs of the same name. It's a fantastic set all told, with highlights including the smacked-out electro-dub headiness of opener '40 Acres and a Terrabyte', the extra-percussive deep dub-house hypnotism of 'Bob Molly', the after-hours friendly minimalism of 'Star Storms', the Detroit-goes-dub techno pulse of 'New World/Old Future', the classic dub techno warmth of 'Dark Paradise', and the dub-wise deep house dreaminess of 'Avantgarde Dancehall'. Throw in a handful of tidy ambient and digital dub tracks, and you have a genuinely superb long-player.
Review: In an industry where the term 'veteran' is bandied about far too freely, Colin Curtis is the real deal! His DJing career goes all the way back to legendary Northern Soul club The Golden Torch in the late 60s. In the 70s, he was a resident at Blackpool Mecca alongside Ian Levine, where he became one of the first DJs to introduce the more modern sound of jazz-funk to the scene. By the mid-80s he'd become an early UK champion of house, too, but these days it's on the jazz-dance scene that he's most revered - and here he serves up a 26-track connoisseur's collection that shows why. Ranging from straight-up jazz and soul to soulful house and leaning heavily towards the Afro- and Latin-flavoured, some of these cuts are recent offerings, some date back as far as the 70s, but on jazz-dance floors, all will go down a treat.
Review: In honour of its tenth birthday, Donato Dozzy and Tin Man's first - and so far only - collaborative EP is given the remix treatment. This time round, it comes in lightly expanded form, with 'Test 3' appearing in two forms: the blissful ambient acid style original mix (a wonderful mid 1990s throwback) and a previously unheard vocal version, which not only adds a drowsy, effects-laden lead vocal, but also a hypnotic, soft focus groove. Elsewhere, 'Test 7' is a fine slab of otherworldly deep house/acid house fusion, while 'Test 2' is a more out-there, mind-altering ambient acid excursion.
Review: The second instalment of Len Faki's remixes see the storied techno producer tap his favourite artists to re-interpret his work. Luke Slater's Deep Heat take on "Shri Yantra" is redolent of his classic Planetary Assault Systems work, with firing percussion and dramatic break downs to the fore. In contrast, Amotik's version of "Make Me Scream" follows a heads-down approach, with haunting vocals wrapped into a bleep-heavy, rolling groove. In contrast, ANNA's remix of "Hymn" is a tranced out, big room track. At the other end of the spectrum, Modeselektor's interpretation of "Don't Be Stupid Day" is a moody electro stepper, led by waves of menacing low end.
Review: Kieran Hebden, better known by his moniker Four Tet, has graced us with his first full-length album in nearly three years. "Three," released on his own Text Records imprint, is a meticulously crafted exploration of sound, weaving together elements of electronica, downtempo, and folktronica influences. The album strikes a balance between organic and electronic textures. Tracks like "Loved" showcase Hebden's signature ability to manipulate found sounds and samples, creating a shimmering sonic tapestry. "Gliding Through Everything" leans more towards the downtempo side, with its gentle piano chords and woozy atmosphere. However, Four Tet doesn't shy away from exploring the electronic realm. Tracks like "Daydream Repeat" feature driving uptempo rhythms intertwined with ethereal piano melodies, showcasing his talent for building tension and release. "Storm Crystals" injects a dose of ambient energy, while "Skater" leans into playful, almost chiptune-like melodies. The closing track, "Three Drums" (another pre-release single), brings back the energy with its pulsating bassline and infectious groove. Not to miss!
Review: It's been slowly drip-fed to us over a 10-month period but now here at last is the full album. On 'Something Like That', Jalapeno bosses Skeewiff celebrate 25 years in the game by paying tribute to some of the music that's inspired them, delivering generally very faithful but also very accomplished reworks of classic tracks by artists ranging from The Winstons and Jimmy Smith to Dick Dale and Herb Alpert. New additions to the roster on this final version include Nancy Sinatra's 'These Boots Are Made For Walking', Muppets 'Mah Na Mah Na', Mel Tormé's Mod club standard 'Coming Home Baby' and, just to prove they're not taking themselves TOO seriously, Boots Randolph's 'Yakety Sax' - better known to most as the 'Benny Hill' theme.
