Review: As Miami Winter Music Conference spins around for another year so does Toolroom's affiliated compilation showcasing why Mark Night's label remains at the precipice of mainstream club music. Bringing with it two full length DJ mixes and exclusive tracks from crew like Alex Kenji, Jerome Robins and Camila Jun, there's also banging numbers from legends like Green Velvet, Nicole Moudaber and Shadow Child next to Low Steppa and Tony Romera! ESSEL kicks off the compilation with the catchy choral loops of "The Edge", with other highlights to mention across some 50 tracks coming from Martin Ikin's drippin' "Make U Sweat", CASSIM's disco-tinged "Wanna Feel Something" and Carly Wilford's "The Dance". Time to dive into Miami 2024 - Toolroom style!
Review: Acid house in sound but punk in nature, the title of Paranoid London's new album is a reference to "the cavalcade of c***s we find ourselves surrounded by". However, while there is despair there is also hope, and this long player is testament to the power of underground music. Arseholes...also demonstrates the importance of collaboration. Bobby Gillespie croons his way through the gentle tones of "People (Ah Yeah)". At the other end of the sonic spectrum, Joe Love and DJ Genesis feature on the gnarly, 303-led grooves of "Love One Self" and "Up Is Down" respectively. Somewhere between these polar opposites sits the evocative Chicago house sound of "Start To Fade" with Josh Caffe and Mutado Pintado's sonorous vocals on the pulsating "The Motion". Paranoid London proves yet again that when confronted by a***holes, music really is the only answer.
Review: Bufi & Kubebe unveil Sternana Remixes: a collection of reinterpretations from their collaborative EP, initially launched under sister label Fauna Reve. This release introduces fresh perspectives from Balam, Tyu, Mufti, and Hermetics, each infusing the original tracks with their distinctive takes, introducing fresh approaches respectively. Balam kickstarts the compilation with a pulsating remix of acid-infused energy and trance elements, while Tyu's hypnotic rendition of "El Jockey "blends deep drums with psychedelic nuances. From Guadalajara, Mufti delivers a break-driven remix of "Cicatriz" while Argentinean artist Hermetics closes with a captivating version of "Sternana" - luring listeners in with its potent kick and entrancing vocals.
Review: French electronic duo Kimshies, comprised of Peo Watson and Mika Frojman, make a striking debut on Roam Recordings with their EP, End of Love. Known for their fusion of dark, gritty tones, the duo navigates through haunting melodies and intense sonic textures with finesse and grace. The title track, featuring S//Rose, immerses listeners in a raw, visceral take down, while "Spiders in My Head," enriched by CLO's vocals, maintains the EP's dark allure. With remixes by Moderna and Modular Project adding fresh perspectives, End of Love goes the distance.
Review: Dutch producer Tunik takes a sinister turn with his latest release, "Nosferatu," on the revered Dekmantel label. This four-track EP draws inspiration from the classic horror film of the same name, offering up a blend of techno, industrial, and ambient influences that create a chilling and atmospheric listening experience. The opening track, "Death in the Afternoon," sets the tone perfectly. Ominous synth drones and distorted percussion build a sense of dread, while unsettling samples weave a narrative of lurking danger. This is not your typical dancefloor techno; it's a journey into the shadows. "Theatres des Vampires" ups the tempo slightly, but retains the dark atmosphere. Throbbing basslines and rhythmic clanging create a sense of industrial menace, while eerie soundscapes evoke the feeling of being hunted through a desolate landscape. The midway point brings a brief reprieve with "Through the Walls of Auxerre." Distorted yet melancholic piano chords and sparse percussion offer a moment of respite, though the tension never fully dissipates. The EP culminates with "Blood Flower." Eerie whispers and sustained synth notes create a sense of unease, while distant clanging percussion adds a layer of industrial dread. The track fades out slowly, leaving the listener with a lingering sense of unease. A dark and unsettling journey that perfectly captures the atmosphere of the classic horror film.
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