Review: If you're reading this then you will know that Instinct is one of the UK's powerhouse garage labels. Run by Burnski aka James Burnham it deals in serious tackle for rude boys and nasty girls. The drums hit hard, the reversed bassline burn goose old school cool and there gun finger salutes come thick and fast throughout this EP from Mance. 'Checkpoint' opens with the dusty drum shuffles and bulbous bass, then 'The Going Is Rough' is a little more soulful and sweet with its rolling basslines and silky pads. 'Beat 93' closes down with a seriously OG garage sound that takes you back to the mid-90s.
Review: Belarusian producer Four Walls is back - this time around he finds himself on the new Ultraworld Records imprint from DJ Craft. This one kicks off with the lush prog house and silky synth arps of 'Mind Charger' which soon takes you to the stars. 'Metamorphosis' is a more raw-edged and acid-laced techno stomper for peak time action and 'Summer Nights' is a bubbling, elastic tapestry of new age overtones, thudding kicks and trance-tinged pads. A remix by Toronto-based Pletnev adds another dimension to this club-ready EP.
Joy (Dubble D's Nostalgia Piano dub) - (6:32) 124 BPM
Review: 18 months on from his last outing on Exploited, 'Take Me Back', long-serving Mancunian drummer, DJ and producer Danny Ward returns to the popular German imprint with a double dose of dancefloor dubs. Opener 'Joy (Piano Dub)' more than lives up to the promise of its title, with Ward wrapping arms-aloft piano stabs and high-end electronic melodies around a chunky, mid-90s US house bassline and pleasingly weighty drums. He dons the alternative Dubble D alias on the accompanying 'Nostalgia Piano Dub', a hip-house breakbeat-driven re-interpretation that's every bit as rushing and excitable as the regular 'Piano Dub'.
Review: Anastasia Kristensen debuts on Turbo with an unusual take on techno. "I'd Love To Do It" revolves around a grinding, ebm rhythm and features breathy vocals. It represents a new direction for Kristensen and is unlike most contemporary club tracks. She gets back to what she is best known for with the title track, where a sheet metal rhythm, pounding kicks and a gut-busting bass are to the fore. Meanwhile, "Paradox & Puzzle" is a more stripped back affair. Populated by bleeps and raw analogue riffs, it may be a million miles away from "I'd Love To..." but it still has the desired effect.
Review: On her latest release, Kerrie unpicks one of the defining topics of this age - the relationship between humanity and machines. The title track represents a dystopian take on this issue, with waves of droning noise fused with a robotic, stepping rhythm. "Symbiosis" is similarly inclined. Focused on the dance floor, it sees Kerrie deliver a raw, pulsating groove shot through with repetitive, growling riffs. "Technopoly Dream" goes down a different route, as Kerrie drops a stripped back rhythm track peppered with hypnotic vocal loops. "Ode to the D" marks another shift in style - as its title suggests, it's a futuristic paean to the city where techno started.
Review: Leinad's "Electric City," originally released in 1997 and recently reissued on Kabinett 48 Recordings with bonus tracks, is a delightful journey through the heart of deep house. This remastered version offers a chance to experience, or revisit, the sound that captivated dancefloors in the late 90s. The album opens with "In Trouble," setting the mood with a laid-back groove and warm pads. Tracks like "Freak Tonight" and "Pretty Young Thing" showcase Leinad's talent for crafting infectious melodies that lodge themselves in your head. These tracks are perfect for dancefloors or simply cruising down the street with the windows down. While the album leans heavily on classic deep house elements, it throws in some surprises. "Back 2 The 80'S" is a synth-heavy homage to the previous decade, complete with playful video game-inspired melodies. "Let's Snip!" offers a brief intermission with a chopped-up vocal sample that adds a touch of playfulness to the mix. For those who remember the 90s house scene, "Electric City" is a delightful trip down memory lane.
Review: Short Attention, the home to stellar producers like Luke Hess and Santiago Salazar, have put together this split release of new talent. Mane's acid-fried, low-slung roller, "TPB" starts the EP in bugged out mode. The sound of the 303 is also prevalent on Pedro Salgado's "Step 1", but on this occasion, it weaves in and out of rolling electro drums and atmospheric synths. In contrast, Hector Ram's "Rolling 19" sees dubby beats combined with filtered chords, making for a killer deep house cut. Riki's "Narwhals" is of a similar persuasion, albeit with gentle keys bubbling through the arrangement. On "Floating Technique", Alpha also draws on the deeper-than-deep aesthetic, fusing it with a rolling Detroit techno groove.