Joaquim Plossu, Salem Focus & Phoebe Train - "Theory Of The Tides" - (5:23) 85 BPM
Review: Laurent Garnier and Scan X's label does a great job in showcasing emerging and established talent, and this split release is no exception. The brilliantly named Return Of The Luddites deliver the raw electro-techno of "Scream Into The Darkness". In stark contrast, Detroit techno-inspired tracks also loom large, courtesy of Skatman's string-filled "Tribute To A Dancefloor" and Squal G's more ominous "Waiting 4U". Mirroring Garnier's own wide-ranging tastes, the release also features the call and response hip-hop/drum'n'bass crossover of Joaquim Plossu, Salem Focus and Phoebe Train's "Theory Of The Tide". Taking the tempo down, Yes Basketball's "Next" is a slowed down, bugged out beatsy track.
Michal Jablonski - "Myszek On Mars" - (4:55) 89 BPM
Review: KR celebrates its fifth birthday with this diverse techno compilation. KR050 gets off to a frenetic start with Clotur's "M33, a peak-time track that resonates to building acid and a firing, angular rhythm. Similar energy levels also fuel the grainy techno of Joton's "Cyber Machinery" and Roll Dann's contribution - the chord-heavy banger that is "Suga Nit White". But it's not all peak-time tracks. Benales looks to Detroit for inspiration to deliver the raw minimalism of "Undo", while a more contemporary take on stripped back dance music prevails on the murky "Lost In The Loop" by KUSS. And Metapattern's "25 Min" is a distinctive, ebm-inspired jam.
Marvin Gaye - "Lets Get It On" (Philly Vanilli mix) - (11:11) 85 BPM
Review: Germany's Philly Vanilli has been around since forever, it seems, but to these ears - and they're ears that have reviewed plenty of his previous releases for this very website - this new set of reworks for Deep Disco Edits is the best work he's turned out so far. He's working with some very well-known source tracks here, so there's no point insulting your intelligence by enumerating them: suffice to say that somehow he's managed to tease the funk out of these much-loved classics in a way that, in some cases, even the original artists didn't manage. Ohio Players' 'Love Rollercoaster' was, admittedly, always a personal fave of yours truly but in PV's hands it becomes a truly exceptional 10 minutes of sheer funk joy, while his reworkings of Marvin, Kool & The Gang and The Temptations are equally impressive. Essential!
Review: Next up from DJ Physical, a fiery four track display expanding across the new school realms of breakbeat, coming to us courtesy of Unknown To The Unknown. We open up with the heavily arpeggiated synthesiser lines and intense 4x4 drum slaps of 'Red Scarf', followed by a switch up in pacing as the more footwork inspired arrangements of 'Still On A Mission' give us a new combination to enjoy. From here, 'A Little Deeper' focusses on dripping percussion and hardcore low ended drum roles, followed by the spacey chord progressions and moody subs of the title track 'Midnight Marauder'.
Review: Fabrizio Mammarella and Rodion deliver a momentous release with Musica E Computer - recorded in the legendary Marche Synth Museum in Italy. The opening track "Iris" sets an exceptional tone, exploring eerie, metallic tropical landscapes, while others like "A Corrente Alternata" and "Un Segnale Di Speranza" showcase Mammerella and Rodion's unmatched partnership, crafting enigmatic, timeless earworms with driving basslines and arcane vocoders. Throughout the album, the duo seamlessly blends synthetic and organic sounds, offering a geographic coda to the Italian region's rich musical history. Musica E Computer culminates in "Una Nuova Era", a transcendent homage to the recording synth drenched studio the album was recorded in which makes for some Italorama to the fullest!
Review: This 2024 reissue of an all time and much love classic Raumgleiter by Der Dritte Raum presents an exceptional concept trance album that remains ahead of its time, defying the stigma once and sometimes attached to the genre. Highlighting tracks like "Hale Bopp" and "Polarstern," which made waves in big rooms at the time, the real gem lies in "Lava," transitioning seamlessly from acid builds to progressive trance, which then leads perfectly into "Hale Bopp." Der Dritte Raum's hypnotic beats and catchy melodies went far to transport listeners to other dimensions back in the day, and a fresh 2024 re-up does the same thing- groundbreaking stuff for trance enthusiasts.
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