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004
04 Sep 15
04 Sep 15
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ARTSX 033
23 Dec 22
23 Dec 22
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B12 126
30 Apr 09
30 Apr 09
Review: There's no doubt that 90s UK techno is popular again - just look at Discogs prices for confirmation of the renewed interest in this form. But what do those revered acts sound like now? The exhaustive 2016 compilation, Brainbox, did much to shine a light on those artists' current trajectory and this follow up remix package also does a fine job. The Black Dog deliver an atmospheric ambient take on Scanner's "Eros", while on Future Sound of London's "Monolith", a somewhat bleaker, dystopian take on ambience is audible. That said, classic UK techno also had a place on the dance floor; Kirk Degiorgio's tunneling take of B12's "World's End" - remixed under his Future/Past name - and Mark Broom's skeletal electro version of the same track show that nearly 25 years later, that this remains the case.
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ASGDE 012
17 Mar 17
17 Mar 17
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B 12125
30 Mar 09
30 Mar 09
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BNR 232
27 Oct 23
27 Oct 23
Played by: Juno Recommends Bass
Review: Next up from the Livity Sound Recordings team we have a very tasty little number here from Bakongo, who brings forward three extremely well thought out UK Funky heaters, perfect for the closure of the Summer season. Firstly, we dip into the incredibly vibrant percussive power and compositional freedom of 'Momoweb', a stunning piece of original rhythmic mastery, chased up by more incredible drumwork with 'Disposition'. The overall feel of quality that the release boasts is then certified as 'Goulbap' continues with the fantastic work to tie this one up in serious style.
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789 YTIVIL
06 Sep 19
06 Sep 19
Review: Rocking up to his regular home at 50 Weapons, Bambounou brings yet more of his playful, experimental bass music to bear with this rock solid three tracker. There's a great focus on wild, disorientating noises hammered into solid rhythms, whether it's the metallic swirls that slop around the insides of "Filled", or the jerky tap drips that inject the funk into "Brim". Aside from the spicy sounds, there's also plenty to hold onto, not least with the whopping great chord stabs that also inhabit "Brim". Having said that, "Boarder" is more intent on plunging you into a bizarre soundworld of bold VHS synth drones and snaking percussion that seems intent on dodging the groove at all costs.
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50WEAPONS 026
01 Jul 19
01 Jul 19
Played by: LeTo
Review: Making the leap to ClekClekBoom Recordings after emerging through Sound Pellegrino, Bambounou is fast making a name for himself with a raw take on garage dynamics that pares the two-step down to bare elements that smack hard, especially on the huge, string-drenched pressure of "Night". "Brawl" meanwhile gets a touch more hectic in the jagged groove and manic vocal chops, although the subtle synth touches cool off the oddball madness just enough. For all the primal production values, Bambounou clearly knows how to execute ideas with a maturity that belies his experience to date.
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63494
23 Jun 14
23 Jun 14
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CLE 018
14 Apr 24
14 Apr 24
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406179 8652495
03 Jul 20
03 Jul 20
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BSC 030
28 Nov 14
28 Nov 14
Review: On his debut solo LP for Ostgut Ton, Leisure System co-founder Sam Barker turns his focus toward the psychology behind the musical decision making process, with solutions for 'quantifying pleasure, abolishing suffering, and the ethical use of drugs and nanotechnology' - being just some of the themes over its nine tracks, with a strong aesthetic of dub techno throughout. From thought provoking IDM cuts like "Posmean" or the particularly cavernous "Gradients Of Bliss", right through to moments of emotive techno-soul as heard on the title track and the transcendental ambience of "Wireheading" - 'Utility' is a non-ironic musical approach to a whole spectrum of utilitarian and transhumanist ideas.
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OSTGUT CD 46 D
06 Sep 19
06 Sep 19
Review: While it may not seem as familiar as other artists, Sam Barker's relationship with the Berghain / Ostgut axis is long-established. Working together with Andy Baumecker, he has released a series of albums and Eps for the label, while his own imprint, Leisure System, has hosted nights at the hallowed Berlin club. Now flying solo with Debiasing, he reveals a more contemplative edge to his sound. "Cascade Effect" and "Look How Hard I've Tried" are led by atmospheric chords and gentle bass tones, while on "When Prophesy Fails", he offers up a similar, albeit slightly more frosty melodic sequence. Clearly there is a lot more going on to Barker than dance floor techno, and even the warbling rhythm of "Filter Bubbles" is complex, intricate - but always intriguing,
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OTON 112DIGITAL
01 Jun 18
01 Jun 18
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CNC 030
15 Apr 15
15 Apr 15
Played by: DIONIGI
Review: Bartellow is German producer Beni Brachtel, an artist that has been in involved with Lovefingers' ESP Institute for some time and as a member of label favourites Tambien, alongside Marvin Schuhmann & Valentino Betz of Public Possession. It's a pretty diverse affair on his debut Pankorama LP, starting off with the rather rather Pal Joey sounding "Sala Sensi" before he dives into some cosmo-balearic tinged ambient on the lovely "Clypp". Dusty swing-fuelled underground house is covered covered on the appropriately titled "Shufflington" or especially the stopmin' "Operator In Excelsis". "Notion" bridges the gap between label head Andrew Hogge's fascination with the exotic and analogue electronics wonderfully.
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ESP 046
07 Apr 17
07 Apr 17
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PRRUK 069
25 May 09
25 May 09
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MORD 069
26 Jun 20
26 Jun 20
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120237 9961151
04 Apr 08
04 Apr 08
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110477 1733894
01 Apr 04
01 Apr 04
Review: There's been a fair bit of hype surrounding this second album from Stuart Li under his now familiar Basic Soul Unit guise, and it's not hard to see why. Dropping on Dekmantel some three years on from his Still Music released debut album Motional Response, Under The Same Sky revels in its' instinctively atmospheric and floor-friendly blend of classic Detroit, Chicago and - more surprisingly - British techno influences. As usual, the chords are deep and spacey, the melodies bold and shimmering, and the beats rough and ready. The results are splendid from start to finish, with the early LFO-influenced smasher "Fate In Hand", thunderous "Temptress" and sci-fi brilliance of "We All Want To Believe" amongst the numerous highlights.
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DKMNTL 028
23 Nov 15
23 Nov 15
Played by: Paul Mac
Review: It sounds like Basic Soul Unit is following a decidedly US techno tradition on this outing for Steffii's label. The 'deep' mix of the title track unfolds over break beats and a pumping bass, and the dreamy, atmospheric synths have all the sense of wonder of the early Motor City techno of Kevin Saunderson and Octave One. "Delve Into" follows in a similar vein with tough drums giving way to ghostly, enchanting vocals. BSU channels the tougher E-Dancer sound for the 'Bang' version, with the break beats crashing in over the churning bass, while only "Snow Drifts" has a real contemporary flavour thanks to its churning, relentless filtering.
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DOLLY 21
30 Mar 15
30 Mar 15
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LBRMD 004
16 Dec 20
16 Dec 20