Review: For those moments when life gets too sweet, along comes Heskk with a big sack of cocoa. Please say hello to 'Living Wonka', a real life chocolate factory of bangers so fat they're almost guaranteed to get you stuck in a tube full of milk. Flavours are full-on throughout the EP but only someone with no tastebuds would say no to the crunchy surprise of 'Fantasy' or the chewy cosmosis of 'Surfer'. As for the trippy finale 'Pike', it'll have you hurling Oompa Loompas around the nearest field within seconds of pressing play. Golden tickets, each and every one of them.
Computer Madness - "Traveling To The Planet Rock" - (6:17) 133 BPM
Hammer - "Red Alert" - (6:06) 126 BPM
OMRI. - "This Is A Test" - (6:30) 124 BPM
Corbi - "Wave Machine" - (6:59) 130 BPM
No_ip - "Social Arcade" - (5:19) 126 BPM
Last Magpie - "Cybernetic Experience" - (3:45) 129 BPM
OMRI. - "Echoes" - (5:31) 125 BPM
Madd Rod - "Deslize" - (6:21) 126 BPM
Stepco - "Lovin' It" - (6:07) 127 BPM
Trutopia - "Peace" - (5:11) 124 BPM
Review: Greta Levska continues her formidable run on Get Physical Music with an Ibiza compilation sampler which follows her 2023 album Flex (for Poker Flat) and EPs for GP like Club Jupiter and Cala Da Bronx. On display here are tracks by JoJo in "Eclipse" with its euphoric progressive house and trance style, to Madd Rod's '80s inspired drive time "Jumping Jacks". Furthermore there's some electro B-boy bangers in Computer Madness' "Travelling Back To The Planet Rock" - NYC in the house - which falls alongside Hammer's disco-inspired "Red Alert". With all that mentioned, there's no overlooking Levska's own "Amps On Route One" - the inspired opener to her piping hot Ibiza mix.
Review: With decades in the industry and an impressive list of over a thousand production credits, Bini's impact on disco-house is undeniable. From his chart-toppers as Eclipse and House Of Glass to his work under aliases like Bini & Martini, Fathers Of Sound, and The Goodfellas, Bini has consistently pushed boundaries with his unique sound. Gianni Bini adds another gem to his already impressive career with his album "The House Of Glass (12 Extended Mixes)" on Groove Culture. What makes this album special is Bini's ability to mix nostalgia with innovation. His extended mixes pay homage to disco's roots while adding a contemporary touch. From the pulsating beats to the uplifting melodies, every moment of "The House Of Glass" reflects Bini's exceptional talent and dedication. With its infectious rhythms and timeless vibe, this album is a must-have for any dance music enthusiast. Groove Culture has truly struck gold with this collaboration.
Review: Gunjack's latest release on Planet Rhythm, DUBWARS 003, is a tightly knit techno experience that propels you forward for its entire 24-minute runtime. The EP showcases Gunjack's mastery of the genre, weaving intricate pulsating basslines with hypnotic grooves, all shrouded in an atmosphere that's both dark and alluring. "The Fat Lady Sings" kicks off the journey with a driving kick drum that sets the pace. Layers of swirling synths build tension throughout, creating a sense of anticipation. A brief moment of melodic respite arrives with "Body Memory," before the unrelenting techno pulse returns in "Footprints In The Snow." This track stands out with its haunting soundscape and insistent rhythm that burrows deep. The closing track, "The Iceman Cometh," delivers a perfectly apt finale, leaving you feeling exhilarated and chilled in equal measure.
Review: X-Ray Ted delivers a heavyweight slice of funk in the form of 'Dance With Me', offering a tantalising glimpse into what his forthcoming debut album has in store. The Bristol producer has once again deftly merged the timeless allure of vintage funk with the energy of modern production. Swaggering horn hooks combine with rolling beats, guitar licks and hip-hop refrains to create the perfect musical bed for the anthemic and soul-infused vocals of fellow Bristolian Carys Abigail. It's no surprise at all that this one already has the Craig Charles seal of approval by featuring in his prestigious BBC 6 Music 'future funk tracks of 2024' show.
XRT: 'Dance With Me' is an ode to the excitement of a new relationship; putting yourself at risk for the potential of incredible reward. Those driving horns scream of promise, and the big slappy drums represent confidence and solidity of intention. As a title, 'Dance With Me' is just as much an invitation as it is a mission statement for the lead-out single of my debut album.
