About Techno: From it's origins in Detroit during the late '80s courtesy of pioneers Juan Atkins, Derrick May and Kevin Saunderson, the sound of techno rapidly made its way to New York where they soon heard Joey Beltram's anthemic 'Energy Flash' under the strobelights. By the time the Motor City's second wave had arisen, there were the politically charged themes of the seminal Underground Resistance collective, while in neighboring Windsor (Canada), Richie Hawtin and John Acquaviva's Plus 8 Recordings similarly harnessed the sound's powerful energy - taking it to new heights with their industrial influences. Meanwhile, Carl Craig's idiosyncratic style expanded on the genre's futurist themes to create some modern masterpieces in 'dancefloor drama' with his Planet E label, and by the mid '90s techno had become a true underground movement sweeping through much of the Midwest - with legends such as Freddy Fresh, Woody McBride and Dan Curtin leading the charge.
By the time techno had crossed the Atlantic, it had spawned several movements across Europe, all giving their distinct take on the sound. In Germany, a true subculture was forming in legendary clubs such as Tresor (and its affiliated label) and E-Werk as well as in Frankfurt at The Omen or Dorian Gray. Over in The Netherlands, Orlando Voorn was one of the first Dutch musicians to establish a vital connection between Detroit and Amsterdam, alongside Steve Rachmad, Speedy J and local heroine Miss Djax. Also of importance was Belgium, particularly Ghent, where the respected R&S Records had formed - introducing the world to the 'rave' sounds of C.J. Bolland and Mundo Muzique. By this time, the jackhammer staccato rhythms of the 909 drum machine had become a trademark, accompanied by mentalist synth sequences - from most notably the TB-303 (among others) - all geared to create a 'Higher State Of Consciousness' on the dancefloor.
Said to be a reaction to this sensational aesthetic, former Underground Resistance member Robert Hood stripped the sound right down to its bare hypnotic elements, a path similarly explored by Daniel Bell (under his DBX moniker) and another Detroiter named Terrence Dixon - who coined the style on his release aptly titled 'Minimalism' (1995). But whether its the 'hi-tech soul' emanating from the Motor City, the entrancing 'Sound Of Rome' popularised by Lory D or the austere intensity currently heard from the dancefloor of the legendary Berghain - it's all unified by one singular groove.
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