Review: Paying us in full since 1990 long time, Ego Trippin ante up once again with a massive dancefloor tear-up 'Pump Up The Volume'. Cranking up with a massive much-loved sample, 'Pump Up The Volume' hits with pure funk and some fantastic drama. It's in good company too as the rest of the EP is soaking in rude, brash dark funk tear-ups; 'Drop Bass' teases for ages before going full croak, 'Can You Feel It' flexes on some brilliant pent up energy and a brilliant build-up while 'Boogie Man' closes the EP with some of the ugliest sounds you'll find this side of your local Home Bargains. Naughty.
Review: Mr. Ho's "Freak Like U (Whip Mix)" - a remix that injects fresh energy into Masarima's already potent proto-house anthem "Freak Like U." This isn't your typical remix aiming for dancefloor dominance. Instead, Mr. Ho takes an "alternative route to Rimini," a playful nod to the Italian coastal town synonymous with infectious Italo-house sounds. The track retains the infectious energy of the original, but with a distinct acid house twist.
Review: Hold tight Bryan Gee and the family. Now rolling 30 years deep! Naturally they're releasing some absolutely exceptional music to celebrate. Next up in this epic three decade gully marathon are three utter tear-ups. Voltage goes old testament on the jungle slap-about 'Lion Of Judah', Krust and Need For Mirrors' Cloud Lord go ultra trippy and cosmic on 'Ghost Train' while Command Strange and L-Side get pure filthy on 'Angry Tune'. Many happy returns V!
Review: If you're worried about producers spending too long in their studios and not getting enough fresh air, or producers inappropriately dressing for an occasion, then save those thoughts for another artist as Agro is most definitely okay: he's currently out on the piste and he's most definitely wearing the correct gear as 'Ski Mask' will get those cheeks nice and warm with every slope-bound slap. Elsewhere 'Murk Nothing' wriggles and rants with the energy and mischief of a young Tyke, 'Porridge' will heat you up with its sludge, warm oaty vibes while 'Scum' closes on an ice cold vibe. Wrap up warm from face to foot.
Review: Two recent cuts from Russian disco don Alexander Chebankov, better known as Sunner Soul, get handed over to fellow St Petersburg native Unclepasha - whose musical CV dates back to the early 00s - for the remix treatment. His take on 'Right Place', which first appeared on last month's 'Something Good' EP, tones down the boogie and jazz-funk influences of the original and ends up deeper and smoother as a result. Conversely, he's kept the boogie stylings of 'Need You' (taken from February's 'Da Funk' EP) intact and arguably even emphasised them, in a dubbed-out remix that gets distinctly Levan/Peech Boys-esque in places.
Review: As always, the Time Is Now banner is riding high with this top quality six track collection from Nitework providing all the energy a dancefloor needs. We open up with the old school vocal & chord combinations of 'Desire', before the choppy vocal melodic grooves of 'Be There' and colliding percussive underbellies of 'This Ain't Love' take the lead role. Next, a more stripped back outing as 'Lose Control' gives us a moogy drift of a bassline to play with, with the glittering synth work of 'All Night' then arriving for an additional punch of nostalgia. Finally, 'Falling' gives us a killer closer, rounding off this top quality collection with more vocal chopping magic.
Skatman - "Tribute To A Dancefloor" - (6:10) 125 BPM
Return Of The Luddites - "Scream Into The Darkness" - (4:52) 139 BPM
Squal G - "Waiting 4U" - (8:59) 130 BPM
Joaquim Plossu, Salem Focus & Phoebe Train - "Theory Of The Tides" - (5:23) 85 BPM
Yes Basketball - "Next" - (3:29) 60 BPM
Review: Laurent Garnier and Scan X's label does a great job in showcasing emerging and established talent, and this split release is no exception. The brilliantly named Return Of The Luddites deliver the raw electro-techno of "Scream Into The Darkness". In stark contrast, Detroit techno-inspired tracks also loom large, courtesy of Skatman's string-filled "Tribute To A Dancefloor" and Squal G's more ominous "Waiting 4U". Mirroring Garnier's own wide-ranging tastes, the release also features the call and response hip-hop/drum'n'bass crossover of Joaquim Plossu, Salem Focus and Phoebe Train's "Theory Of The Tide". Taking the tempo down, Yes Basketball's "Next" is a slowed down, bugged out beatsy track.
Review: A single-tracker here from Russian DJ/producer Anton Bogomolov, better known as Scruscru, coming as ever on his own Scruniversal label. A title like 'Spring Jazz Session' is always gonna be fairly evocative, so you might think you have a pretty good idea what to expect here already... and you'd be pretty much right. Opening with tinkling keys over gentle percussion before introducing a walking bassline and, eventually, an understated 4/4 kick, this mellow, summery groove with its lead flute line is definitely one for afternoon and poolside sessions rather than Saturday night dancefloor abandon - but served on a good system at the right time, it'll sound just heavenly.
Review: As the matter-or-fact title makes clear, this expansive affair brings together a wealth of tracks from two of Luv Shack's most prolific and consistent artists, Jakobin and ROCTIV. The former steps up first with a trio of tracks. Of these, it's opener 'Drawan' - a deliciously trippy and mind-mangling slab of psychedelic house rich in TB-303 acid bass, fizzing electronics and ghostly chords - that most impresses, though IDM-goes-breakbeat bubbler 'Skulpt' and the deep and trippy 'Octagonal Tribe' are also excellent. ROCTIV drops four tracks, flitting between bass-heavy, acid-flecked breakbeat ('Frenezy', 'Living Art'), re-born early 90s progressive house/nu-disco fusion ('No More Room In Hell') and sub-heavy psychedelic sleaziness ('The Confidence').
Review: Whenever the Infernal Sounds banner is unveiled we know we are going to be in for a good time, this time welcoming the explosive production techniques of Katch inside for a fiery four track drop. We open up with 'Galactic', an erratic combo of sleek & slimy LFO bass notation with unpredictable drum rhythms in toe, followed by a more skippy 2-stepping texture in 'Argon'. Things get super glitchy next as 'Alcubierre' delivers a mind numbing box of sonic tears and rips, with both the stuttered drum funks of 'Lightyears' and more syncopated rhythmic designs of OZ's 'Alcubierre' remix then signing the EP off. Very enjoyable stuff indeed.
Big Miz & Bemz - "Glass In My Hand" - (5:01) 130 BPM
All The Time - (5:16) 134 BPM
Yes - (4:21) 132 BPM
Green Baldy - (4:34) 136 BPM
Acid Dreams - (5:13) 130 BPM
Review: Big Miz makes a triumphant return to Dansu Discs with his latest EP Heartfelt Nonsense - delivering five weighty tracks that epitomise the artist's signature sound. Opening with the collaboration "Glass In My Hand", featuring Bemz, it sets the EPs tone with its deep house groove and hip-hop-infused vocals. Tracks like "All The Time" and "Acid Dreams" showcase Big Miz's knack for blending classic Chicago sounds with his Glaswegian flair, while "Green Baldy" offers a no-nonsense, floor-filling jackin' vibe. Closing with "Yes", Big Miz rounds off the EP with finesse, turning it in with some versatility and infectious beats.
Don't Be Stupid Day (Modeselektor remix) - (5:40) 101 BPM
Waver (Beste Hira remix) - (5:14) 135 BPM
Review: The second instalment of Len Faki's remixes see the storied techno producer tap his favourite artists to re-interpret his work. Luke Slater's Deep Heat take on "Shri Yantra" is redolent of his classic Planetary Assault Systems work, with firing percussion and dramatic break downs to the fore. In contrast, Amotik's version of "Make Me Scream" follows a heads-down approach, with haunting vocals wrapped into a bleep-heavy, rolling groove. In contrast, ANNA's remix of "Hymn" is a tranced out, big room track. At the other end of the spectrum, Modeselektor's interpretation of "Don't Be Stupid Day" is a moody electro stepper, led by waves of menacing low end.
Review: Following outings on Groove Culture Deep, Dobro and Small Great Things, former Endless Music regular Luca Olivitto returns to theBasement Discos for the first time since 2022. The Berlin-based producer has more than proved his credentials of late, so it's no surprise to find that the two tracks on show are both high-quality. First up is title track 'Deep Waves', a gorgeously warming, tactile and sunny slab of nostalgic Italo-house revivalism piled high with jazzy bass, colourful chords and sparkling piano motifs. On 'Down The Line', Olivotto delivers another musically rich and positive slab of retro-futurist deep house that sounds like a long lost workout from 1992.
Review: Since making his debut way back in 2022, Franck Roger has served up a lot of exceptionally good deep, soulful and spiritual house. In its' original mix form (track six), 'Enchanted', featuring Shawn Chappelle, is another high-grade treat - a shuffling, soft-focus vocal house number rich in warming chords, Osunlade-esque spiritual house percussion, meandering guitar solos and chunky bass. The accompanying remix package is naturally very strong too. Fred Everything delivers two takes: a subtly jazz, boogie synth-sporting vocal revision built around bouncy Afro-house beats, and a deliciously dreamy, weightier and more bassline-driven 'Dub'. DJ Spinna dips the tempo slightly on his more relaxed and laidback deep house versions (vocal and instrumental takes are both included), while Demarkus Lewis opts for a more immersive, thickset vibe on his full vocal interpretation.
Review: The Early Reflex team have done a great job pulling together this latest collection from Yraki, who sets out to impress with three hard hitting original rumblers, perfect for those dancefloor switch ups into pure pandemonium. We begin with the lethal reesey growls and hard hitting tripletted drum directions of 'Percolate', packing a serious punch before 'Crawl' again dives into a deliciously designed industrial arrangement, being as unpredictable as it is potent. The kicks then come out to play in force as 'Surge' gives us another heavy thunderbolt that closes us off in top quality fashion. A seriously hard hitting collection for sure.
Donnell Pitman, Wings Of Sunshine & E. Live - "Tonight Ft. Anda" (original mix) - (4:19) 112 BPM
Donnell Pitman, Wings Of Sunshine & Mofak - "Summertime Girls Ft. Anda" (original mix) - (3:52) 95 BPM
Donnell Pitman, Wings Of Sunshine & E. Live - "Get Next To You Ft. Anda" (original mix) - (5:27) 59 BPM
Donnell Pitman & Wings Of Sunshine - "Do You Wanna" (extended album mix) - (4:59) 57 BPM
Donnell Pitman, Wings Of Sunshine & Liquid Pegasus - "Joog With Me" (original mix) - (4:08) 114 BPM
Review: Next month sees the release of Chicago veteran Donnell Pitman's debut long-player 'Brand New Funk' - an album that's long overdue, considering that he made his recording debut way back in 1969! The album's been trailed by a couple of single/EP releases already and now making its debut is 'Tonight', a team-up with (as ever) Chi-town young bloods Wings Of Sunshine as well as the mysterious E.Live and Anda. Once again, smooth and soulful 80s-style boogie is the order of the day, with the package rounded out by four previously released jams: 'Summertime Girls', 'Do You Wanna', 'Get Next To You' and the rawer, funkier 'Joog With Me'.
So In Love (Atjazz Galaxy Aart remix) - (3:39) 122 BPM
So In Love (Atjazz extended remix) - (6:40) 122 BPM
So In Love (Atjazz Extended Galaxy Aart remix) - (6:30) 122 BPM
Review: House music chameleon Atjazz is back on West London's Slip 'N' Slide label, this time revisiting a beloved classic. Back in the day, Kevin Hedge & Josh Milan (known as Black Rascals) ruled the scene with their soulful house anthems, including "So In Love" featuring Cassio Ware. Three decades after it soundtracked countless club nights, the track gets the Atjazz treatment. His official remix retains the original's smooth vibe while injecting his signature sound. Expect a fusion of the song's soulful core with jazzy flourishes and modern production techniques, creating a fresh and captivating soundscape. The release also includes the Galaxy Aart remix, offering a more experimental twist on Atjazz's already cerebral take.
Stefano Esposito - "Don't Give It Up" - (6:44) 116 BPM
Sune - "En Saga" - (5:01) 121 BPM
Jason Hersco - "Everytime" (Girls Of The Internet remix) - (3:41) 126 BPM
Review: Apparel Music's latest compilation series, Coffee Club, has been designed to showcase "laidback vibes and soulful grooves" of the sort that can provide the perfect accompaniment to supping on a latte, long black or double espresso. The six tracks on show on volume one undoubtedly hit this brief, with highlights including the sinewy, ultra-deep, sunrise house wooziness of Apparel Wax's '0091A', the vibraphone-laden, early St Germain-esque wonder of 'Soul Haze' by Sek, the jazzy and dubby lusciousness of Sune's 'En Saga', and Girls of the Internet's deep, dusty and chunky remix of 'Everytime' by Jason Heresco, where vintage female vocal snippets, tactile electric piano chords and a jazzy bassline all catch the ear.
Red Alert (ABSOLUTE.'s High Alert remix) - (5:03) 125 BPM
Review: Belfast-born producer Rory Hamilton, known as Hammer, showcases his adeptness in the underground sound with his latest offering, Red Alert. With a pedigree co-helming Feel My Bicep and releases on Optimo and Shall Not Fade, Hammer's disco sound travels globally. "Red Alert" goes large with its superbly chugging rhythm, featuring a sleazy low end and cosmic arpeggios, grounded by a taught bassline. Its subtly euphoric atmosphere, Italo chord progressions, and retro sound designs inject some vibrant colour into the mix. Shackling up for the single is ABSOLUTE., a luminary of the London dance scene also, who delivers a raw and percussive remix that harkens back to early Chicago house, adorned with rave-ready stabs and energetic drums.
Review: Line up Line up Line up! Check out the remixes here, an all star class from a who's who of deep, housey and minimal class taking on Barcelona producer Karcelen's Jazzpanese album. Get a first undeniable remix for Audio Werner who holds down a groove and that 'Jazzpanese' tip with soft percussion and sustained atmosheres. Micro house legend keeps it techy and quirky with his remix "Shinshi", while the dub tailoring Roger Gerressen gets it deep and blurry with some clear higher end in his rhythmic laced take of "Kokubo". In a more heady direction is Anika Kunst's rework of "Hental". A must have in your bag for summer. Word.
Review: Under the DJ Psychiatre alias, Sylvain Creton is fast becoming a rising star of the current French electronic underground. Further proof of his credentials arrives via 'Glad To Be Back', a four-tracker based on fusing his love of vintage progressive house sounds and the hands-in-the-air rush of piano house. He first gets 'Lost In The New', adding hands-aloft piano stabs, MK style organ motifs and colourful chords to a crispy rhythm track, before opting for a breezier and even more rushing vibe on the similarly kaleidoscopic 'Riding Zone'. 'We Make Records' sees Creton wrap echoing vocal snippets, woozy ambient chords, acid-influenced electronics and jaunty pianos around a shuffling deep house groove, while 'Thinks We Do' is a bubbly, acid-flecked slab of breakbeat house joy.
Review: Five new rubs here of cuts from Dutch producer Isaie's 2022 long-playing debut. 'Psycho' drew on influences like coldwave, new beat and Italo disco, and Gerd Jansen and SHMLSS's remixes of 'ACE' and 'Hypnosis', respectively, don't mess with that script overmuch. Kiara Scuro & Tech Support give 'Psycho' a more radical makeover, transforming the new beat-ish chug of the original into something altogether more upbeat, danceable and acidic, but it's Eagles & Butterflies' two mixes of 'Vice II' that stand out in the reinvention stakes, taking the 80s-style European synth-pop of the original and putting it onboard a remix express that's stopping at house, trance and Italo on its way to the dancefloor...
Review: Next up from DJ Physical, a fiery four track display expanding across the new school realms of breakbeat, coming to us courtesy of Unknown To The Unknown. We open up with the heavily arpeggiated synthesiser lines and intense 4x4 drum slaps of 'Red Scarf', followed by a switch up in pacing as the more footwork inspired arrangements of 'Still On A Mission' give us a new combination to enjoy. From here, 'A Little Deeper' focusses on dripping percussion and hardcore low ended drum roles, followed by the spacey chord progressions and moody subs of the title track 'Midnight Marauder'.
Review: Dutch duo Fouk, comprised of Daniel Leseman and Hans Peeman, unveil their latest offering in the vibrant Mirage EP for Dam Swindle's Heist Recordings! Picking up from their Blue Steel EP of 2021, these four originals take in a blend of funk and disco influences while presenting a dynamic exploration of the pair's musical palette, leaning towards a club-centric vibe. The EP not only highlights Fouk's distinctive sound but also features a powerful remix of the lead track by the talented Hardgroove artist Elisa Bee, adding an extra layer of energy to the record!
Review: Billed as a "tribute to the forgotten late '80s/early '90s era of Bhangra influenced by house, dub and hip-hop", this expansive collection boasts fresh remixes of tracks from Manjeet Kondal's 1986 album 'Holle Holle', and a fresh cut featuring vocal samples from that set. Mr Scruff steps up to provide the remixes, offering four passes on 'Ishkaan de Mamie': a deliciously jacking, proto house-meets-acid house full vocal remix that lasts for just a shade under 10 mesmerising minutes, a sleazy and percussive 'Instrumental Dub', an alternative 'Vocal Strip Down' take with added TB-303 tweaks, and a tidy 'Edit'. Turbotito and Ragz deliver 'Pyaar', a brilliant slab of late '80s style Bhangra/hip-hop fusion with added acid lines. The 'Lovey Dubby Dub' is a sensational alternative pass that's arguably better than the duo's original mix.
Review: Vibe Chemistry applies the science once again as his Make Your Era laboratory welcomes another chemical solution: Medicine. Having broken through on Diligent Fingers' Spynal in 2022, Medicine has since gone on to smash it on Kingdom and Gorilla Warfare and is now already at debut album level with 'The Line'. Hitting all the right spots, the album is a full trip into the heart of the dancefloor with naughty ravey numbers like 'Take Me Up', big vocal cuts such as 'Let Me Go Now' and sexy, sweaty weapons like 'Make It Rain' and plenty of heaters in between. High recommended. Follow 'The Line'!
Shut The Lights Out (Birdee remix) - (4:11) 116 BPM
Shut The Lights Out (extended mix) - (6:51) 55 BPM
Shut The Lights Out (Birdee extended remix) - (6:39) 58 BPM
Review: "Shut The Lights Out" is a funky throwback brimming with infectious energy, courtesy of Berlin production duo Lovebirds and vocalist NILE. Lovebirds channel their well-regarded love for 70s and 80s sounds into a groovy production. The foundation is an arresting funk beat, bolstered by classic disco instrumentation and dreamy synths. NILE's vocals are the perfect compliment, with a motivational spoken-word style that adds another layer of interest. The package is completed by a remix from disco aficionado Birdee, who takes the original's sparkling energy and adds their own signature touch. Birdee's remix is an upbeat and spacey take, perfect for extending the dancefloor journey.
Review: Next up on Binary Cells is Klint with this hard-hitting release. The pounding, industrial rhythm of "Atlas" gets Son Heros off to an intense start. There is no let-up on "Mental 89", where Klint drops a dense, banging track. While the title track integrates trancey riffs with robust tribal drums, it is still primed for the dance floor. On "Supervision", Klint continues this approach as a surging bass ripples its way through a looped groove. There are some exceptions to the prevailing intensity: "Requiem RK" is a heads-down ebm workout, while "Cinq Sections" is a dub-influenced track, but one that still packs quite a punch.
Western Union (Endrik Schroeder Slicing remix) - (6:18) 130 BPM
Review: Fresh from making his bow on Bordello a Parigi with the quirky (and rather good) 'Synthesizer Hits II' EP, Marc Pellerin AKA Panthera pops up on Melodize with another strong offering. Title track 'Hustle' is a bright, breezy and seriously colourful slab of synth-powered nu-disco joyousness - all Chris Lowe chords, jaunty melodies, sequenced Italo-disco bass and unfussy drums, while 'Western Union' is a more throbbing and pulsating slab of wall-of-sound Italo-disco with progressive trance flourishes. Lauer opts for a Pet Shop Boys-go-Balearic vibe on his rework of 'Hustle', while Endik Schroeder joins the dots between neo-trance and surging Italo-disco on a fine remix of 'Western Union'.
Review: Gee Labe won plenty of plaudits for his Toy Tonics label debut, 'Metamorphosis', when the EP dropped back in October 2023. Hopes are naturally high then for the Barcelona-based Venezuelan's speedy sequel. She hits the ground running with Mabreezee hook-up 'Monkeys', where squelchy synth-bass, dreamy chords and even more soulful vocals wrap around an extra-percussive mid-tempo house groove. New York combo Musclecars join forces with Kamaal to deliver vocal and instrumental takes that successfully re-cast the track as a slab of broken beat/Italian dream house fusion. Completing a fine package is bonus cut 'The Fourth', where Lane rushes off on a 1989 style piano-sporting, breakbeat-driven house tip.
Review: Fresh from a tasty line of breaks dispatches on Space Pizza, Sick Run kicks down the doors of Bass Rabbit with four absolutely brutal slabs of D&B. All flexing heavily on the jump-up / dancefloor vibe, energy levels are set high with consistency and clarity: 'Donkey Rave' kicks hard with its woozy, intoxicating vibe and disarming mood while 'Fu Da Beat' maintains the pressure with more of an angular, spiky type of riff. Elsewhere 'Hold It Down' goes pure neuro while the finale cut 'Just The Fuck' brings the EP to an almighty close with some of the hardest vibes on the EP. Go ape!
Review: Ostensibly a response to techno being 'in such a sorry and predictable state', Full Pupp's latest compilation goes off in a number of wonderfully captivating tangents. Label owner Prins Thomas' "Mere Apokalypso" is a tripped-out groove, while his take on Synk's "Tool Mix" is an acid-laced chugger. In contrast, JaddajaddaPlay's "Bird No Bird" goes down a percussive route. Despite the title, techno does make an appearance. Blackbelt Engh Rhythm Combo's "Frydenlyn" is a rolling tribal affair, while trance influences bubble to the surface on Christian Engh's dubbed out "Khonsu" and Karolinski's high-paced, melodic "Slutt A Mase Eg Har Ikkje Spelt Pa Ei Veke".
Review: As Peach Discs celebrates its 20th release, Saoirse graces the milestone with a five-track EP showcasing her signature tough yet sensual style. In the midst of lockdown, Saoirse crafted tracks like "Vampire Heart" and "Catfished" - each reflecting the emotional rollercoaster of the pandemic era. "Vampire Heart" then captures the hope of emerging from isolation before as the EP unveils sounds from the artist's 'tribal era' with tracks like "Mangomouse" and "Heated Cloud". Both delve into rhythmic depths, revealing Saoirse's natural affinity for percussion, downing her drumsticks for electronic beats.
Review: Bombstrikes welcomes a new collaboration to the label in the form of Boydex, Swim Inc and Lickweed. While these talented artists are making their debut as a trio on the label, their reputation precedes them, having amassed a dedicated following for their eclectic blend of funk-infused rhythms and electronica. "Out There" exemplifies their collective brilliance. Seamlessly merging bluesy undertones with pulsating midtempo basslines and turntablism
Swim Inc: "Teaming up with Boydex, we set out to create something of a stompy banger, walking the fine line between organic bluesy grooves and chunky basslines. To tie the piece together, Lickweed built on those blues band vibes to deliver a guitar solo with a technical turntablist twist and turn the track into something truly out there."
Review: Following his recent outing on Planet Rhythm, Gustavo Bassani delivers this killer four-tracker for Truncate. "Liquid Cave" is a fast-paced, distinctive affair. Resounding to a combination of funk bass and stripped back drums, it is sure to stand out from the slew of high-tempo tracks. "Basement Tool" is a chord-heavy track, with a looped vocal adding an extra layer of drama. On "Synthesize", a steely, angular rhythm prevails- and its grainy undercurrent is offset somewhat by a pitched down vocal sample. Remaining in a similar field is "Hip Stretch". Bassani delivers a niggling, bubbling groove that acts as the basis for raw, analogue builds and drops.
Review: "Emerge" is a phenomenal debut album that cements Berlin-based producer Red Rooms' position as a rising star in techno. The LP seamlessly blends driving energy with subtle experimentation, offering a well-rounded listening experience for techno purists and newcomers alike. Red Rooms' signature sound is on full display throughout the album. Clandestine sonic textures and short, infectious melodies intertwine with the powerful, locked-in grooves that propel each track forward. The album boasts several tracks primed to ignite dance floors. "No Turning Back" is a prime example, with its rave-ready stabs and relentless energy. "Transcendency" offers a more alien twist, merging driving techno with otherworldly drum patterns that will leave listeners mesmerized, while "Cypher" showcases Red Rooms' understanding of minimalism, channeling the spirit of Robert Hood with its stripped-down yet impactful groove. A must-listen.
Review: Two Chi-town veterans scene join forces with predictably fine results that are served up in three quite different mixes. In its Original form, 'Body Jerkin' is a disco-house paean to the delights of the dancefloor with a full vocal from Everett, live-sounding hand percussion and naggingly familiar disco strings. The Chicago Mix kicks much harder from the off with rock-solid 4/4s, but almost immediately takes a far jazzier turn with meandering, wigged-out keys, Everett getting his scat on and horns joining the party around the three-minute mark. And then there's the Disco Mix, which opts for a more 70s-ish sound palette but takes a looping, cut-up approach. All three are eminently playable but the Chicago Mix is the one for the proverbial 'heads'.
Sunday Noise & Ben Finx - "Get It For Me" - (5:57) 129 BPM
Junior Souza - "Saw That Girl" - (5:05) 132 BPM
Review: Manda Moor and Sirus Hood's Mood Child imprint unleashes Gangsta Moods, a VA compilation so on the edge it verges on the illicit. Opening with Chicago House legend DJ Sneak's "Lower Level", the album sets a high bar with its iconic rolling groove. Sirus Hood and Gui Wittckind deliver a collaborative powerhouse with "HOT!", while De Angelis makes a striking label debut with "FKING INC." delving into deep grooves and industry truths. SAMIR and INDECK team up for the gritty "MTFKS", Buogo returns with the deeper "Angle", and Sunday Noise and Ben Finx blow up the dance floor with "Get It For Me". A Gangsta Moods is a tour de force and solid showing of the diverse talent within the Mood Child roster.
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